New Books In Literature

Space operas take readers far from Earth with stories about alien cultures and battles between good and evil. But while usually set in distant galaxies in the far flung future or past, they inevitably tell us, like any good science fiction, about our lives today. Ginger Smith’s debut The Rush's Edge (Angry Robot, 2020) takes place when humanity is spread across the galaxy and soldiers are born in labs, but it touches on subjects we grapple with now: blind loyalty to authority, the ethics of genetic science, and the prejudices that divide humans. Halvor Cullen is a VAT—a member of the genetically engineered Vanguard Assault Troops who are programmed to be loyal to their commander and addicted to the rush of battle. VATs are released from duty after seven years of service, but their bodies burn out quickly, and they die young. But it’s when they’re released from duty that things get interesting. How does a person programmed to be a soldier find purpose or meaningful relationships when they’re no longer a soldie

What do you ask a novelist who has won a Pulitzer, a Guggenheim, and a MacArthur genius grant? Cocktail advice, of course. When I had the honor of chatting with Viet Thanh Nguyen about his two novels The Sympathizer and The Committed, we started by discussing what beverages would go well with his books. While the first book is a spy novel and the second is a noir mafia story, they both use the same hard-drinking narrator to explore issues of race and racism, colonialism and decolonization, and violence and non-violence. Set in Southern California in the 1970s and Paris, France in the 1980s, the novels combine a history of the Vietnamese refugee experience with a critique of whiteness and a generous dose of literary criticism. The books are also full of humor, which is at times ribald and scatological. Dr. Viet Thanh Nguyen is the Aerol Arnold Chair of English and Professor of English and American Studies and Ethnicity at the University of Southern California. Professor Nguyen is the author of several books in

Drawing from his/her own experience as a trans performer, sex worker, and undocumented immigrant, Iván Monalisa Ojeda chronicles the lives of Latinx queer and trans immigrants in New York City. Whether she is struggling with addiction, clashing with law enforcement, or is being subjected to personal violence, each character choses her own path of defiance, often responding to her fate with with irreverent dark humor. What emerges is the portrait of a group of friends who express unquestioning solidarity and love for each other, and of an unfamiliar, glittering and violent, New York City that will draw readers in and swallow them whole. On every page of Las Biuty Queens: Stories (Astra House, 2021), Iván Monalisa's unique narrative talent is on display as he/she artfully transforms the language of the streets, making it his/her own -- rich with rhythm and debauchery. This bold new collection positions Ojeda as a fresh and necessary voice within the canon of world literature. Rachel Stuart is a sex work researc

The Ukrainian literary scene today is particularly vibrant. The voice of Serhiy Zhadan is distinct, well-known, and easily-recognizable. In 2021, Yale University Press published his novel titled The Orphanage (Yale UP, 2021), which originally appeared in 2017. In this interview, translators Reilly Costigan-Humes and Isaac Stackhouse Wheeler talk about their team work on the novel translation into English. This is not their first translation of Zhadan’s works: Voroshilovgrad in their translation was published a few years ago. When answering the question about why they chose The Orphanage as their translation project, Reilly Costigan-Humes and Isaac Stackhouse Wheeler mentioned that they wanted to make this novel available to Anglophone readers. They find it transformative, as such that can change the way we look at life.  Reilly Costigan-Humes and Isaac Stackhouse Wheeler share their reading of the novel while drawing attention to the episodes that they found compelling. They also comment on the language of Se

Fátima Policarpo speaks to managing editor Emily Everett about her essay “Her Borders Become Her,” which appears in Issue 20 of The Common magazine. In this conversation, Policarpo talks about creating an essay that includes elements of ghost stories, using language barriers and rich settings to set up complicated dynamics between family members who bully, and are later bullied in turn. She also discusses her current manuscript, a longer work incorporating many of the ideas and themes explored in this essay, and about her work teaching writing and literature with a focus on human rights education. Fátima Policarpo is a Portuguese American writer. Her fiction and essays have appeared in Gulf Coast, Fourth Genre, and Ninth Letter. Her work has been supported by grants from the Luso-American Foundation and the Barbara Deming Memorial Fund; and by fellowships from the DISQUIET International Literary Program, which she attended as a 2016 Fellow; and the Vermont Studio Center, where she resided as a 2018 NEA Fellow

