New Books In Literature

Political Theorist Robert Bartlett spoke with the New Books in Political Science podcast about two of his recent publications, which take on translating the work of two distinct classical thinkers, Aristotle and Aristophanes. In discussing these thinkers, we talked about two of Aristophanes’ earliest extant plays, The Acharnians and The Knights. We also discussed Aristotle’s text, The Art of Rhetoric. All three of these works focus on the interaction of the words spoken by a public individual, and how those words are also received and considered by an audience, especially the citizens of the state. This conversation took us to ancient Athens and some of the earliest western thinking about the interrelationship between political rhetoric and emotions, and how these connections can be both useful and dangerous, especially for democracies. Bartlett explains that Aristotle’s Art of Rhetoric (University of Chicago Press, 2019) is an important component of Aristotle’s thinking about politics, and one of his later w

A young man who turns his desire to join the army into a long stint as a volunteer ambulance driver. A teacher living in an old slum who is the only one brave—or foolish—enough to confront the gangs. A refugee who becomes a community organiser. A woman in a traditional village looking at the new development quickly encroaching on their land. A bored engineer who finds his calling as a crime reporter. These people are subjects of Karachi Vice: Life and Death in a Contested City (Melville House, 2021), the debut by Samira Shackle. Samira travels to Karachi, the home city of her mother, and tells the stories of ordinary people trying to live their lives in the midst of terrible violence: first by the gangs, then by the Taliban. In this interview, I ask Samira to talk about the city of Karachi, and the five people she writes about in her book. We’ll talk about the turning points in the violence there, and what it was like to write about her mother’s home city. Samira Shackle is a freelance British-Pakistani write

A story about an alien invasion typically revolves around diplomacy, military strategy, technological one-upmanship, and brinksmanship. But the invaders in Andy Weir’s Project Hail Mary: A Novel (Ballantine Books, 2021) are anything but typical. Rather than a scheming sentient enemy, Weir gives us Astrophage, an opponent who is mindless—and microscopic. Similar to mold, Astrophage lives on—and taps energy from—the surface of stars. “It’s not intelligent in any way. It doesn’t care about us. But it gets to the point where there is so much of it on our sun that the sun is starting to lose luminance—it’s getting dimmer. And a four or five percent dimming of the sun would be fatal to life on Earth,” says Weir, who was a guest on New Books in Science Fiction in 2014 to talk about his runaway bestseller The Martian. An unlikely antagonist deserves an unlikely hero. Enter Ryland Grace, a middle school science teacher, who long ago authored a scientific paper that declared water isn’t a prerequisite for life. This on

Author Diana Stevan's sequel to the award-winning Sunflowers Under Fire. Lukia's story continues in Lilacs in the Dust Bowl (Peregrin Publishing, 2021),  an inspirational family saga about love and heartache during the Great Depression. In 1929, when Lukia Mazurets, a widow and a Ukrainian peasant farmer, immigrates to Canada with her four children, she has no idea the stock market is about to crash and throw the world into a deep depression. Falling grain prices, the ravages of nature, and unexpected family conflicts threaten to smash her dreams of family unity in a strange land. And when love knocks on her door again, awakening desire she thought was long gone, Lukia has to choose between having a man in her life or the children she’s sacrificed everything for. Diana Stevan is also the author of the novels, A Cry from The Deep and The Rubber Fence and the novelette The Blue Nightgown. A former family therapist, she is the mother of two daughters and lives with her husband Robert in West Vancouver and on Van

Today I talked to Ava Reid about her new book The Wolf and the Woodsman (Harper Voyager, 2021) The wolf, in the title refers to a pagan woman, given to the dreaded Woodsmen to keep her village safe. She’s part of a tithe, sent to satisfy the King, who demands a quota of witches every year. The impoverished villages hidden in the woods are inhabited by women with magical powers, who worship the old Gods. The Woodsmen, a religious paramilitary order who serve the king, bring selected women to the capital, where their eventual fates are a mystery. Évike, the metaphorical wolf of the story, is an illiterate angry young woman, who has been taunted by the villagers. She’s also not a witch. She’s clad in a witch’s wolf pelt and sent with the Woodsmen so that the true witches can remain safe to guard the village. When misfortune besets the Woodsmen, and only the one-eyed Gáspár remains to guard her, she learns that neither she or he are who they appear to be. The trials of their journey reveal latent magic in her and

