New Books In Communications

Political Scientist Boris Heersink’s new book guides the reader through over a century of politics and national parties in the United States. Heersink’s work is both qualitative and quantitative and approaches the national party organizations—the Democratic National Committee and the Republican National Committee—from the perspective of American political development. This is a fascinating study of the way that the national parties operate when their party is in the White House or when their party is out of power in terms of the presidency. Heersink has mapped out the activities and approaches of the national parties through a host of different resources, from the available archival papers of party chairmen and women, to newspaper coverage of national party activities and events, to other media mechanisms that the parties individually, or mirroring each other, pursued to shape and promote their “brand.” National Party Organizations and Party Brands in American Politics (Oxford UP, 2023) tells us a lot about h

A dictator's power is secure, the authors begin in this muscular, impressive study, only as long as citizens believe in it. When citizens suddenly believe otherwise, a dictator's power is anything but, as the Soviet Union's collapse revealed. This conviction – that power rests ultimately on citizens' beliefs – compels the world's autocrats to invest in sophisticated propaganda. Propaganda in Autocracies: Institutions, Information, and the Politics of Belief (Cambridge University Press, 2023) by Dr. Erin Baggott Carter and Dr. Brett L. Carter draws on the first global data set of autocratic propaganda, encompassing nearly eight million newspaper articles from fifty-nine countries in six languages. The authors document dramatic variation in propaganda across autocracies: in coverage of the regime and its opponents, in narratives about domestic and international life, in the threats of violence issued to citizens, and in the domestic events that shape it. The book explains why Russian President Vladimir uses Don

Fake news about the past is fake history. Did Hugo Boss design the Nazi uniforms? Did medieval people think the world was flat? Did Napoleon shoot the nose off the Sphinx? *Spoiler Alert* The answer to all those questions is no. From the famous quote 'Let them eat cake' - mistakenly attributed to Marie Antoinette - to the apocryphal horns that adorned Viking helmets, fake history continues to shape the story we tell about who we are and how we got here. With doctored photographs, AI-generated images and false claims about the past circulating in the news and on social media, separating fact from fiction seems harder than ever before. Today I talked to Jo Hedwig Teeuwisse, better known as "The Fake History Hunter." She is on a one-woman mission to hunt down fake history and reclaim the truth for the rest of us. And she is the author of Fake History: 101 Things That Never Happened (Ebury Press, 2022). Jo Hedwig Teeuwisse is a widely-recognised historical authority for her work on social media debunking his

In her first book, How to Do Nothing, artist Jenny Odell examined the power of quiet contemplation in a world where our attention is bought and sold. Now, she takes up the question of how to find space for silence when we feel like we don’t have enough time to spend. In her new book, Saving Time: Discovering a Life Beyond the Clock (Random House, 2023), Odell traces the history behind our relationship to time, from the day-to-day pressures of productivity to the deeper existential dread underlying the climate crisis. In the process, she explores alternative ways of experiencing time that can help us get past the illusion of the separate self and instead open us to wonder and freedom. In this episode of Life As It Is, Tricycle’s editor-in-chief, James Shaheen, and meditation teacher Sharon Salzberg sit down with Odell to discuss the social dimensions of time, how paying attention can unsettle the boundaries between us, why she views burnout as a spiritual issue, and how love can bring us out of linear time. Li

From the telegraph to the touchscreen, how the development of binary switching transformed everyday life and changed the shape of human agency. The Switch: An Off and On History of Digital Humans (U Minnesota Press, 2023) traces the sudden rise of a technology that has transformed everyday life for billions of people: the binary switch. By chronicling the rapid growth of binary switching since the mid-nineteenth century, Jason Puskar contends that there is no human activity as common today as pushing a button or flipping a switch--the deceptively simple act of turning something on or off. More than a technical history, The Switch offers a cultural and political analysis of how reducing so much human action to binary alternatives has profoundly reshaped modern society. Analyzing this history, Puskar charts the rapid shift from analog to digital across a range of devices--keyboards, cameras, guns, light switches, computers, game controls, even the "nuclear button"--to understand how nineteenth-century technique

