New Books In Literature

Back in 1997, when Anthony Valerio’s Conversation with Johnny was first published, the world hadn’t yet seen The Godfather, The Sopranos, or Goodfellas. In this slim volume, Valerio explores two distinct Italian American stereotypes: the dashing man about town and the successful gangster. Nicholas, the descendant of parents who emigrated to America, goes back to the old Italian New York neighborhood where Johnny, the old but still powerful gangster resides, surrounded by acolytes and luxury. The source of Johnny’s power and wealth is assumed to be crime, but he is is a caring and nurturing godfather, listening closely as Nicholas cries about his married, lover calling it quits. He is also a ruthless don who can shower Nicholas with wealth, get him a job as a maître-d at a famous restaurant, or create a retirement home for Italian American Writers. But he can’t promise Nicholas an Italian-American culture that focuses on solely on art as if organized crime never happened. Anthony Valerio is the author of 12 bo

Today I talked to Vanessa Carlisle about her new book Take Me with You (Running Wild, 2021). Kindred Powell's youth is marked by a secret that her white mother and Black father kept from her. After her father Carl's unjust incarceration and her mother's death from illness, Kindred moves from Los Angeles to New York in a desperate search for peace. There, she finds her girlfriend Nautica, a career in sex work, and a kinky boy toy named Griffin. But when Carl goes missing from LA's Skid Row, Kindred must drop everything to find him. Keep an eye out for the special edition of the South Atlantic Quarterly edited by Heather Berg and Featuring more of Vanessa's work.  Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Jennifer Jean speaks to managing editor Emily Everett about her poem “California,” which appears on The Common online, in a special portfolio of writing from the Lusosphere (Portugal and its colonial and linguistic diaspora). Jean talks about writing this poem to be in conversation with Joni Mitchell’s song of the same title, and how music works its way into much of her poetry, in both rhythm and language. She also discusses writing her new poetry collection Object Lesson which centers on trauma, and co-translating poems by Iraqi women poets with an Arabic translator. Jennifer Jean’s poetry collections include The Fool and Object Lesson, out this year from Lily Books. Her teaching resource, Object Lesson: A Guide To Writing Poetry, is also out this year. Jennifer’s awards include a Kenyon Review Writers Workshop Fellowship, a DISQUIET Fellowship to write and study poetry in Portugal, a “Her Story Is” Residency (where she worked with Iraqi women artists in Dubai), and an Ambassador for Peace Award for her acti

In this ground-breaking work, Michael Sells (the Barrows Professor Emeritus of the History and Literature of Islam and Professor emeritus of comparative literature at the University of Chicago) translates sixty-one poems that form the Tarjuman al-ashwaq or The Translator of Desires by Muhyiddin Ibn 'Arabi (Princeton University Press, 2021). The poems are presented here both in Arabic and English, and are accompanied by an introduction and commentary. The masterful and accessible translations are truly a thrilling literary experience. Ibn ‘Arabi’s poems evoke numerous themes, such as of flora and fauna, nature, sacred spaces, especially of the Kaaba, love, longing, and grief. For instance, the longing of a lost beloved, which Sufis would have read as the Divine, is a central thematic thread woven throughout the collection of poetry, and is gendered feminine. The collection of poems along with Sells critical introduction and notes provides stunning insights to both the tradition of Arabic love poetry and to the

In Adrian Tchaikovsky’s The Doors of Eden (Orbit, 2020) the multiverse is filled with parallel Earths where evolution takes different twists and turns. The forks in the road and the paths species take vary from Earth to Earth, seeding sentience in a wide variety of organisms. In one, giant mollusks “understand and communicate profound truths about the nature of existence.” In another, a creature twice the size of the average human with traits of fish, salamander and slug creates a permanent ice age and must upload its citizens to supercomputers to survive. Toddler-sized rats pave the planet with Industrial Age warrens in a different Earth. And in still another version of our planet, giant immortal spacefaring trilobites establish themselves at the top of the evolutionary heap for all eternity. Tchiakovsky’s characters learn about the existence of other Earths because the boundaries between them have sundered, necessitating urgent action. No single species has the smarts or technology to fix the problem by its