Based loosely on a tragic real-life incident in 2014, One Kind Favor (WTAW Press, 2021) explores the consequences of the lynching of a young black man in rural North Carolina. After the lynching of Lincoln Lennox is discovered and subsequently covered up in the small fictional community of Cord, North Carolina, the ghosts who frequent the all-in-one bar and consignment shop take on the responsibility of unearthing the truth and acting as the memory for the town that longs to forget and continues to hate. A reimagined Kathy Acker, the groundbreaking literary icon, engages Lincoln in a love triangle and brings a transgressive post-punk esthetic to the mission. The down-the-rabbit-hole satirical storytelling of One Kind Favor, Kevin McIlvoy’s sixth novel, echoes Appalachian ghost stories in which haunting presences will, at last, have their way. Kevin McIlvoy has published five novels, A Waltz (Lynx House Press), The Fifth Station (Algonquin Books of Chapel Hill; paperback, Collier/Macmillan), Little Peg (Athene

What more can we learn about legendary American writer Elizabeth Bishop (1911-79), dubbed by Bethany Hicok “the most stunning poet of the twentieth century”, by exploring the wonderful archives of her life and work at Vassar? Why are literary archives coming back into vogue? How do new techniques in digital humanities create novel possibilities for archival-based research and publication? And how can we develop collaborative methods of studying and teaching in literary archives? In this lively, well-crafted podcast, leading Bishop scholar Bethany Hicok of Williams College completely fails to control her infectious enthusiasm for Elizabeth Bishop’s writings. She explains to Duncan McCargo why Bishop has become for her the poet of the pandemic, and above all what happened when she spent three weeks embedded in the Vassar archives with sixteen other scholars and poets – a project that resulted in this beautifully produced and copiously illustrated edited volume. Since Elizabeth Bishop and the Literary Archive is

For as often as it may seem to be the case, life doesn’t exist in extremes. Whatever pain, love, desire, or hurt, moving through life is a balancing act. We learn to hold onto what is important for our own growth, but we also learn that sometimes we must carry bits of the world for those who walk beside us and those yet to come. This balancing act teaches us to jettison what no longer serves us just as much as it teaches us to grip tightly to what matters most. In a collection that is equal measures an exploration of pain after her uncle’s passing and an honoring of her own heart, Nicole Danielle’s book Broken Ballads (2019) asks who gets to be innocent? How do we move towards the life we want? What legacy do we leave for future generations? In her debut book, Nicole Danielle finds a way to unearth joy without using blinders to hide the tender spots of the heart that need to heal. She mosaics together the shattered bits of life and shows they can still be beautiful. They can still be a reflection of who we ar

At a time when we are all confronted by not one, but many crossroads in our modern lives—identity, technology, trust, politics, and a global pandemic—celebrated mythologist and wilderness guide Martin Shaw delivers Smoke Hole: Looking to the Wild in the Time of the Spyglass (Chelsea Green, 2021): three metaphors to help us understand our world, one that is assailed by the seductive promises of social media and shadowed by a health crisis that has brought loneliness and isolation to an all-time high. Smoke Hole is a passionate call to arms and an invitation to use these stories to face the complexities of contemporary life, from fake news, parenthood, climate crises, addictive technology and more. Shaw urges us to reclaim our imagination and untangle ourselves from modern menace, letting these tales be our guide. Dr Martin Shaw is a writer and one of the most widely regarded teachers of the mythic imagination. He is the author of the award winning A Branch From The Lightning Tree, Snowy Tower, and Scatterlings

Guest Kate Lebo discusses her newest book, The Book of Difficult Fruit: Arguments for the Tart, Tender, and Unruly with Recipes (Farrar, Straus, and Giroux, 2021). While Lebo has authored more traditional cookbooks with stories, this collection of essays with recipes has more in common with creative nonfiction, autobiography, or a quirky reference book for plant identification. Lebo offers a unique blending of the academic – historical and botanical – with the narrative – personal and often painful. The book is organized in 26 chapters, one for each letter of the alphabet, represented by one fruit. Though the essays do have the encapsulated feel of being whole on their own, there are some narrative threads and mysteries that have to be worked out as you get further into the book. Unlike a traditional cookbook that emphasizes pleasure and ease, Lebo’s essays touch on quite a bit of personal pain – illness, death of loved ones, family secrets, heartache and break ups, abortion – and provide recipes that are una