It’s the UConn PopCast, and in this episode we tackle ‘For All Mankind,’ Apple TV’s alternate history about a space race that never ended. We first react to episode one of season four, which portrays a well-established human base on Mars. What does this first episode portend for the rest of the season, and the overall trajectory of the show? We then dive deep into the political, social, and technological themes of the show over the past three seasons. What does this text say about the malleability of the structures of contemporary societies? Can technological advances ‘overleap’ political problems? Is the show’s portrayal of gender as progressive as it seems at first blush? Most fundamentally, what type of politics is ‘For All Mankind’ trying to sell us, and is it convincing? The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Check out the Popular Culture Initiative. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a pre

Pavitra Sundar's book Listening with a Feminist Ear: Soundwork in Bombay Cinema (U Michigan Press, 2023) is a study of the cultural politics and possibilities of sound in cinema. Eschewing ocularcentric and siloed disciplinary formations, the book takes seriously the radical theoretical and methodological potential of listening. It models a feminist interpretive practice that is not just attuned to how power and privilege are materialized in sound, but that engenders new, counter-hegemonic imaginaries. Focusing on mainstream Bombay cinema, Sundar identifies singing, listening, and speaking as key sites in which gendered notions of identity and difference take form. Charting new paths through seven decades of film, media, and cultural history, Sundar identifies key shifts in women's playback voices and the Islamicate genre of the qawwali. She also conceptualizes spoken language as sound, and turns up the volume on a capacious, multilingual politics of belonging that scholarly and popular accounts of nation typ

China’s news sector is a place where newsmakers, advertising executives, company bosses, and Party officials engage one another in contingent and evolving arrangements that run from cooperation and collaboration to manipulation and betrayal. Drawing on long-term ethnographic fieldwork with journalists, editors, and executives at a newspaper in Guangzhou, China, The Currency of Truth: Newsmaking and the Late-Socialist Imaginaries of China's Digital Era (U Michigan Press, 2023) brings its readers into the lives of the people who write, publish, and profit from news in this milieu. The book shows that far from working as mere cogs in a Party propaganda machine, these individuals are immersed in fluidly shifting networks of formal and informal relationships, which they carefully navigate to pursue diverse goals. In The Currency of Truth, Emily H. C. Chua argues that news in China works less as a medium of mass communication than as a kind of currency as industry players make and use news articles to create agreem

University Press Week 2023 will provide an opportunity for presses and their supporters to shout to the rooftops about the value of the essential work of university presses: giving voice to the scholarship and ideas that shape conversations around the world. Through a variety of publications and platforms, university presses and their authors cultivate and amplify a diverse, inclusive, and exhilarating range of research and concepts. For a complete list of UP Week events, see here For the gallery of 103 publications, see here For the gallery as listed on Bookshop.org with buy buttons next to relevant titles, see here Some other news not discussed in the conversation: University of Georgia and Wesleyan University Presses have finalists for the National Book Award poetry prize, and Yale University Press has a finalist for the nonfiction prize.  AUPresses Central Office will consult with an invited advisory group to conduct an environmental scan regarding AI.  Jane Bunker is Director of Cornell University Pre

The 1970s was a golden age for representations of African American life on TV sitcoms: Sanford & Son, Good Times, The Jeffersons. Surprisingly, nearly all the decade’s notable Black sitcoms were made by a single company, Tandem Productions. Founded by two white men, the successful team behind All in the Family, writer Norman Lear and director Bud Yorkin, Tandem gave unprecedented opportunities to Black actors, writers, and producers to break into the television industry. However, these Black auteurs also struggled to get the economic privileges and creative autonomy regularly granted to their white counterparts. Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions (Rutgers UP, 2023) discovers surprising parallels between the behind-the-scenes drama at Tandem and the plotlines that aired on their sitcoms, as both real and fictional African Americans devised various strategies for getting their fair share out of systems prone to exploiting their labor. The media scholar Adrien