Set in rural England, award-winning writer Claire Fuller's new novel Unsettled Ground (Tin House Books, 2021) explores what happens to two middle-aged twins, Jeanie and Julius, when their mother Dot – with whom they have lived their whole lives – suddenly dies. It’s a story full of secrets in which nothing is quite as it seems, and despite its apparently idyllic setting the tale is full of dramatic turns, most of them rather dark.  Unsettled Ground has just been shortlisted for the 2021 Womens’ Prize of Fiction, and has been making quite a splash. In this engaging conversation, Claire tells Duncan McCargo why all her books are rather dark, why she is not romantic about rural life, why Unsettled Ground doesn't exactly have a happy ending, and why the novel contains a hidden social message. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In this episode, we are talking to Mark Krotov, the publisher and co-editor of n + 1, a magazine of politics, essays and fiction described once: “like The Paris Review, but not dead” (Keith Gessen, co-founder). Mark was born in Moscow and left Russia for Atlanta at the age of six. He graduated from Columbia in 2008. Before joining n + 1, he used to work as an assistant editor at Farrar, Straus and Giroux. Agata Popeda is a Polish-American journalist. Interested in everything, with a particular weakness for literature and foreign relations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Today I talked to Rebecca D’Harlingue about her novel The Lines Between Us (She Writes Press, 2020). A widow in 17th century Spain discovers that her beloved niece, Juliana, has suddenly disappeared. Juliana records her forced journey in the diary she received from Tia Ana. Years later, when she feels herself to be nearing the end of her life, she writes to Ana, explains why she fled, and tells her that she is a nun in the new world. Ana’s response provokes Juliana into sharing her life story and demanding that Mercedes, a nun who hasn’t yet taken her vows, leave the convent. The years pass, and Mercedes, near the end of her own life, passes Juliana’s packet to her granddaughter with a demand that the mothers among her descendants keep the secret of this packet from their own daughters, only passing it to one granddaughter in each generation. Three hundred years later and we’re in 20th century America, when a college Spanish professor finds the packet while cleaning out her mother’s closet after her mother’s

A brief, elegant memoir of the author's work as a Red Cross volunteer delivering emergency water to residents of Flint, Michigan, Standpipe sets the struggles of a city in crisis against the author's personal journey as his mother declines into dementia and eventual death. Written with a poet's eye for detail and quiet metaphor, Standpipe: Delivering Water in Flint (Belt, 2021) is an intimate look at one man's engagement with both civic and familial trauma. This gentle, observant book is for readers seeking to better understand the human experience of the Flint Water Crisis, and a vivid investigation into how we all heal. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Callimachus may be the best-kept secret in all of ancient poetry. Loved and admired by later Romans and Greeks, his funny, sexy, generous, thoughtful, learned, sometimes elaborate, and always articulate lyric poems, hymns, epigrams, and short stories in verse have gone without a contemporary poetic champion, until now. In After Callimachus (Princeton UP, 2020), esteemed poet and critic Stephanie Burt’s attentive translations and inspired adaptations introduce the work, spirit, and letter of Callimachus to today’s poetry readers. Skillfully combining intricate patterns of sound and classical precedent with the very modern concerns of sex, gender, love, death, and technology, these poems speak with a twenty-first century voice, while also opening multiple gateways to ancient worlds. This Callimachus travels the Mediterranean, pays homage to Athena and Zeus, develops erotic fixations, practices funerary commemoration, and brings fresh gifts for the cult of Artemis. This reimagined poet also visits airports, uses

The Portrait is a story full of ambiguity and suspense, one that works on many different levels and holds the reader’s attention until the very last page. Recently published to great acclaim, the book will soon become a Sky TV mini-series. In what she called a 'beautiful' conversation with Duncan McCargo, Ilaria Bernadini explains, inter alia: why she chose to write The Portrait (Simon and Schuster, 2021) in English; the disarmingly rich imaginative hinterlands of her secondary characters; what it was like to have her own portrait painted; and, most importantly, how, when Martìn falls desperately ill, Valeria suddenly becomes open to new people and to re-reading closed chapters of her life.  If you want to know how far The Portrait trangresses into the realm of magical realism, and what possible sequels Ilaria may write, you need to listen to this intriguing podcast about an extremely compelling and important new novel.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becomi

