New Books In Historical Fiction

Most modern Americans can identify the names Wallace Simpson and Gloria Vanderbilt. But Simpson was not the first divorced American to win the heart of Great Britain’s future if short-reigned King Edward VIII, known to his family as David. This debut novel explores the life and loves of Thelma Morgan, whose twin sister Gloria married Reggie Vanderbilt and became the mother of the well-known fashion designer. After the ending of what these days we would call a “starter marriage,” Thelma accepts a proposal of Viscount Duke Furness, who takes her to his country estate and introduces her to his children. He also, in due course, introduces her to David and, when she and the prince fall for each other, steps aside and chooses not to contest their affair. The reality that Lord Furness has not himself practiced fidelity is one of the factors driving Thelma away from him. Meanwhile, Gloria and Reggie have taken refuge from the twins’ mother in France, where they are raising their daughter, Little Gloria. Reggie dies p

In John DeSimone's Road to Delano (Rare Bird Books, 2020), it's 1968, and Cesar Chavez is organizing the United Farm Workers to fight for decent working conditions and basic human rights, while growers get increasingly violent in trying to prevent unionization. Teenager Jack Duncan learns that his father’s death did not happen the way he’d been told. His best friend Adrian joins his own father in fighting for workers rights with Chavez. Jack and Adrian hope baseball will be their ticket to college scholarships and a way out of Delano, California, but Jack’s widowed mother is about to lose her house to a greedy grower, and because of his father’s activities, school officials threaten Adrian’s hope of graduation. Turns out the growers own the town, including the police department and the school officials. The plight of pesticide-poisoning and other injustices to immigrant workers (which we are sadly still fighting today) pulls the two best friends away from their goal of getting out of Delano and pushes them in

Lady Cecily Kay has just returned to England when she encounters Sir Barnaby Mayne. It’s 1703, Queen Anne is on the throne, and London’s coffee houses are buzzing with discussions of everything from science and philosophy to monsters and magic. Of course, Cecily has no plans to join the ongoing conversations; coffee houses bar the door to female visitors, however intelligent and learned. But she has secured something better: an entrée to the house of the city’s most influential collector, where she can compare her list of previously unknown plants to his rooms filled with specimens and, with luck, identify them. On Cecily’s first day in the Mayne house, however, Sir Barnaby is stabbed to death. His meek curator confesses to the crime, and even the victim’s widow seems willing to ignore any discrepancies in the evidence. With assistance from her childhood friend Meacan Barlow, an illustrator also living in Sir Barnaby’s house, Cecily sets out to tie up the loose ends on a murder that far too many people would

The Italian Renaissance introduced—or reintroduced—many valuable concepts to society and culture, giving rise eventually to our modern world. But it was also a time of fierce political infighting, social inequality, the subjugation of women, religious intolerance, belief in witchcraft, and many other elements that are more fun to read about than to experience. In The Road to Gesualdo, Erika Rummel draws on her years as a historian of the sixteenth century to bring this captivating story to life. When Leonora d’Este, the daughter of the powerful family running the Italian city-state of Ferrara, receives orders from her brother to marry Prince Carlo of Gesualdo, she accepts the arranged match without protest. Her lady-in-waiting, Livia Prevera, does not. Prince Carlo, Livia argues, must have a secret, because the courtiers of Ferrara get quiet whenever his name comes up. Only after the wedding ceremony does Leonora discover that Livia is right. Prince Carlo murdered his first wife and her lover after finding th

In Bill LeFurgy's Into the Suffering City: A Novel of Baltimore (High Kicker Books), Sarah Kennecott is a brilliant young doctor who cares deeply about justice for murder victims after her own family is murdered. She’s not like other people; she doesn’t like noises and smells, she doesn’t understand chit chat, and she cannot interpret inflection or nuance. It’s 1909, and the city of Baltimore is filled with gilded mansions and a seedy corrupt, underworld. Sarah struggles to be accepted as a doctor. After getting fired for looking too closely into the killing of a showgirl, she refuses to back down from the investigation and joins forces with a street-smart private detective who is able to access saloons, brothels, and burlesque theaters where Sarah isn’t allowed. Together, they unravel a few secrets that could cost them their lives. Bill LeFurgy is a professional historian who has studied the seamy underbelly of urban life, including drugs, crime, and prostitution, as well as more workaday matters such as str