From the 1930s to the 1970s, in New York and in Paris, daring publishers and writers were producing banned pornographic literature. The books were written by young, impecunious writers, poets, and artists, many anonymously. Most of these pornographers wrote to survive, but some also relished the freedom to experiment that anonymity provided - men writing as women, and women writing as men - and some (Anaïs Nin, Henry Miller) went on to become influential figures in modernist literature. Barry Reay and Nina Attwood's Dirty Books: Erotic Fiction and the Avant-garde in Mid-century Paris and New York (Manchester UP, 2023) tells the stories of these authors and their remarkable publishers: Jack Kahane of Obelisk Press and his son Maurice Girodias of Olympia Press, whose catalogue and repertoire anticipated that of the more famous US publisher Grove Press. It offers a humorous and vivid snapshot of a fascinating moment in pornographic and literary history, uncovering a hidden, earlier history of the sexual revoluti

Randy Laist, professor of English at Goodwin University and the University of Bridgeport, has a new edited volume focusing specifically on popular culture and the 1980s. The essays in The '80s Resurrected: Essays on the Decade in Popular Culture Then and Now (McFarland, 2023) approach this theme from a number of disciplinary perspectives, global positions, as well as a wide variety of pop cultural artifacts. Laist’s effort in bringing together these essays was not just about reflecting on the 1980s, and particularly how the 1980s seems to be quite present in contemporary popular culture, but also because of the way that the 1980s has shaped our current political environment. The ‘80s Resurrected includes chapters on different media engagement and different issues that are fleshed out from different artifacts—including video games, film, television, dolls, and music. The ideas that these chapters dive into include questions of race, gender, class, sexuality, LGBTQ+, neoliberalism, misogyny, representation, and

An essay collection exploring the board game's relationship to the built environment, revealing the unexpected ways that play reflects perceptions of space. Board games harness the creation of entirely new worlds. From the medieval warlord to the modern urban planner, players are permitted to inhabit a staggering variety of roles and are prompted to incorporate preexisting notions of placemaking into their decisions. To what extent do board games represent the social context of their production? How might they reinforce or subvert normative ideas of community and fulfillment? In Playing Place: Board Games, Popular Culture, Space (MIT Press, 2023), Chad Randl and D. Medina Lasansky have curated a collection of thirty-seven fascinating essays, supplemented by a rich trove of photo illustrations, that unpack these questions with breadth and care. Although board games are often recreational objects, their mythologies and infrastructure do not exist in a vacuum—rather, they echo and reproduce prevalent cultural la

Reality TV shapes and reflects how we see ourselves, and what we regard as normal. Professor Danielle J. Lindemann watched thousands of hours of reality tv to decode its influence on society. She joins us to discuss her book True Story: What Reality TV Says About Us (FSG, 2022).  Danielle J. Lindemann is an Associate Professor of Sociology at Lehigh University interested in gender, sexuality, the family, and culture. She is the author of Commuter Spouses: New Families in a Changing World and Dominatrix: Gender, Eroticism and Control in the Dungeon. Her research has been featured in media outlets such as The New York Times, The Wall Street Journal, The Economist, The Atlantic, The Washington Post, Rolling Stone, Billboard, and The Chronicle of Higher Education. She has spoken about her work on National Public Radio and has written op-eds for CNN, Newsweek, Salon, Fortune, and Quartz. The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program. Le

Barcodes are about as ordinary as an object can be. Billions of them are scanned each day and they impact everything from how we shop to how we travel to how the global economy is managed. But few people likely give them more than a second thought. In a way, the barcode's ordinariness is the ultimate symbol of its success. However, behind the mundanity of the barcode lies an important history. Barcodes bridged the gap between physical objects and digital databases and paved the way for the contemporary Internet of Things, the idea to connect all devices to the web. They were highly controversial at points, protested by consumer groups and labor unions, and used as a symbol of dystopian capitalism and surveillance in science fiction and art installations. Jordan Frith's book Barcode (Bloomsbury, 2023) tells the story of the barcode's complicated history and examines how an object so crucial to so many parts of our lives became more ignored and more ordinary as it spread throughout the world. This interview was