An exhilaratingly comical, crosscultural debut novel, The Wife Who Wasn't (New Europe Books, 2021) brings together an eccentric community from the hills of Santa Barbara, California, and a family of Russians from Chișinău, the capital of Moldova. It starts in the late 1990s, after the fall of communism, and has at its center the mail-order marriage between a California man (Sammy) and a Russian woman (Tania) who comes to America, which engenders a series of hilarious cultural misunderstandings. The novel's four parts take place alternately in California and Moldova, and comprise short chapters whose point of view moves seamlessly between that of the omniscient narrator and that of various characters. Delivered in arresting prose, both realities--late 90s, bohemian/hipster California and postcommunist Moldova--thus come together from opposite points of view. Above all, this novel is a comedy of manners that depicts the cultural (and personality) clash between Tania and Sammy, Anna (Sammy's teenage daughter) an

Today I interview Dinty W. Moore and Zoë Bossiere, the editors of the new anthology The Best of Brevity: Twenty Groundbreaking Years of Flash Nonfiction (Rose Metal Press, 2020). The anthology brings together the best of Brevity Magazine, which publishes works of literary nonfiction that are less than 750 words. So how do you write about, say, the experience of becoming a mother or losing a father or coming of age or the nature of our age, all in less than 750 words? And how do you do it powerfully, beautifully, and artfully? It seems impossible. And yet for over twenty years, this is exactly what Brevity has given us: thousands of literary gems that glow and pulse with our humanity. Today I get a chance to ask Dinty and Zoë about how these 750-words-or-less wonders work and how the magazine has fostered a new literary genre into American letters. Eric LeMay is on the creative writing faculty at Ohio University. He is the author of five books, most recently Remember Me. He can be reached at eric@ericlemay.org

The scene is Turkey in the mid-to-late Seventies. A young male college student hops onto a bus. He sits next to a cute female student from his class, but before they can strike up a conversation, they see a right-wing passenger, walk up to another passenger and hit him on the head with a hammer. The young woman screams. The two students get off the bus, only for the female student to call the male student a “disgusting fascist” and leave in anger. Scenes like this are seen in Turkish Kaleidoscope: Fractured Lives in a Time of Violence (Princeton University Press, 2021) is a graphic novel written by Professor Jenny White and illustrated by Ergün Gündüz. The book combines Jenny’s own experiences in Turkey with insights gleaned from interviews to illustrate Turkey’s political conflict in the late 1970s, between right-wing and left-wing movements. You can watch a promotional video for the book, and the book can be ordered from the Princeton University Press website. Jenny has also put together a Spotify playlist 

In All Sorrows Can Be Borne (Rare Bird Books, 2021), Loren Stephens tells the story, inspired by true events, of a Japanese woman who survives the bombing of Hiroshima, joins her half-sister in Osaka and gives up her dream of becoming a theater star. Later, she marries the man of her dreams and gives birth to a beautiful son. After her husband is diagnosed with tuberculosis, he convinces Noriko to send the toddler to his sister and her Japanese American husband, who live in Montana. Eighteen years later, Noriko’s son enlists in the U.S. Navy and gets sent to Japan. This is a novel about Japanese society and postwar cultural norms, the human cost of war, and a mother’s love. Loren Stephens is a widely published essayist and fiction and nonfiction storyteller. Her work has appeared in the Los Angeles Times, the Chicago Tribune, MacGuffin, The Jewish Women’s Literary Annual, Forge, Crack the Spine, Amuse Bouche, The Writer’s Launch, the Summerset Review, the Montreal Literary Review, and Tablet Travel Magazine t