May 1857. The Indian city of Shahjahanabad, today called Delhi, is tense. British officers are worried about rumors of insubordination and rebellion elsewhere in India, while the local residents both await and fear a coming storm of revolutionary fervor. Trying to make a living in this setting is Mirza Ghalib, one of India’s most celebrated poets, well known for his works in Urdu and Persian. He is also the protagonist, at least in a fictionalised form, of Murder at the Mushaira (Aleph Book Company, 2021) by Raza Mir. The novel is a murder mystery: a particularly disliked poet is murdered at a poetry recital, forcing Ghalib ito play detective, balancing both haughty English officials and passionate Indian mutineers as he attempts to seek the truth. In this interview, Raza introduces both Ghalib and Shahjahanabad. We talk about the historical roots of his story, including where he diverges from historical accuracy. Finally, we discuss why literary figures like Ghalib are so popular as detectives. Raza Mir teac

Today I talked to Carol Cram about her new book Love Among the Recipes (New Arcadia Publishing, 2020). After Genna’s husband betrays her, she finds a way to spend six months writing a cookbook based on the city of Paris. In this lighthearted women’s fiction, Cram’s protagonist pairs both famous and lesser-known Parisian landmarks with often mouth-watering sounding recipes. Genna shops and cooks, sometimes for friends, sometimes for her landlord, but always for herself. Each chapter starts with a description of a different kind of macaron in varying colors and flavors that often describe the mood of the chapter that follows. In addition to exploring Paris, making friends with people she meets in her French class, and meeting a charming widower, Genna begins to understand that she has it in her power to create her own happiness. Carol M. Cram loves the arts, food, travel, and writing novels about people who follow their passions. Three previous novels of historical fiction, The Towers of Tuscany (Lake Union Pub

Felicia Rose Chavez' The Anti-Racist Writing Workshop: How to Decolonize the Creative Classroom (Breakbeat Poets, 2020) is a practical and persuasive guide to revolutionizing the teaching of creative writing. Combining theory, memoir, and pedagogy, this book guides the reader through the process of de-centering whiteness (and de-centering the instructor) to allow all students but particularly students of color to find their unique voices and pursue their personal and and artistic goals. The insights in this book are derived from the creative writing classroom, but they are readily applicable to any creative pursuit. This is a must-read book for creative writing instructors looking for ways to break down the rigid hierarchies that have defined the creative writing classroom for more than eighty years. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Vi

Alina Stefanescu posits that At First & Then by Danielle Rose is a collection in which “the feminine is reclaimed.” And it is. It is also a collection of lushly and cleverly crafted poetry that sees the self and the body as a multi-faceted state of being. One that is unafraid to dissect and question what makes the speaker who she is, what she is willing to let go of, and ultimately what moves her forward. Rose writes of expectation, experience, longing, violence, and possibility through the lenses of nature and society and marks her transition both internally and externally via poems which ask to spoken aloud. Danielle Rose is the author of At First & Then, available now from Black Lawrence Press, and The History of Mountains, forthcoming from Variant Lit. Her work can be found in Palette Poetry, Hobart & Sundog Lit. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Owed (Penguin, 2020) is the second collection of poems by Dr. Joshua Bennett, poet, professor, and artist. This volume is a wide-ranging, celebratory book focused on what Bennett calls "the Black quotidian," including the poetry of the barbershop, plastic slip-covers on couches, and the benign struggle between a father and a son over a pair of long johns. Throughout the book, Bennett's attention to detail and gift for both sound and sense are on dazzling display. In this conversation we discuss Owed, as well as Bennett's evolving relationship to spirituality, his process of learning to write out loud through poetry slams, and his experience of being a new father. Bennett is also the author of the poetry volume The Sobbing School, the monograph Being Property Once Myself, and the upcoming Spoken Word: A Cultural History. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more abou