KC Trommer speaks to managing editor Emily Everett about her poem “The Couple,” which appears in The Common’s fall issue. In this conversation, Trommer discusses writing about artwork she finds compelling and sometimes disturbing, like the Louise Bourgeois sculpture explored in this poem. She also discusses her Queens-centered poetry project QUEENSBOUND, her work as a visual artist, and her experience living a block and a half from Elmhurst Hospital in Jackson Heights, the epicenter of the early pandemic. Poet and essayist KC Trommer is the author of We Call Them Beautiful (Diode Editions, 2019) as well as the chapbook The Hasp Tongue (dancing girl press, 2014). She is the founder of the online audio project QUEENSBOUND. She is 2021 poet in residence at Works on Water on Governors Island. With Spencer Reece, she co-curates the weekly Red Door Series at St. Mark’s Church in Jackson Heights. Read KC’s poems in The Common at thecommononline.org/tag/kc-trommer. Explore the QUEENSBOUND map and listen to those poem

The year is 1985. Durga is visiting her grandmother Mary in rural Malaysia. It’s not a particularly happy occasion: Mary is tough and sharp-tongued, and “home” sparks bad memories for Durga. But a fireworks accident that sends Mary to hospital begins to unravel family secrets that had been building over generations, built by both Mary and Durga. Fragile Monsters, the debut novel by Catherine Menon (Viking, 2021), jumps between the Malaysian Emergency and the Eighties to explore themes of gender, class, and ethnicity in telling a story about a dark family history.  In this interview, Catherine and I discuss the historical setting of Fragile Monsters: a time period that normally doesn’t feature in mainstream English-language fiction. We talk about how she explores memory and shame, gender and race.  Catherine Menon is Australian-British, has Malaysian heritage and lives in London. She is a University lecturer in robotics and has both a PhD in pure mathematics and an MA in Creative Writing. Her short story colle

Joanna Scott is the author of 12 works of fiction, including Arrogance, a PEN/Faulkner finalist; and The Manikin, a finalist for the Pulitzer Prize. Her awards include a MacArthur Fellowship, a Guggenheim fellowship, and the Rosenthal Award from the American Academy of Arts and Letters. The episode explores the line between fact and fantasy, between what’s known, forgotten, or less known than characters in these short stories may believe. The degree to which we’re all limited by our sense of perspective is a related theme here as Scott argues, aptly enough, that a story is always in the first-person at some level because it’s an act of make-belief in a world without certainty. Among other writers invoked in this session were Harold Pinter and his ability to bring characters from distinctively different backgrounds into conflict, Marcel Proust for his attention to detail (a writerly trait Scott shares), and finally Jorge Borges for the ability to show a mind at play with the kind of paradoxes that Scott likewi

In story after story in her diverse new collection, Rising and Other Stories, Gale Massey illustrates the moments that shape and alter destiny. Bringing each to life through interconnected themes of moving water and a sense of loss, Massey shares with us an unvarnished narrative of a world that objectifies women and the strength and resourcefulness required to attempt to overcome those limitations. From the panicked mother in Racine, who escapes to the ocean and a young girl's last fishing expedition with a dying father in Glass to the inevitable end in Marked and the gamble in Not so Fast, these stories show how simple twists of fate can change a person forever. Ivy Waters and Long Time Coming both explore the loss of a father in very different ways, and how the identities of the daughters are rooted in those losses. And Elise's life in Rising is told in contrasts as she develops the use of her volition to pull her toward the life she deserves. Massey’s protagonists are everyday folk depicted in stories that

Do you have a cookbook in you? Thinking about a memoir with recipes? How about a food blog? Have you ever yearned to be an Instagram Influencer or dreamt of joining the waning ranks of restaurant reviewers? If that’s the case, stop whatever you are doing and get ahold of Will Write for Food: Pursue Your Passion and Bring Home the Dough Writing Recipes, Cookbooks, Blogs and More by Dianne Jacob, out this month in its fourth edition by Hachette Books. It’s no exaggeration to say that Dianne Jacob is America’s foremost food writing guru, and Will Write For Food, first published in 2005, offers the most comprehensive, unvarnished look at the always developing and perennially competitive world of food writing on the market today. Will Write for Food has been translated into Korean, Chinese, and Spanish, and is used as a textbook in universities and culinary schools. Will Write for Food has received three international awards for excellence, including the Cordon D’Or International award for Best Literary Food Refer

