New Books In Communications

When "Dirty Harry" first premiered in 1971, it was both praised and condemned for its portrayal of a rogue policeman fighting crime by ignoring many of the rules and procedures of the profession. Yet director Don Siegel denied any attempt to make a political statement with the film. Joe Street’s book Dirty Harry’s America: Clint Eastwood, Harry Callahan, and the Conservative Backlash (University Press of Florida, 2016) discusses all five "Dirty Harry" films and helps to better explain the importance of them both cinematically and socially. Learn more about your ad choices. Visit megaphone.fm/adchoices

How has European culture changed since the 1960s? In Enter Culture, Exit Arts? The Transformation of Cultural Hierarchies in European Newspaper Culture Sections, 1960–2010 (Routledge, 2018), Dr. Irmak Karademir Hazir and her co-authors, explore this important question by looking at newspaper coverage of culture across Europe over the last 50 years. The book has an incredibly rich and detailed dataset of newspaper articles from Spain, UK, France, Turkey, Sweden and Finland, and covers a range of cultural forms. The book grapples with the classic tensions in the study of culture, between aesthetics and commercialisation, hierarchies, and globalisation, along with changes in the format, style, and production conditions for cultural journalism. The book is essential reading for anyone interested in culture in Europe, and you can find out more about the project and read some of the papers here. Learn more about your ad choices. Visit megaphone.fm/adchoices

At the dawn of the radio age in the 1920s, Frederick Du Vernet—Anglican archbishop and self-declared scientist—announced a psychic channel by which minds could telepathically communicate across distance. Pamela E. Klassen retalls Du Vernet’s imaginative experiment in her newest book, The Story of Radio Mind: A Missionary's Journey on Indigenous Land (University of Chicago Press, 2018). Following Du Vernet’s journey westward across Canada, Klassen examines how contests over the mediation of stories—via photography, maps, printing presses, and radio—reveal the spiritual work of colonial settlement. Pamela Klassen is Professor in the Department for the Study of Religion at the University of Toronto. Hillary Kaell co-hosts NBIR and is Associate Professor of Religion at Concordia University in Montreal, Canada. Learn more about your ad choices. Visit megaphone.fm/adchoices

Perhaps no form of popular art has appeared as poised to resist subversive sexual themes as the television situation comedy. But Tison Pugh writes that the sitcom’s historic dogmatic insistence on an earnest innocence was doomed to fail, and that the weight of this strain reveals itself under close scrutiny. In The Queer Fantasies of the American Family Sitcom (Rutgers University Press, 2018), Pugh looks at six beloved sitcoms throughout television history in a way you have probably never viewed them before. “Sexuality and queerness can never be banished from family sitcoms but instead percolate throughout various story lines that attempt to quell their disruptive force," Pugh writes. “In brief, queerness as a critical concept fractures cultural constructions of gendered and erotic normativity, dismantling rigid binary codes of licit and illicit desires and identities. Queer refers to contested sexual and gender identities but extends further to include identities that challenge regimes of normativity. More s

In her new book, Filming the Colonial Past: The New Zealand Wars on Screen (Otago University Press, 2018), Annabel Cooper, an Associate Professor in the Gender Studies Programme at the University of Otago, explores how filmmakers have portrayed the New Zealand wars of the 19th century and how those productions serve as a snapshot of the complex cultural moment of their creation. Exploring today's new forms of media and innovative platforms, Cooper charts the growth of Maori creative control in telling these important national stories. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the relationship between popular misogyny and popular feminism? In Empowered: Popular Feminism and Popular Misogyny(Duke University Press, 2018), Sarah Banet-Weiser, Professor of Media and Communications and Head of Department at the LSE's Department of Media and Communications, explores these two interrelated ideas in order to analyse a range of examples including the body positivity movement, confidence, #gamergate, seduction communities, and women in tech. These examples, along with extensive discussion of media examples including advertising, and a theorisation of the 'economy of visibility', demonstrate the important work of popular feminism, its limits, and the misogynist backlash aimed at arresting feminism's progress. The book engages and explains our current politics, with important lessons for both sides of the Atlantic, as well as a media analysis with global implications. As a result the book is an important read across the social sciences, politics, and beyond. Learn more about your ad ch

McKenzie Wark’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention. The chapters of General Intellects: Twenty-One Thinkers for the Twenty-First Century (Verso, 2017) introduce readers to important work in Anglophone cultural studies, psychoanalysis, political theory, media theory, speculative realism, science studies, Italian and French workerist and autonomist thought, two “imaginative readings of Marx,” and two “unique takes on the body politic.” There are significant implications of these ideas for how we live and work at the contemporary university, and we discussed some of those in our conversation. This is a great book to read and to teach with! Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the major aspects of the end of the Cold War has been the discovery and release of records related to many government activities from the period. In Lookout America!: The Secret Hollywood Studio at the Heart of the Cold War (Dartmouth College Press, 2018), Kevin Hamilton and Ned O’Gorman tell the story of a movie studio created by the United States government soon after the end of World War 2: Lookout Mountain Laboratory, known during the 1960s as the 1352nd Photographic Group of the United States Air Force. The studio made hundreds of films. You may have seen one, but probably don't know it. Listen in. Learn more about your ad choices. Visit megaphone.fm/adchoices

The success of a translator may seem to lie in going unnoticed: the translator ducks out of the spotlight so that the original author may shine. Mark Polizzotti challenges that idea in a provocative treatise on his craft, Sympathy for the Traitor: A Translation Manifesto (MIT Press, 2018). “A good translation, created by a thoughtful and talented translator,” Polizzotti writes, “aims not to betray the original but to honor it by offering something of equal–possibly even greater–beauty in its name. Polizzotti has translated over 50 books and authored or co-authored four of his own. He is the Publisher and Editor-in-Chief at the Metropolitan Museum of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices

Arabic script is astounding!  Not only because it represents one of the most commonly spoken languages today –that is, the Arabic language– but because it has represented dozens of other languages over the course of human history from the Middle East to Asia, to Europe, and to the tip of South Africa. Letters of Light: Arabic Script in Calligraphy, Print, and Digital Design (Harvard University Press, 2017) is a recent example of the scholarship on the aesthetics of Arabic script and what it communicates. Author J.R. Osborn writes, not quite a standard history, not quite a work of communication studies, not quite a linguistic study, but a combination of all three that tells the story of Arabic script over ten centuries: from the formation of the calligraphic tradition to the rise of Unicode. J.R. Osborn is an Assistant Professor at Georgetown University in the Communication, Culture, and Technology Program.  His work explores media history, design, semiotics, communication technologies, and aesthetics with a

Television started as a dream of nineteenth-century science fiction. It took its place in the twentieth-century home, and became a fixture of family life and a transformative cultural force. Today, televisions are both less visible and more present than ever, thanks to screens on our walls and in our pockets. Chris Horrocks traces the cultural history of the television set in The Joy of Sets: A Short History of the Television (Reaktion Press, 2017). Horrocks is a filmmaker and professor in the School of Critical Studies and Creative Industries at Kingston University in London. His previous books include Cultures of Colour: Visual, Material, Textual (Berghahn, 2012), and Marshall McLuhan and Virtuality (Icon, 2000). Learn more about your ad choices. Visit megaphone.fm/adchoices

What are the hidden structures of the television industry? In The Talent Industry: Television, Cultural Intermediaries and New Digital Pathways (Palgrave, 2018), Raymond Boyle, a professor of communications at the University of Glasgow‘s Centre for Cultural Policy Research, explores this question by focusing on the idea of talent. The book offers a rich theoretical and empirical engagement with the contemporary television landscape, giving detailed analysis of the history of talent development, as well as the impact of digital and new platforms. The shifting landscape of talent, television, and the infrastructure of cultural intermediaries is illustrated with key case studies, ultimately showing how the winners and losers of the talent industry map onto existing inequalities. The book is essential reading for anyone interested in contemporary media. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Networked Press Freedom: Creating Infrastructures For a Public Right to Hear (MIT Press, 2018), journalism professor Mike Ananny provides a new framework for thinking about the media at a time of significant change within the industry. Drawing on a variety of disciplines from journalism studies, political theory and technological studies, Ananny argues press freedom is a result of an interplay of duty, autonomy, social, and institutional forces. Focusing on the public right to hear, Ananny explores the competing values and publics journalists must negotiate to provide objective news and to build trust. Exploring the complexities of ‘doing journalism’ in the 21st century with competing technological platforms he attempts to answer the question: what is the role of journalism and freedom of the press in the modern era?   Learn more about your ad choices. Visit megaphone.fm/adchoices

Physical journals, scrapbooks, and photo albums all offer their owners the opportunity to chronicle both mundane and extravagant events. But unlike social media posting, this analog memorializing of life happenings is not encumbered with the negative theorizing about why people choose to record experiences. In her new book, The Qualified Self: Social Media and the Accounting of Everyday Life (MIT Press, 2018), Cornell University associate professor Lee Humphreys argues that selfies and other social media life logging, like traditional journaling, is media accounting, which offers us a deeper understanding of ourselves. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jack Benny was one of the first crossover stars in broadcast comedy, rising from the vaudeville circuit to star in radio, film, and television. Kathryn Fuller-Seeley chronicles Benny’s career in her book, Jack Benny and the Golden Age of American Radio Comedy (University of California Press, 2017). The book recently received a Special Jury Prize from the Theatre Library Association. Kathryn Fuller-Seeley is Professor of Communication at the University of Texas at Austin. She is also the author of various books on film history, including At the Picture Show: Small-Town Audiences and the Creation of Movie Fan Culture (Smithsonian Institution Press, 1996). Learn more about your ad choices. Visit megaphone.fm/adchoices

How does the seduction, or “pick-up artist,” industry work? In her new book Seduction: Men, Masculinity, and Mediated Intimacy (Polity, 2018), Rachel O’Neill provides a sociological analysis of the seduction industry. By using ethnographic and interview methods, O’Neill engages with the industry to better understand how intimacy is portrayed through media, trainings, and men’s experiences using these techniques in the field. This book is rich with accessible and interesting discussions of masculinity. For instance, O’Neill explores how men who attend seduction trainings, as well as the trainers themselves, “brand” their “sexual selves.” The book covers many interesting topics including social hierarchies and the importance of style. O’Neill also tackles issues relevant to current cultural discussions around consent and the intersection and discord between feminism and masculinity. O’Neill’s next project includes turning an eye to mediated health through studying “wellness culture” and practices of health enh

If you watch old movies or study film history, you may know that early 20th-century Hollywood operated under the Motion Picture Production Code, which dictated what could and couldn’t be portrayed onscreen. But did you know that television had a code of its own? Its story has never been told at length until now. Deborah Jaramillo, Associate Professor of Film and Television at Boston University, is the author of a new book called The Television Code: Regulating the Screen to Safeguard the Industry (University of Texas Press, 2018). Jaramillo tells the story of a young television industry’s attempt to police itself on controversial questions about content, fending off pressure from government regulators and finicky viewers. Jaramillo explores whether the federal government could have played a stronger role at this formative time in the industry, and what the code did and didn’t accomplish in its three decades of existence. Learn more about your ad choices. Visit megaphone.fm/adchoices

LikeWar: The Weaponization of Social Media (Houghton Mifflin Harcourt, 2018), by P.W. Singer and Emerson T. Brooking, outlines the history of social media platforms and their use in popular culture and modern conflict.  The authors make comparisons to previous technological advancements (such as telegraph and radio) and connect the use of social media to a Clausewitzian view of war. The use of social media by insurgents, criminal organizations, and nation-states raises questions about whether the medium is the message or if new communication channels are propaganda in another form. Beth Windisch is a national security practitioner. You can tweet her @bethwindisch. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a time where concepts such as gender pronouns, sexual assault and harassment, and toxic masculinity are entering and shaping public discourse, knowing the ways in which gender and language interact is key. In her new book, Speaking Up: Understanding Language and Gender (Multilingual Matters, 2018),  Dr. Allyson Jule describes the ways in which gender and language intersect in various parts of life. Jule examines gender and language in media and technology, education, the workplace, religion, and relationships. Each chapter offers the latest research in that area as well as major works that preceded our current time. Jule provides an excellent primer that could be used at all levels of higher education along with being accessible to the general public, which makes this an outstanding contribution to the field. Learn more about your ad choices. Visit megaphone.fm/adchoices

How do social movements remember the past? How do collective memories affect their current strategic choices? In his book Social Movements, Memory and Media: Narrative in Action in the Italian and Spanish Student Movements (Palgrave, 2018), Lorenzo Zamponi provides an answer to these questions by analyzing the representations of specific episodes related to the Italian and Spanish student movements of the 1960s and 1970s, and the recollection of those events by current student activists. By bridging the disciplines of memory studies and social movement studies, Lorenzo makes a significant contribution to our understanding of how cultural factors shape political action. Collective memories can serve as a way of legitimation and mobilization to social movements, but they can also limit their strategic choices by imposing certain past identities and contentious repertoires. Researchers from all disciplines interested in the intersect between memory and social movement studies are encouraged to answer to the Ca