The three decades that followed World War II were an exceptionally fertile period for American essays. The explosion of journals and magazines, the rise of public intellectuals, and breakthroughs in the arts inspired a flowering of literary culture. At the same time, the many problems that confronted mid-century America--racism, sexism, nuclear threat, war, poverty, and environmental degradation among them--proved fruitful topics for America's best minds. In The Golden Age of the American Essay: 1945–1970 (Anchor Books, 2021), Phillip Lopate assembles a dazzling array of famous writers, critics, sociologists, theologians, historians, activists, theorists, humorists, poets, and novelists. Here are writers like James Agee, E. B. White, A. J. Liebling, and Mary McCarthy, adroitly pivoting from the comic indignities of daily life to world peace, boxing, and restaurants in Paris. Here is Norman Mailer on Jackie Kennedy and Vladimir Nabokov on Lolita. Here is Martin Luther King, Jr.'s "Letter from Birmingham Jail,"

The western travel narrative genre has a history long tied to voyeurism and conquest. A way to see the world—and its many unique people and places—through the eyes of mostly white and male travelers. In an increasingly globalized world, many writers are beginning to raise questions about the ethics of travel writing and its tropes, especially the way western travelers tend to characterize cultures that are unfamiliar to them. These new books challenge the conventional approach, instead asking readers to consider perspectives other than their own. As a young native woman and member of the Karuk tribe, Ursula Pike joined the Peace Corps because she’d always dreamed of helping others. She was ecstatic to learn she would be assigned to serve in small town Kantuta, Bolivia. While at first Pike looked forward to helping the native people of Kantuta, she quickly realized they had less need for her help—and more to teach her—than she had imagined. In this thoughtful debut, An Indian Among Los Indígenas: A Native Trav

The horror of the battlefield is fresh for Princess Askia. She’s just been forced to flee her kingdom, the northern country of Seravesh, where her cousin now rules under the protection of the Emperor of Roven. All that remains of her army is a loyal general and her last remaining legion, the Black Wolves—not enough to protect her former kingdom from men who are willing to burn entire towns to the ground in order to subjugate the population. Askia has one hope left, and it will not depend on her skill with a sword. Her father, a healer, once helped the Emperor of Vishir, the only land capable of matching Roven in strength. If Askia can reach Vishir and convince Emperor Armaan that Roven’s ruler will eventually challenge the peace and prosperity he’s created, Vishir might be drawn into the war before it’s too late to save Askia’s homeland. But how to obtain the favor of Vishir’s Emperor, Armaan? Should she take advantage of his son’s infatuation with her? Should she try to earn the friendship of his principal w

Visually arresting and utterly one-of-a-kind, Sarah J. Sloat's Hotel Almighty (Sarabande Books) is a book-length erasure of Misery by Stephen King, a reimagining of the novel's themes of constraint and possibility in elliptical, enigmatic poems. Here, "joy would crawl over broken glass, if that was the way." Here, sleep is “a circle whose diameter might be small," a circle "pitifully small," a "wrecked and empty hypothetical circle." Paired with Sloat's stunning mixed-media collage, each poem is a miniature canvas, a brief associative profile of the psyche―its foibles, obsessions, and delights. (Description by the publisher.) “When I was doing [Hotel Almighty] and even now when I work on projects, a lot of what I find I’m doing is just expressing a love of reading and of books themselves,” says Sloat in discussing her new book. “I mean, I just love paper. To take a book and be able to make it into something — that was really fun and exciting for me." Sarah J. Sloat is the author of Hotel Almighty, a collectio

Today I talked to KT Sparks about her debut novel Four Dead Horses (Regal House, 2021) On May 1, 1982, eighteen-year-old Martin Oliphant watches a horse drown off the shore of Lake Michigan—the first of four equine corpses marking the trail that will lead Martin out of the small-minded small town of Pierre, Michigan, onto the open ranges of Elko, Nevada, and into the open arms, or at least open mics, of the cowboy poets who gather there to perform. Along the way, he nurtures a dying mother, who insists the only thing wrong with her is tennis elbow; corrals a demented father, who believes he’s Father Christmas; assists the dissolute local newspaper editor; and serves stints as horse rustler and pet mortician. For thirty years, Martin searches for an escape route to the West, to poetry, and to his first love, the cowgirl Ginger, but never manages to get much farther than the city limits of his Midwestern hometown—that is, until a world- famous cow horse dies while touring through Pierre, and Martin is tapped to