London, 1892. Private enquiry agents Cyrus Barker and Thomas Llewelyn have been tasked by the Prime Minister to deliver a satchel to the Vatican. The satchel contains a document desperately desired by the German government, an unnamed first-century gospel. With secret societies, government assassins, political groups, and shadowy figures of all sorts doing everything they can to acquire the satchel and its contents—attacks, murders, counterattacks, even massive street battles, and with a cold war brewing between England and Germany—this small task might be beyond even the prodigious talents of Cyrus Barker. Join us, as we speak with author Will Thomas about his recent book, Lethal Pursuit, the eleventh historical mystery novel in the Barker & Llewelyn series. Will Thomas is the author of the Cyrus Barker and Thomas Llewelyn series, which includes Blood is Blood, Old Scores, Hell Bay, and the Shamus and Barry Award-nominated Some Danger Involved. He lives with his family in Oklahoma. Michael Morales is Profess

Perhaps in anticipation of the seventy-fifth anniversary of the armistice, or just the reality that the last survivors will not be with us much longer, World War II has dominated the genre of historical fiction for some time. But two years before Hitler’s aggression against Poland set off the conflagration in Europe, imperial Japan occupied China, capturing Shanghai and Nanjing before launching bombing forays westward. In The Library of Legends (William Morrow, 2020), Janie Chang draws on family stories and ancient legends to weave a fact-based yet mystical tale about this period in China’s long history. The novel focuses on a group of university students evacuated from Nanjing as the Japanese army approaches. Eager to defend their cultural heritage, the students embrace the task assigned to them: safeguarding an encyclopedia of lore compiled during the early Ming dynasty five hundred years before. Hu Lian, a scholarship recipient from a single-parent family, encounters Liu Shaoming and his enigmatic former s

Brian Greene is a Professor of Mathematics and Physics at Columbia University in the City of New York, where he is the Director of the Institute for Strings, Cosmology, and Astroparticle Physics, and co-founder and chair of the World Science Festival. He is well known for his TV mini-series about string theory and the nature of reality, including the Elegant Universe, which tied in with his best-selling 2000 book of the same name. In this episode, we talk about his latest popular book Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe (Random House, 2020) Until the End of Time gives the reader a theory of everything, both in the sense of a “state of the academic union”, covering cosmology and evolution, consciousness and computation, and art and religion, and in the sense of showing us a way to apprehend the often existentially challenging subject matter. Greene uses evocative autobiographical vignettes in the book to personalize his famously lucid and accessible explanati

Two guys named Nick Chance, both with clairvoyant dogs named Royo, both inventors living in Pasadena, California – in 1913 and 1993. The original Nick, who starts out working on an ostrich farm, is drawn to the Colorado Street Bridge and manages to meet some of the great personalities of the period: Teddy Roosevelt, Upton Sinclair and Adolphus Busch all meet Nick. He parlays an idea for lighting into a job on the bridge and survives the lethal collapse of one of its arches during construction. Eighty years later, on the anniversary of the bridge’s inauguration, the second Nick Chance is pulled into rectifying the mistakes of the past. Pasadena, which had a millionaire’s row even back then, is nothing like the original, romanticized version of the town. There’s some magical realism, lots of fascinating historical detail about Pasadena and southern California, and lots of eating. Today I talked to Chip Jacobs about his new book Arroyo (Rare Birds Books, 2019) Jacobs is a Los Angeles Times bestselling author and

It is well known that the novels of Jane Austen (1775–1817), which enjoyed at best a modest success during her lifetime, have become ever more popular in the last fifty years or so. They support a small industry of remakes, spinoffs, and retellings. As Janice Hadlow notes while discussing The Other Bennet Sister (Henry Holt, 2020), one reason for that interest lies with Austen herself. A genius at characterization, Austen drops tiny pearls of insight into one secondary character or another throughout her novels, and these seeds, when properly nurtured, can develop in unexpected ways. The Other Bennet Sister focuses on the life of the middle sister in Pride and Prejudice. Stuck between an older pair—beautiful, gentle Jane and pretty, sprightly Lizzie—and a younger duo whose good looks and sheer love of life compensate for a certain lack of decorum, Mary is bookish, awkward, and plain. In a family where the daughters’ only future requires them to marry well without the plump dowries that would make them attract

Slavery and the University: Histories and Legacies (University of Georgia Press, 2019), edited by Leslie M. Harris, James T. Campbell, and Alfred L. Brophy, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day. The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as P

Like the better-known and perhaps luckier Georgia O’Keeffe, the American painter Agnes Pelton also found her unique vision in the western desert. As Mari Coates details in our conversation, Pelton and O’Keeffe took art classes from the same teacher and had parallel careers in several ways, yet Pelton is relatively unknown despite a number of major exhibitions during her lifetime and one traveling the United States even as this interview airs. But Pelton’s time in the California desert is only a small part of the captivating story traced in The Pelton Papers (She Writes Press, 2020). Born in Germany, where her ex-pat parents connected while escaping family scandals and tragedies, Pelton came to New York at the age of seven. A sickly girl in a dark and brooding house, she survived her childhood with a deeply religious grandmother, an absent father, a strong-minded mother who supported the family by giving music lessons, and no social life to speak of by losing herself in colors and paint. That set her on a path

As Maya Rodale notes early in this interview, romance novels tend not to get the same respect as other categories of fiction, historical or otherwise. Here, and in her Dangerous Books for Girls, she argues persuasively that this bad reputation is an attempt by life’s insiders to undermine the central message of most romance novels: that outsiders, too, have the right to love, success, and happiness. But the message is nowhere more evident than in her Gilded Age Girls Club series, in which a small group of wealthy women make it their goal in life to support female-run businesses and their staffs. In An Heiress to Remember (Avon Books, 2020), the heroine, Beatrice Goodwin, suffers from no lack of money; her family has plenty of it—enough to insist that their beautiful daughter wed a duke to bring them prestige in society, even though Beatrice has fallen in love with Wes Dalton, one of her father’s employees. At twenty, Beatrice gives in to her parents’ demands, but sixteen years later, she is back in New York,

Laura Waterman talks about her novel, Starvation Shore (University of Wisconsin Press, 2019), which relies upon memoirs, letters, and diaries to reconstruct the life of the Greely Party as it attempted to survive impossible conditions. Waterman is a climber, conservationist, and author who has written many books with her husband Guy Waterman about mountain history, climbing and environmental ethics. Her memoir Losing the Garden tells the story of her marriage to Guy and his decision in 2000 to end his life on the summit of Mt Lafayette. In the summer of 1881, the twenty-five men of the Lady Franklin Bay Expedition watched their ship sail for home from Discovery Harbor, just 500 miles from the North Pole. Commanded by the ambitious yet underqualified Adolphus W. Greely, this crew represented the first U.S. attempt to engage in scientific study of the Arctic. The frigid landscape offered the promise of great adventure—and unknown dangers. It was an expedition Greely eagerly anticipated long before it began. Sta

An orphaned young woman disguises herself as a boy in order to escape the dangers of being alone in 1870’s San Francisco. A group of castoffs destroy the bird population of the Farallon Island by stealing and selling their eggs. A young woman raped in the 1980’s struggles to raise her daughter on her own while her unattached best friend becomes a field researcher for the government, counting and monitoring bird populations across the west. The daughter runs away to seek her own path and learns something about her mother, and a wanderer escapes his privileged life to seek his destiny. Everything in this novel is connected to wild birds, the geography of the west, and friendship. And the characters are all tied together by a rare collection of bird eggs. Emily Strelow was born and raised in Oregon’s Willamette Valley, has lived all over the West, and is back living in Portland. For the last decade she’s combined teaching writing with doing seasonal avian field biology with her husband. While doing field jobs, s

How does the world of book reviews work? In Inside the Critics’ Circle: Book Reviewing in Uncertain Times (Princeton University Press, 2020), Phillipa Chong, assistant professor in sociology at McMaster University, provides a unique sociological analysis of how critics confront the different types of uncertainty associated with their practice. The book explores how reviewers get matched to books, the ethics and etiquette of negative reviews and ‘punching up’, along with professional identities and the future of criticism. The book is packed with interview material, coupled with accessible and easy to follow theoretical interventions, creating a text that will be of interest to social sciences, humanities, and general readers alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction

In the fantasy medieval land of Trea—a conservative society that despite its worship of the goddess Amur respects her human daughters only as wives and mothers—eighteen-year-old Berona has limited expectations for her future. Securing a handsome husband who will win her heart and teach her to dance seems like enough of a challenge, given that her father keeps presenting her with candidates who can neither appeal to nor appreciate her fiery nature. But Berona remains hopeful until a nighttime encounter at the stream that runs near her house brings her face-to-face with humanity’s ancient enemy, the Water Demon, desperate for revenge after six hundred years locked deep in the world’s oceans. The Demon threatens Berona and her family, and to protect her parents and younger sister, Berona accepts help from a magician, member of an outlawed sect with a philosophy of life very different from that of the Intercessors of Trea. The magician has been searching for the Girl of Fire, who according to ancient prophecy is

Last summer, massive fires in the Amazon rain forest provoked environmental concerns around the world. But the history of exploitation—of the natural world of the rain forest and the people living in it—goes back at least to the rubber boom of the early twentieth century. This setting forms the backdrop for Joan Schweighardt’s compelling and well-written Rivers trilogy, which starts with Before We Died and continues with Gifts for the Dead (Five Directions Press, 2019) and the forthcoming River Aria. As Gifts for the Dead opens, it is 1911 and the heroine, Nora Sweeney, is waiting for bad news in Hoboken, NJ. A fortuneteller has prophesied that any day two dock workers will appear on the doorstep to report that both the man Nora loves, Baxter Hopper, and his brother, Jack, have died during their work as rubber tappers in Brazil. But when the dock workers arrive, it’s to deliver the comatose body of Jack, on the brink of death. Nora and Jack’s mother, Maggie, nurse him back to health, and life goes on. With he

Effie Tildon loves her older sister, Luella. Sixteen to Effie’s thirteen, Luella has long taken the leading role in deciding what the two sisters do, even when it leads them in directions their parents would not approve of. Those three extra years are one reason that Luella directs Effie rather than the reverse, but another important reason is that Luella is strong and healthy and rebellious, whereas Effie has lived in the shadows since her birth—the result of a congenital heart defect that, although entirely curable in our own century, in 1900 has left everyone in the family certain that Effie may die any minute. So when Luella leads Effie to a Roma camp on the outskirts of New York City, then disappears one day without letting her sister know where she’s headed, Effie is determined to find her, even if it means confronting her fear that their father has had Luella committed to New York’s notorious House of Mercy, a home for wayward women and girls. Effie comes up with a plan to abandon her privileged Gilded

Leticia Liliuokalani Lang, better known as Letty, has good intentions, but her strong will and quick temper tend to get in her way. Banished from her Hawaiian home due to a conflict with her stepmother, Letty winds up in a California boarding school, where she decides to devote her career to healing animals—even though female veterinarians are scarcer than the proverbial hen’s teeth in 1906. On the ship back to her beloved islands, Letty notices a beautiful racehorse and realizes the horse’s trainer is abusing him. An accident in the harbor sends the stallion into the ocean, and Letty dives in to save him without a second thought. That sets her on a collision course with the horse’s owner and trainer after she insults the former and reports on the latter’s mistreatment. All this before Letty even reaches her home and confronts the stepmother who sent her away. Letty learns that she has a magical gift that challenges her self-control but acts as a source of strength and connection. She is one of nine Gates, bo