Exhale: Hope, Healing, and a Life in Transplant (Post Hill Press, 2021) is the riveting memoir of a top transplant doctor who rode the emotional rollercoaster of saving and losing lives—until it was time to step back and reassess his own life. A young father with a rare form of lung cancer who has been turned down for a transplant by several hospitals. A kid who was considered not “smart enough” to be worthy of a transplant. A young mother dying on the waiting list in front of her two small children. A father losing his oldest daughter after a transplant goes awry. The nights waiting for donor lungs to become available, understanding that someone needed to die so that another patient could live. These are some of the stories in Exhale, a memoir about Dr. Weill’s ten years spent directing the lung transplant program at Stanford. Through these stories, he shows not only the miracle of transplantation, but also how it is a very human endeavor performed by people with strengths and weaknesses, powerful attributes

Mira Sucharov’s new book, Borders and Belonging: A Memoir (Palgrave MacMillan, 2020), is a work that takes seriously the feminist adage that the “personal is political,” and vice versa. Through an intimate telling of her life, Sucharov uses the work to trace her shifting relationship to Israel, and the Israeli-Plaestinitan conflict, the meaning of diaspora Jewish identity, and what writing about International Relation can look like. The memoir covers topics such as the divorce of her parents, her time spent at Jewish summer camps as a child, visits to Israel, and her time in graduate school then later as a professional academic working in the field of Political Science, specializing in Israel-Palestine. Throughout, Sucharov touches on themes of identity, gender, disability, and home. It is a work of use to scholars across the humanities and social sciences for its honest approach to the subjective dynamics of academic engagement. Mira Sucharov is Professor of Political Science and University Chair of Teaching

Today I talked to Andrea Stewart about The Bone Shard Daughter: The Drowning Empire Book One (Hachette UK, 2020). In a world of floating islands, various narrators try to achieve or avoid their destiny, or just understand the mysteries of their existence. There’s Lin, the Emperor’s daughter, set against her foster brother by the manipulative Emperor himself, who fosters the rivalry between them by bestowing keys as mark of his favor. The keys open various rooms which hold the secret to his power. The Emperor’s most powerful tool is the bone shard magic that he uses to program constructs, assemblages of beasts that he builds which then execute his commands. When the Emperor begins to show Lin’s foster brother how to use the bone shards, Lin is determined to find out the secret as well and position herself to be the next Emperor. Then there’s Jovis, a talkative smuggler whose one aim in life is to find the woman he loves, who disappeared one day on a boat with blue sails. Jovis’s quest keeps getting sidelined t

Deborah Lindsay Williams speaks to managing editor Emily Everett about her “‘You Like to Have Some Cup of Tea?’ and Other Questions About Complicity and Place,” which appears in Issue 20 of The Common magazine. In this conversation, Williams talks about living and writing in Abu Dhabi, traveling to South Africa with her family, and how narrow the western view of these places can be, often simplifying very complex issues of racial hierarchy, economics, culture, and history. She also discusses her novel-in-progress, The Corset and the Veil, based on the life of Lady Hester Stanhope, who fled England in 1809 in search of alternatives to her life as an impoverished aristocrat. Deborah Lindsay Williams teaches in the literature and creative writing program at NYU Abu Dhabi. With Cyrus Patell, she is co-editor of The Oxford History of the Novel in English, Volume 8: American Fiction Since 1940, for which she also wrote the chapter on children’s literature. She is currently working on a book called The Necessity of

Sherlock Holmes is one of the rare literary characters who has achieved a kind of cultural immortality. As Bonnie MacBird notes in this interview, display an image of a deerstalker hat and a pipe almost anywhere in the world, and people can identify the great detective without a second thought. So is it any wonder that an entire industry is devoted to expanding the Conan Doyle canon? Not all these attempts succeed, but MacBird’s novels are a gem. The Three Locks (Collins Crime Club, 2021), fourth in her series and set in 1887, opens with a mysterious package delivered to Dr. John Watson. London is in the midst of a heat wave, Watson’s friend Holmes has withdrawn in one of his periodic funks, and the package offers the rather disgruntled doctor a welcome distraction. Its appeal increases when Watson discovers that it contains an engraved silver box sent by his father’s half-sister, an aunt he didn’t know he had, and represents his mother’s last gift to him. But as he struggles to unlock the box, Holmes appears