The Last Platoon: A Novel of the Afghanistan War (Bombardier Books, 2020) is a riveting book of infantry ground combat. As a work of fiction it is superb, showing the personal drama, drives and experiences of regular Marines combined with the high ambitions and political maneuverings of the highest ranks, including the President and Secretary of Defense. This narrative is not just fictional. It is a pastiche of the lives of Marines that Bing West has followed over the course of the last twenty years, with each firefight being a compilation of his own, personal experiences. This fact makes this book of interest not just to people looking to read fiction, but also to anyone who wants to know what war is like, how it impacts the people around them and just what happens in the far reaches of Afghanistan. More than an action story, this is a story of the morality of war told by someone who knows how it feels and what it means. In this episode, Bing and I discuss his life and background; his experiences of America’

Writer and translator Edgar Garbelotto speaks to managing editor Emily Everett about his short story “A Fourteen-Hour Lesson in Theosophy,” which appears in Issue 20 of The Common magazine.  The story imagines the final hours of author Clarice Lispector’s life. In this conversation, Garbelotto talks about the process of fictionalizing a real person, and bringing her to life in the streets of Rio. Garbelotto also discusses the experience of writing and translating in English, which is his second language, and the way that experience has changed his approach to writing original work. Portuguese is a more playful, allegorical language than English, Garbelotto says, and he’s learned to approach each language differently. Edgar Garbelotto is a writer and translator born in Brazil and based in the US for 20 years. His translation of João Gilberto Noll’s novel Lord won the 2020 Jabuti Prize as Best Brazilian Book Published Abroad and was a finalist for the 2020 Lambda Literary Award in Best Gay Fiction. His translat

In My Private Lennon: Explorations From a Fan Who Never Screamed (Mad Creek Press, 2020), Sibbie O'Sullivan offers a new point of view from which to consider the Beatles’ impact on society and on the individual. In a series of linked autobiographical essays that explore the musical, cultural, and personal aspects of intense music fandom, Sibbie O’Sullivan dismantles the grand narrative of the fifteen-year-old hysterical female Beatles fan and replaces it with an introspective and often humorous tale about how the band shaped her intellectual and artistic development. My Private Lennon charts the author’s realization that the Beatles, especially John Lennon, were a crucial force in her development. A radical departure from other books written by Beatles fans, My Private Lennon invites its readers to consider subjects not usually found in works about Lennon and the band, such as the constraints of memory, the male body, grief, the female breast, race, cultural issues, and the importance of privacy in our over-m

At the end of its life, the phoenix bursts into flames and a younger bird rises from the ashes. The roc is large enough to carry an elephant in its claws. The caladrius absorbs disease, curing the ill. The rain heron, which can take the form of steam, liquid or ice, controls the climate around it. Unlike the first three mythical birds, whose legends are hundreds or thousands of years old, the rain heron is a new entry in the library of imaginary beasts, introduced in the novel bearing its name by Tasmanian author Robbie Arnott. Set in an unnamed country beset by a military coup and climate disruptions, The Rain Heron (FSG Originals, 2021) is a story of survivors searching for peace but finding violence in both nature and society. The characters are tested and exposed by the titular creature, which exacts a price from those who dare covet it. “What I was really trying to do was create a mythical creature that embodies both the beauty and the savagery of nature,” Arnott says. “I wanted something that is totally

Family stories are the texture of the human fabric. From every land, from every time, they bring the past to life for young ears. In the beginning of the twentieth century, when there were no borders in the Middle East (it was then called la grande Syrie), Elia Zughaib grew up first in Damascus, then in the mountains of Lebanon. In a rural culture, animals and humans work in tandem. Children play in the surrounding fields and streams. Traditional celebrations mark the seasons of the year. When history intervened and Lebanon became a battleground between England and France, his family left their home and applied for asylum in America. The migration began. The achievement of Helen Zughaib is to bring these memories to life through art. The book’s 25 paintings appear facing Elia’s stories. He serves as the hakawati, the traditional storyteller. The stories in Stories My Father Told Me: Memories of a Childhood in Syria and Lebanon (Cune Press, 2020) are simply told, but they are not simple. Their power is enormou