Peter Nelson's book Computer Games As Landscape Art (Palgrave Macmillan, 2023) proposes that computer games are the paradigmatic form of contemporary landscape and offers a synthesis of art history, geography, game studies and play. Like paint on canvas, the game engine is taken as the underlying medium, and using the Valve Source Engine as the primary case study, it analyses landscapes according to the technical, economic and cultural features this medium affords. It presents the single-player first-person shooter (Half-Life 2) as a Promethean safari, examines how the economics of gambling and product placement shaped the eSports landscapes of Counter-Strike and reveals how sandboxes such as Garry’s Mod visualise the radical landscape of Web 2.0. This book explores how our relationship to the environment is changing, how we express this through computer games and how we can move beyond examining artistic influences on games to examining how historical connections flow through games and the history of landsca

Over the past 40 years, lawmakers in America's two major political parties have taken increasingly extreme positions on ideological issues. Voters from the two parties have become increasingly distinct and hostile to one another along the lines of race, religion, geography, and culture. In Wrong: How Media, Politics, and Identity Drive Our Appetite for Misinformation (Johns Hopkins UP, 2023), Dr. Dannagal Goldthwaite Young illustrates how political leaders and media organizations capitalize on social and cultural identities to separate, enrage, and mobilize people. Because humans are motivated to comprehend, to feel in control, and to be part of a community, they seek information that satisfies these needs – including misinformation that favors their political team. They don’t want to be wrong. Bringing together tools from political science, communications, and social psychology, Dr. Goldthwaite Young creates a model to explain how public officials, journalists, and social media platforms encourage what she c

Today’s guest is Maaheen Ahmed, who has edited a new collection of essays, The Cambridge Companion to Comics (Cambridge University Press, 2023). This book offers both a broad diachronic perspective, reaching back to the earliest print artifacts that could be called “comic books,” and a deep synchronic view, touching on mainstream and alternative comics work, from almost every continent. Contributions include Jaqueline Berndt on the aesthetics of “manga eyes,” Daniel Stein on “racialines” in comics, Kim Munson on the vexed relationship of museums and comics, and Shiamin Kwa on life-writing in comics. Maaheen Ahmed is Professor in the Department of Literary Studies at Ghent University. Maaheen is the author of Openness of Comics: Generating Meaning within Flexible Structures (University Press of Mississippi, 2016) and the co-editor of Comics Memory, with Benoît Crucifix (Palgrave, 2018). Maaheen is one of the primary investigators of “Children in Comics: An Intercultural History from 1865 to Today (COMICS),” a

In a world dominated by the notion of autonomy, free choice, and consent, Akiko Takeyama takes us on a thought-provoking journey into the heart of Japan's adult video industry in her groundbreaking book, Involuntary Consent The Illusion of Choice in Japan’s Adult Video Industry. With an ethereal blend of ethnography and critical analysis, Takeyama challenges the pervasive idea that participation in the adult entertainment industry is always a matter of free will. Instead, she introduces us to the complex concept of "involuntary consent," shining a light on a phenomenon that resonates far beyond the boundaries of Japan's AV industry. The Paradox of Involuntary Consent At the core of Takeyama's narrative lies the paradox of involuntary consent, a concept that questions the very foundations of modern societies built on principles of autonomy, choice, and equality. In a world where the adult entertainment industry alone generates billions of dollars annually, the narrative of consent has taken center stage. Howev

Cancel culture is something all academics are aware of and some are concerned about.  Certainly that’s true of Greg Lukianoff who was the co-author (with Jonathan Haidt) of The Coddling of the American Mind (Penguin, 2018) and who has now co-authored (with Rikki Schlott) of The Canceling of the American Mind (Simon and Schuster, 2023). Listen to him in conversation with Owen Bennett Jones. Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications