Larb Radio Hour

Eric Newman and Medaya Ocher are joined by investigative journalist and New Yorker staff writer Patrick Radden Keefe, to discuss his new book, London Falling: A Mysterious Death in a Gilded City and a Family's Search for Truth. The book begins with the 2019 death of 19-year-old Zac Brettler in London, a tragedy that soon reveals a web of deception, wealth, and hidden influence. Keefe traces Zac's life and the shadowy figures around him, drawing a larger portrait of London reshaped by global capital and restless ambition. Medaya and Eric speak with Patrick about how he first became interested in the case, how he investigated it, and the broader questions it raises about globalization, masculinity, and the pursuit of wealth at any cost.

Medaya Ocher and Eric Newman speak with Karan Mahajan about his latest novel, The Complex. Taking its name from the collection of buildings that patriarch SP Chopra built for his family in Delhi amid the fallout of the 1947 partition crisis, the novel explores how Chopra's descendants struggle to escape the pull of an overbearing family and the long shadow cast by their storied ancestor. As they seek to wrest the lives they want from their surroundings, buried secrets and the tectonic forces of a rising Hindu nationalist movement threaten to tear them all apart. Medaya, Eric, and Karan discuss the transformation of India from the 1970s through the 1990s, the flight from family as both opportunity and wound, and what it means to live with and through buried family secrets. 

Kate Wolf and Eric Newman are joined by photographer Reynaldo Rivera, whose work is featured on the cover of the LARB's spring issue, which celebrates 15 years of the Los Angeles Review of Books. Rivera discusses his latest photobook, Propiedad Privada, edited by Lauren Mackler and Hedi El Kholti. Along with essays and stories by writers such as Constance Debre, Brontez Purnell, Colm Tóibín, and Justin Torres, it showcases images from Rivera's personal collection, most of which he never intended to show publicly. The photos are intimate and erotic, full of longing, vulnerability, and hope. They capture Rivera's friends, lovers, his longtime partner Bianco, and Rivera himself, in ephemeral moments of lust and physical connection. Utilizing the close spaces of bedrooms, bars and alleys as their setting, they document private performances, intense intimacy, and moments of charged reflection. Together with Rivera's first book, Propiedad Privada offers a complex portrait of Latinx queer life in the U.S., while als

In this special episode, Medaya Ocher, Kate Wolf, and Eric Newman discuss the current political quagmire we find ourselves in through the frame of Anton Jäger's Hyperpolitics. Moving from the 1990s to the present, Jäger's new book charts how the US has moved away from the mass political movements that defined the early- and mid-twentieth century. Though voter turnout reached a record in 2020, why do so many in the US feel atomized and disconnected, enmeshed in successive waves of political sentiment and agitation that never resolve? Medaya, Kate, and Eric discuss Jäger's argument, if the US's two party system offers any real choice, and if we'll ever move out of this hyperpolitical phase.

Kate Wolf is joined by veteran journalist Jonathan Shainin, who has worked at The Guardian, The New Yorker, and The Caravan, among other publications. Most recently, he is one of the founding editors of Equator, a new magazine covering politics, culture and art, launched as a response to what the editors see as the dominant mode of Western media: "boilerplate journalism," "facile binaries" and an "invincible ignorance of other societies and cultures." The magazine's mission feels even more urgent in light of the U.S.'s recent, overt acts of international aggression. Shainin speaks about the war in Iran and Lebanon, and how that conflict is being covered by the press.

In this special episode, host Eric Newman is joined by LARB Film Editors Annie Berke and Elizabeth Alsop and Film Comment co-editors Devika Girish and Clinton Krute for a look back at the year in film and the current crop of Oscar nominees ahead of this year's awards.

Kate Wolf speaks to Vigdis Hjorth about her latest novel, Repetition. In the book, the narrator, a novelist in her 60s, returns with an almost trancelike intensity to an episode from her youth in which she had her first sexual experience. Leading up to her encounter with the young man she loses her virginity to, she is subjected to extreme scrutiny by her mother, who questions her daughter's every move, tracking her whereabouts, and later, even reading her diary. As the narrator unfolds the events of her past further, the true reasons for her mother's attention comes to light, and the power of retelling and rexaming stories we think we know becomes even more clear. A novel about the power of memory, as well as writing, empathy, and imagination, Repetition enacts the kind of reckoning with our past selves that we might have should we be brave enough to return to them.

Eric Newman speaks with Lauren Groff about her latest story collection, "Brawler," an intimate and tender exploration of the all-too-human struggle to balance a life between compassion and hatred, love and vengeance. Groff shares her approach to writing stories, from the inception of a gossamer idea or mood through to the editorial grunt work of arranging and sharpening characters and sentences, all while trying to let the work emerge organically. Groff also discusses Flannery O'Connor, the possibility of redemption, the importance of avoiding a moral judgment on your characters, and how she tries to balance the lightness and darkness of life on the page. 

Kate Wolf and Eric Newman are joined by the novelist and critic Namwali Serpell to discuss her latest book, On Morrison. Through close readings of Toni Morrison's many novels, as well as her plays, short stories, and early work as a book editor, Serpell's book appraises how critics, scholars, and the public received Morrison across her career and beyond. The book rigorously examines Morrison's writing from a plenitude of contexts and angles, including Black aesthetics, history, literature, race, gender, philosophy, and craft. Though Morrsion has long been considered a titan of American literature, and was the first Black woman to win the Nobel Prize for literature in 1993, On Morrison proves that there is still plenty more to be gleaned from the complexity and achievement of her work. Serpell discusses what makes Morrison a difficult writer, how she is often misread, and why her books speak, as ever, to the present moment.

Richard Hell joins Kate Wolf to speak about the reissue of his novel, Godlike. Originally published in 2005, Godlike transposes the relationship of the 19th century poets Arthur Rimabaud and Paul Verlaine to 1970s New York. Told from the hospital room of poet Paul Vaughn, the story centers on his meeting of a wily and charismatic 16-year-old punk named R.T. Wode decades earlier. Their attraction is instant, and it becomes a kind obsession for Paul that is as clarifying and creatively fruitful as it is deluding. The novel is steeped in the poetry of the New York School and captures the scene around St. Mark's Church that Hell came to know when he was just a teenager himself. An anti-nostalgic remembrance, the book reflects on aging, death, belief, and the power of the word to transform the detritus of the everyday into something holy and lasting.

In this week's episode from the archives, Eric Newman and Kate Wolf speak to the author Kristin Ross about her book, The Politics and Poetics of Everyday Life, a collection of essays that examine how everyday life emerges as a vantage point for understanding and transforming our social world. The book represents three decades of Ross's writing about the everyday in French political, social, and cultural theory and history, including the commune form and current autonomous zones in France, the romance and memory of the May 1968 protests, and the present predicaments both faced and created by the Macron government. Featuring a long interview with the pioneering philosopher Henri Lefebvre, the book also invokes the work of Fredric Jameson, Jacques Ranciere, Emile Zola, and many others, to explore the intersections of political transformation and cultural representation as resources for thinking opposition and liberation in the present.

A double header show on sculpture, public art, communal space, and gaps and omissions in American history. First, Kate Wolf speaks to Hamza Walker, co-curator of "Monuments," an exhibition currently on view at the  Museum of Contemporary Art Los Angeles and The Brick. The show presents a series of decommissioned Confederate monuments from cities across the US alongside contemporary pieces by Karon Davis, Stan Douglas, Kara Walker, Julie Dash and more. Next, Kate is joined by legendary artist Senga Nengudi to discuss a new career-spanning book of her work, "Populated Air." Published in conjunction with Nengudi's exhibition at Dia Beacon, the book charts the many forms of her practice, including performance, sculpture, dance, and poetry. Nengudi talks about collaboration and her role in the Studio Z collective; being someone who relishes in "thinking" things rather than "making" them; organizing a performance under an LA freeway; and following her own intuition. She is joined by the curator of the Dia exhibitio

Medaya Ocher is joined by writer Lauren Rothery to discuss her novel Television, which follows an aging movie star named Verity, his on and off lover Helen, and Phoebe a screenwriter and filmmaker. One day, on a whim, Verity decides to hold a lottery, giving away his earnings from a massive superhero movie to one lucky filmgoer. Rothery discusses the relationship between failure and success, the current state of Hollywood and why she thinks television is a good metaphor for romance. 

Kate Wolf and Eric Newman speak with Caroline Fraser about her new book, Murderland: Crime and Bloodlust in the Time of Serial Killers. Taking an ecological approach to true crime, the book explores how decades of industrial pollution from large smelting plants in the Pacific Northwest may have shaped the social and environmental conditions that coincided with an unusually high number of serial killers in the region during the 1970s and 1980s, including Ted Bundy, Randall Woodfield, and others. Fraser discusses how she came to draw connections between environmental contamination and these terrifying killers, while also considering the wider human costs of unchecked corporate power and deregulation on vulnerable communities.

Medaya Ocher is joined by writer and author Susan Orlean, whose latest book is Joyride: A Memoir. In Joyride, Orlean recounts how she became a writer: the strokes of luck, as well as the ambition and talent that led her from alt-weeklies to Esquire, Vogue and The New Yorker, where she has been a staff writer since 1992. Orlean has written essays and books that have since become classics of contemporary narrative nonfiction like The Orchid Thief (which inspired the film Adaptation), Rin Tin Tin, On Animals, The Library Book as well as many others. Here she discusses her life and career, her curiosity, her approach to change and opportunity, as well as the state of journalism today. 

This week, we are revisiting our episode with photographer and writer Sally Mann about her book, Art Work: On the Creative Life. Medaya Ocher and Kate Wolf speak with Mann, whose book describes her path to becoming an artist and provides prospective artists with insights on how to weather everything from rejection and poverty, to failure, fallow periods, and the millions of things that can come between you and your work. The book includes selections from Mann's rich archive of photographic work prints, explaining some of the ideas that have gone into her pictures, as well early diary entries that portray a fierce determination alongside equally fierce self-doubt. She also includes excerpts from her long correspondence with a fellow photographer named Ted Orland. Mann's advice is to write letters, keep your receipts, make lots of lists, and remember that being an artist isn't necessarily such a big deal, it's a job like any other: you have to work at it.

Today's episode features a live recording from a LARB Luminary Dinner honoring writer, performer and actor Jenny Slate. Author Sarah Manguso sits down with Slate for an intimate conversation exploring the complexities of balancing artistic practice with the demands of parenthood and the ways personal transformation shapes creative expression. 

Kate Wolf is joined by two of today's finest film critics to discuss the current state of Hollywood—including the sale of Warner Brothers Discovery—the art of writing about movies, and some of the year's best films. Up first is critic A.S. Hamrah, author of two new books: Last Week In End Times Cinema, which compiles the relentless follies of the film industry from March of 2024 to 2025 in an annals of ever-winnowing corporate conglomeration and AI speculation, and Algorithm of the Night: Film Writing 2019-2025. Next, Melissa Anderson discusses her latest book, The Hunger: Film Writing 2012-2024. A self-proclaimed "acteurist" whose attention often centers on a film's star rather than its plot, Anderson's criticism engages with movies on an affective level, charting her own pleasure, desire, and occasional disgust. Here she talks about grounding her writing in queer and feminist politics and how her ardent cinephilia is born of a sense of open-minded curiosity, hopefulness, and the willingness to be transporte

It's that time of the year again! Hosts Kate Wolf, Medaya Ocher, and Eric Newman look back on some of the bright lights from a pretty dark year with a rundown of their favorite books, movies, TV shows, music, and scandals from 2025. For a full list of this year's picks, visit lareviewofbooks.org/podcasts/larb-radio-hour/

Medaya Ocher and Eric Newman speak with director Julia Loktev about her new documentary My Undesirable Friends. Filmed in 2021, just before Russia's invasion of Ukraine, the five-hour epic follows independent journalists at TV Rain as they navigate escalating government repression and the "foreign agent" laws designed to silence dissent. The film is a moving, unsettling portrait of resilience and a stark reminder of the global stakes of Russia's suppression of independent media. Medaya and Eric talk to Julia about her experience filming the documentary in a moment of intense political upheaval, as well as what the disturbing parallels between the campaign against the press in Russia and the United States.