Ann, Fran, & Mary Ann (53rd State Press, 2020) is a new play by Erin Courtney, one of the most exciting contemporary American playwrights. This is a play that engages with themes of science, religion, and trauma through a highly theatrical and character-driven storytelling style. Ann and Mary Ann were both witnesses of traumatic events in their childhoods and were drawn to neuroscience as a way to understand and perhaps heal from their trauma. When Mary Ann begins experimenting with inducing spiritual experience, Ann's skepticism regarding the supernatural drives a wedge between them. When Ann's patient Fran begins experiencing Capgras syndrome, which convinces her that her loved ones are imposters, Mary Ann's desire to heal Fran conflicts with Ann's desire to study her. The interactions of these three characters open questions of medical ethics, the meaning of faith, and the possibility of healing. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia Univ

This is the second episode of a four-part series featuring the winners and honorable mentions of the 2021 Book Awards for the Association of Asian American Studies. This episode features two of the winners in Creative Writing: Poetry: Benjamín Naka-Hasebe Kingsley, whose poetry collection Colonize Me explores the lives of those communities and peoples on the intersections of indigeneity, migration, Asian, queerness, and lower class; and Jan-Henry Gray, whose collection Documents traces Gray’s upbringing as a queer undocumented Filipino American. Benjamín Naka-Hasebe Kingsley belongs to the Onondaga Nation of Indigenous Americans in New York and is an assistant professor of poetry and nonfiction in Old Dominion University’s MFA program. His poetry collection Colonize Me won the AAAS award in Creative Writing: Poetry. Jan-Henry Gray currently teaches at Adelphi University in New York. Born in the Philippines and raised in California where he worked as a chef, Jan lived undocumented in the U.S. for more than 32

The name of Dorothy Hale is not well known these days. In the 1920s, she enjoyed a career on Broadway as a dancer, including in a leading role with Fred Astaire. When an accidental injury ended that career, she auditioned, successfully, for the filmmaker Samuel Goldwyn and landed a part opposite Ronald Coleman, who would later star in Lost Horizon. But Dorothy’s film career did not take off, and she moved into art, writing, and museum work in support of her second husband, Gardner Hale, a well-known fresco painter and portraitist, until his tragic death in 1931. Dorothy survived the stock-market crash of 1929 with her wealth intact and remained a light of New York society into the 1930s. Her closest friend—Clare Boothe, who married Henry Luce in 1935—branched out from an active career in magazine publishing, including a stint as managing editor of Vanity Fair, to produce a Broadway play titled The Women. The play lampooned members of their social circle, evoking both amusement and outrage. Dorothy Hale then s

During the Cultural Revolution, many young Chinese in the cities were encouraged — if not ordered — to move to the countryside. Millions of young Chinese in high school and university moved to rural China ostensibly to “receive re-education from the poorest lower and middle peasants to understand what China really is” (to quote Mao Zedong, at the time). Many students remained in the countryside until the end of the Cultural Revolution almost a decade later. One of these young Chinese people was the mother of Emei Burell, who turned these stories into a graphic novel: We Served the People: My Mother's Storie (Archaia, 2020). The book is roughly split into two halves: her mother’s hard work on a rubber plantation in Yunnan, and her struggles a decade later to restart her education upon her return home. In this interview, Emei talks about her mother’s story, both during her time in the countryside and when she returned home. We talk about what it was like for her to turn these tales into a graphic novel, and wha

Not long ago, the only resource for uncovering our familial pasts was to consult libraries and archives, combing old newspapers for birth announcements and obituaries. These days, many people are turning to websites like Ancestry and 23andMe, taking DNA tests to learn more about their ancestors and where they came from—often discovering long buried secrets and long lost relatives in the process. But for some, the answers to these questions exist not in archives or in their DNA, but within a suitcase. When writer Danielle Geller’s estranged mother passed away, she left behind just eight suitcases of belongings, cataloging her wayward spirit, moving between boyfriends, states, and jobs, at times experiencing homelessness. In her debut memoir, Dog Flowers (One World, 2021), Geller, trained as an archivist, consolidates the most important artifacts from the collection—never before seen photographs, documents, letters, and diaries—piecing together a portrait of the mother she grew up without, and reconnecting with