New Books In Communications

In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic. How can publishers and authors contribute to this process? This podcast addresses this issue. We interview Professor Austin Choi-Fitzpatrick, whose book, The Good Drone: How Social Movements Democratize Surveillance (forthcoming with MIT Press) is undergoing a Massive Online Peer-Review (MOPR) process, where everyone can make comments on his manuscript. Additionally, his book will be Open Access (OA) since the date of publication. We discuss with him how do MOPR and OA work, how he managed to combine both of them and how these initiatives can contribute to the democratization of knowledge. You can participate in the MOPR process of The Good Drone through this link: https://thegooddrone.pubpub.org/ Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices w

Parents, teachers, feminists, conservatives, lawyers, the concerned citizen – pornography raises everyone's hackles. Author Richa Kaul Padte approaches pornography with a combination of light-hearted camaraderie and intellectual curiosity instead. Taking seriously the notion that every individual has sexual rights, Kaul Padte explores the twinned fates of gendered representations and subjectivity in our digital age. Cyber Sexy: Rethinking Pornography (Penguin Viking, 2018) is smart and funny in equal measure. Discussions on the need to move away from obscenity clauses in the Indian constitution to a more nuanced understanding of consent, and the questions of inequality that lie at the heart of consent, are punctuated by first hand accounts of online sexual experiences (including some of Padte's own). Never pedantic, the book closes with a call for radical empathy as we collectively struggle towards a more open and accepting social order. Richa Kaul Padte is an independent writer currently living in Goa, India

Given its expanding multimedia presence in Asia and around the world for many years now, K-pop is a phenomenon that is hard to ignore. This “animal that thrives on excess,” as Suk-Young Kim puts it (p. 6) is more than just music, however, as it offers us a way of looking at a host of fascinating and important subjects in politics, economics, anthropology and performance studies. Suk-Young Kim's book K-Pop Live: Fans, Idols, and Multimedia Performance (Stanford University Press, 2018) transports us into K-pop's dizzying world of production, consumption, participation and neoliberal commerce. As well as navigating the geopolitical and technological conditions that have enabled K-pop’s emergence and success, Kim takes us up close to the fans and stars themselves through her ethnographic work at gigs, conventions and TV recordings. Combining all the passion of a true fan with clear-headed analysis of postmodern subjects' interactions with big business and the state, this is a must-read for anyone curious about co

What does it mean to consider trauma and media from the perspective of technology and not from that of the subject of trauma, the clinician or the witness? In Transmitted Wounds: Media and the Mediation of Trauma (Oxford University Press, 2019), Amit Pinchevski carries out this thought experiment to great effect. By bringing media theory to bear on trauma theory, this book reveals the technical operations that inform the understanding of traumatic impact on bodies and minds. Under consideration is not the way trauma and traumatic memory figure in the media (film, television, photography and other popular culture portrayals of traumatic experience), but rather media as partaking in the very construction of the traumatic itself. Pinchevski conducts an erudite and innovative exploration through a series of case studies: the radio broadcasts of the Eichmann trial; the videotaping of Holocaust testimonies; recent psychiatric debates about trauma through media following the 9/11 attacks; current controversy surroun

Reece Peck's Fox Populism: Branding Conservatism as Working Class (Cambridge University Press, 2019) offers a unique argument of why the Fox News Channel has been both a commercial successful and wielded enormous political influence. Peck focuses on the importance of the tabloid sensibilities and populist style of Fox News. He traces the history of Fox's counter-elite brand from Murdoch to O’Reilly to Hannity. Using the network's coverage of the economic recession as a case study, Peck shows how producers and hosts how use style to frame news events and create a coalition of working-class and business-class people. Peck is assistant professor of media culture at College of Staten Island, City University of New York. Learn more about your ad choices. Visit megaphone.fm/adchoices

If you mention Appalachia to many people, they may immediately respond with the "Deliverance" dueling banjos theme. Unfortunately, this is an example of how the region is stereotyped and misunderstood, particularly in films. In her book, Unwhite: Appalachia, Race, and Film(University of Georgia Press, 2018), Meredith McCarroll, Director of Writing and Rhetoric at Bowdoin College, describes Appalachian people as being shown as different from both white and nonwhite groups, often considered as belonging to the worst of each group. Her book discusses specific film examples that help to illustrate the negative connotation heaped upon Appalachia, and also presents where filmmakers treat them more fairly. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

It's been called the first Internet. In the nineteenth century, the telegraph spun a world wide web of cables and poles, carrying electronic signals with unprecedented speed. In order to connect the entire American continent, however, the telegraph had to cross western territory, which brought a host of challenges, conflicts, and uncertainties. What happened when the telegraph crossed the Mississippi River? What natural obstacles had to be overcome? What role did the telegraph play in the displacement of native tribes? James Schwoch answers these questions in Wired into Nature: The Telegraph and the North American Frontier (University of Illinois Press, 2018). Schwoch is a professor of communication studies at Northwestern University. He is also the author of The American Radio Industry and Its Latin American Activities, 1900-1939 and Global TV: New Media and the Cold War, 1946–69, both also published by University of Illinois Press. Nathan Bierma is a writer, instructional designer, and voiceover talent in G

Is the existence of truth coming to a screeching halt? Does truth still exist? In Truth-Spots: How Places Make People Believe (University of Chicago Press, 2018), Dr. Thomas F. Gieryn takes time to explain how place informs truth. During this interview Dr. Gieryn offers an in-depth explanation of how history and biography have fed the narratives told about truth-spots. Dr. Gieryn presents us with the beliefs and claims that have developed Mount Parnassus, Delphi, Walden Pond, Seneca, Selma, Stonewall, courthouses, laboratories, and several other places across the globe as truth-spots. The advancement of technology has improved human travel and allows humans access to almost anywhere around the globe. An improvement in human mobility allows more people to access truth-spots that would otherwise be unavailable. This access paired with mass media has heightened human awareness to claims humans make about their accounts of truth-spots. Dr. Gieryn provides an account of how he views the automobile and other modes

In the early days of film, female comedians appeared in films that included both strange activities and slapstick. In her new book Specters of Slapstick and Silent Film Comediennes (Columbia University Press, 2018), Margaret Hennefeld, Assistant Professor of Cultural Studies and Comparative Literature at the University of Minnesota, Twin Cities, reviews the role of these women, as well as how their appearances had a cultural and political effect, particularly in the feminist movement leading to universal suffrage. She illustrates how these films still have important meanings to modern day. Learn more about your ad choices. Visit megaphone.fm/adchoices

How can insights from psychoanalysis help us understand digital culture? in Psychoanalysis and Digital Culture: Audiences, Social Media, and Big Data (Routledge, 2018), Jacob Johanssen, a senior lecturer in the University of Westminster's School of Media and Communication, draws on the work of Freud and Anzieu to explore both traditional and new forms of media. The book uses research projects on the Embarrassing Bodies television show, and on digital labour, to show how psychoanalysis can inform research methods and explain how people engage with TV, use Twitter, and present themselves online. Moreover, the book grapples with the rise of big data, offering new perspectives on content providers such as Netflix. Packed with rich analysis and a wealth of examples, the book will be essential reading across cultural and media studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of New Books in Communications, Lee Pierce (she/they) interviews Dr. Bradford Vivian (he/his) of Penn State University on his fabulous new book Commonplace Witnessing: Rhetorical Invention, Historical Remembrance, and Public Culture (Oxford University Press, 2017). In this book, Dr. Vivian asks readers to reconsider our almost sacred regard for the act of witnessing in public culture and consider witnessing as a rhetorical act that we recognize not only because of the transparent truth of the witness testimony but because that testimony conforms to particular expectations of witnessing, which Dr. Vivian calls the “topoi” or commonplaces of witnessing including authenticity, impossibility, and regret. Investigating a variety of public culture texts—from 19th-century speeches to the 9/11 Memorial—Dr. Vivian explores the ambiguity of witnessing as an act of memory and culture and how that act normalizes who has the right to speak truth and how. Learn more about your ad choices. Visit megaphone.fm

On this episode of the New Books Network, Lee Pierce (she/they) interviews Dr. Kendall Phillips (he) of Syracuse University on his fabulous new book A Place of Darkness: The Rhetoric of Horror in Early American Cinema (University of Texas, 2018). In it, Phillips explores the emergence of the horror film genre before it was horror and a post-Civil War national American identity. Dr. Phillips discusses the unique role of Universal Studio’s 1931 Dracula, the turning point of the Phantom’s revelation in The Phantom of the Opera, and what horror was before it was horror. Along the way, Dr. Phillips discusses how shifts in filming technologies and international politics at the turn of the century forged a distinctly American identity based upon incredulousness, narrative depth, and rationality.  Learn more about your ad choices. Visit megaphone.fm/adchoices

We know, perhaps too well, the innovation-centric history of personal computing. Yet, computer users were not necessarily microelectronics consumers from the get-go; rather, earlier efforts to expand mainframe computing as a public utility made elite information technology accessible to a wide audience. In A People's History of Computing in the United States (Harvard University Press, 2018), Joy Lisi Rankin seeks to restore this broader perspective by situating the history of educational computing within the arc of U.S. social politics in the 1960s and 1970s. The result is a new perspective that challenges the business-dominated historiography of computing by explaining the convergence between the technical and social through efforts that began locally. As these projects expanded in scope, their advocates articulated a vision of "computing citizenship" throughout the rise of what we now call the "information age." Through a series of cases, beginning with timesharing at Dartmouth and the development of the BA

In Innocent Weapons: The Soviet and American Politics of Childhood in the Cold War (University of North Press, 2014), Margaret Peacock analyzes the various ways in which images of children were put to use, in Soviet and American Cold War propaganda. From the Boy Scouts to the Pioneers, ubiquitous images of children portrayed the superiority of communism/capitalism. Where children were used to showcase superiority, equally powerful were images of children as needing protection. In the United States, images of the child helped explain the need for nuclear testing and fallout shelters. From a Soviet point of view, children were likewise to be protected: from the evils of capitalist consumerism, from the rapacious nuclear warmongering of the West. Even as children were used to promote the officially sanctioned view of the American/Soviet state, those same images, Dr. Peacock shows, could be used to subvert that view. Post-Stalin Soviet films criticized the status quo using images of the child to do so. Suspect Am

With recent events having raised hopes that significant change may be afoot in North Korea, it is important to remember that DPRK society has in fact been undergoing steady transformation for a considerable period of time. Among the most important dimensions of this are the changes that have occurred in the kind of information North Koreans have access to, and this is the subject of Jieun Baek's excellent North Korea's Hidden Revolution: How the Information Underground Is Transforming a Closed Society (Yale University Press, 2016). Based on interviews with North Koreans who have settled in the South, Baek shows how everything from television programs to foreign affairs coverage and fashion has made its way into the country from the outside world. DPRK citizens today live in a much more informationally open society than the all-too-common ‘hermit kingdom’ label would imply. As well as getting a rich sense of the very personal stories that often underlie the movement of information, goods and cash into the coun

The story of Emmett Till’s death at the hands of white Mississippians is well known. For many Americans, it highlights the racism of the Jim Crow South and was a defining moment that helped galvanize a generation of civil rights leaders. In his new book, Elliott J. Gorn (Professor of History at Loyola University Chicago) tells the story of Till’s life and death. The death and trial was a national and international news story, but the exact meaning of events in Mississippi were contested. Moreover, the horrific images of Till’s badly beaten body were published in black publications at a time of a segregated media landscape. Most white Americans did not see them until decades later. In Let the People See: The Story of Emmett Till (Oxford University Press, 2018), Gorn also tells this story of the story of Till’s death—examining how responses to the death varied across the population and showing how public memory of Till’s murder has changed over the intervening years. In this episode of the podcast, Gorn discuss

How has the council estate been represented on stage? In Social Housing In Performance: The English Council Estate On and Off Stage (Methuen Drama, 2018),  Dr. Katie Beswick, a lecturer in drama at the University of Exeter, explores this question using a mixture of dramatic and social theory, along with examples from a variety of theatre performances and forms. The book sets out the history of social housing and the council estate, along with a reading of the (mis)representations of the estate across contemporary media. The book shows the longstanding and complex relationship between theatre, class, and the estate, using examples including high profile state pieces, as well as site specific theatre. The book will be essential reading for theatre and performance scholars, along with anyone interested in issues of class and culture, as well as housing, space and place. Learn more about your ad choices. Visit megaphone.fm/adchoices

Regia Rini is the Canada Research Chair in Philosophy of Moral and Social Cognition at the York University. Her research resides at the intersections of moral philosophy, psychology, and political epistemology. She also publishes popular work on topics concerning the social and political impacts of technology. She is currently working on a book about social media and democracy. The "Why We Argue" podcast is produced by the Humanities Institute at the University of Connecticut as part of the Humility and Conviction in Public Life project. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What can the lives of journalists under Hitler and Adenauer reveal? How did they navigate the Third Reich as "internal emigrants"? How did the emerging Cold War shape new tensions with their government and publishers? Volker Berghahn examines the lives and careers of three media giants with his latest book Journalists between Hitler and Adenauer: From Inner Emigration to the Moral Reconstruction of West Germany(Princeton University Press, 2019). In it, Berghan's exploration of German journalists' compromises and moral vision for their country illuminates perennial issues around press freedom and the place of media in modern societies. Volker Berghahn is the Seth Low Professor Emeritus of History at Columbia University. His numerous contributions to the field have covered the social and cultural history of modern Germany and Euro-American relations. He taught in England and Germany before coming to Brown University in 1988 and going on to Columbia ten years later. A selected list of Berghahn's books includes A

Our evolutionary success, according to co-authors Alex Bentley and Michael O'Brien, lies in our ability to acquire cultural wisdom and teach it to the next generation. Today, we follow social media bots as much as we learn from our ancestors. We are radically changing the way culture evolves. In The Acceleration of Cultural Change: From Ancestors to Algorithms (MIT Press, 2017), Bentley and O'Brien describe how the transmission of culture has become vast and instantaneous across an internet of people and devices, after millennia of local, ancestral knowledge that evolved slowly. Long-evolved cultural knowledge is aggressively discounted by online algorithms, which prioritize popularity and recency. If children learn more from Minecraft than from tradition, this is a profound shift in cultural evolution. Bentley and O'Brien examine the broad and shallow model of cultural evolution seen today in the science of networks, prediction markets, and the explosion of digital information. They suggest that in the futur