New Books In Historical Fiction

Ron Nyren’s The Book of Lost Light—winner of Black Lawrence Press’s 2019 Big Moose Prize and finalist in the 2020 David J. Langum, Sr. Prize in American Historical Fiction—tells the story of Joseph Kylander, whose childhood in early 20th-century San Francisco has been shaped by his widowed father’s obsessive photographic project and by his headstrong cousin Karelia’s fanciful storytelling and impulsive acts. The 1906 earthquake upends their eccentric routines, and they take refuge with a capricious patron and a group of artists looking to find meaning after the disaster. The Book of Lost Light explores family loyalty and betrayal, Finnish folklore, the nature of time and theater, and what it takes to recover from calamity and build a new life from the ashes. Ron Nyren’s fiction has appeared in The Paris Review, The Missouri Review, The North American Review, Glimmer Train Stories, Mississippi Review, and 100 Word Story, among others, and his stories have been shortlisted for the O. Henry Awards and the Pushca

In a sense, those of us who love historical fiction live vicariously in the past. Many of us also fantasize about traveling in time—meeting our favorite writers in the flesh, hanging around with royalty, living the aristocratic lifestyle. We tend to forget or understate the very real benefits of the present, amenities we take for granted (indoor plumbing, central heat and air conditioning, refrigeration) and intangibles such as human rights and the presumption of innocence, still implemented in patchwork fashion across the globe. Professor Jessica Randall, modern-day heroine of The Play’s the Thing (TouchPoint Press, 2021), experiences this conundrum firsthand. One evening, while she is doing her best to stay focused on a dreadful amateur production of Shakespeare’s The Merchant of Venice, she allows herself a brief escape—only to end up in an Elizabethan theater, watching an original production of the play with (as she realizes only later) the Bard himself in the role of Shylock. She stumbles out of that set

It can be easy to forget amongst the glistening skyscrapers, bustling streets and neon lights, but the Pearl River Delta used to be a haven for banditry and piracy. As the authority of Imperial China waned, pirate fleets based out of Guangdong Province roamed the waves, raiding traders and taking captives. One of these captives, and later pirates was Cheng Yat Sou—the “wife of Cheng Yat”—who rose from humble beginnings to eventually bring together the competing pirate fleets into a confederation. She is also the star of Larry Feign’s first novel The Flower Boat Girl (Top Floor Books, 2021). Larry starts the story of the pirate queen from her abduction by Cheng Yat, and writes of how she gains a foothold among the pirate fleets. More information—and a sample chapter—can be found on the book’s website. Larry and I talk about Cheng Yat Sou, early-nineteenth century China, and pirate fleets. We also talk about how Larry wrote the book, and what he learned from being one of Hong Kong’s most prominent cartoonists.

Author Diana Stevan's sequel to the award-winning Sunflowers Under Fire. Lukia's story continues in Lilacs in the Dust Bowl (Peregrin Publishing, 2015),  an inspirational family saga about love and heartache during the Great Depression. In 1929, when Lukia Mazurets, a widow and a Ukrainian peasant farmer, immigrates to Canada with her four children, she has no idea the stock market is about to crash and throw the world into a deep depression. Falling grain prices, the ravages of nature, and unexpected family conflicts threaten to smash her dreams of family unity in a strange land. And when love knocks on her door again, awakening desire she thought was long gone, Lukia has to choose between having a man in her life or the children she’s sacrificed everything for. Diana Stevan is also the author of the novels, A Cry from The Deep and The Rubber Fence and the novelette The Blue Nightgown. A former family therapist, she is the mother of two daughters and lives with her husband Robert in West Vancouver and on Van

The name of Dorothy Hale is not well known these days. In the 1920s, she enjoyed a career on Broadway as a dancer, including in a leading role with Fred Astaire. When an accidental injury ended that career, she auditioned, successfully, for the filmmaker Samuel Goldwyn and landed a part opposite Ronald Coleman, who would later star in Lost Horizon. But Dorothy’s film career did not take off, and she moved into art, writing, and museum work in support of her second husband, Gardner Hale, a well-known fresco painter and portraitist, until his tragic death in 1931. Dorothy survived the stock-market crash of 1929 with her wealth intact and remained a light of New York society into the 1930s. Her closest friend—Clare Boothe, who married Henry Luce in 1935—branched out from an active career in magazine publishing, including a stint as managing editor of Vanity Fair, to produce a Broadway play titled The Women. The play lampooned members of their social circle, evoking both amusement and outrage. Dorothy Hale then s

Today I talked to Rebecca D’Harlingue about her novel The Lines Between Us (She Writes Press, 2020). A widow in 17th century Spain discovers that her beloved niece, Juliana, has suddenly disappeared. Juliana records her forced journey in the diary she received from Tia Ana. Years later, when she feels herself to be nearing the end of her life, she writes to Ana, explains why she fled, and tells her that she is a nun in the new world. Ana’s response provokes Juliana into sharing her life story and demanding that Mercedes, a nun who hasn’t yet taken her vows, leave the convent. The years pass, and Mercedes, near the end of her own life, passes Juliana’s packet to her granddaughter with a demand that the mothers among her descendants keep the secret of this packet from their own daughters, only passing it to one granddaughter in each generation. Three hundred years later and we’re in 20th century America, when a college Spanish professor finds the packet while cleaning out her mother’s closet after her mother’s

Sherlock Holmes is one of the rare literary characters who has achieved a kind of cultural immortality. As Bonnie MacBird notes in this interview, display an image of a deerstalker hat and a pipe almost anywhere in the world, and people can identify the great detective without a second thought. So is it any wonder that an entire industry is devoted to expanding the Conan Doyle canon? Not all these attempts succeed, but MacBird’s novels are a gem. The Three Locks (Collins Crime Club, 2021), fourth in her series and set in 1887, opens with a mysterious package delivered to Dr. John Watson. London is in the midst of a heat wave, Watson’s friend Holmes has withdrawn in one of his periodic funks, and the package offers the rather disgruntled doctor a welcome distraction. Its appeal increases when Watson discovers that it contains an engraved silver box sent by his father’s half-sister, an aunt he didn’t know he had, and represents his mother’s last gift to him. But as he struggles to unlock the box, Holmes appears

There have been more than a few contenders for the title of “World Conqueror,” but eight hundred years after the fact, Genghis Khan’s claim to the title remains unmatched. Over the course of four decades, he and his heirs built a realm that stretched from the Korean Peninsula to the plains of Hungary and from northern Siberia to India. And unlike the later conquests of Hitler and Bonaparte, the charismatic authority of Genghis Khan endured long after the initial union fractured into warring khanates. Tackling even the establishment period of such a massive undertaking within the covers of a single historical novel poses a challenge for any author. In The Sky Worshipers (History through Fiction, 2021), F.M. Deemyad approaches the problem by focusing on three foreign princesses, captured in different places (northern China, Central Asia, and Poland) by Genghis, his son Ogodei, and his grandson Hulagu. These three women, each for her own reasons, together create a secret eyewitness account of the Mongol rise and

When Elisabeth Parker and her husband leave Massachusetts and arrive in California to join her father, she quickly learns that her father is not who she thought he was. It’s 1849, and she also realizes that her new husband is also not who she thought. She’s forced to confront her preconceived notions of family, love, and opportunity, and finds comfort in corresponding with her childhood friend back home, writer Louisa May Alcott. She also spends time with a mysterious and handsome native Californian. Armed with Ralph Waldo Emerson’s Self-Reliance, she sets out to determine her role in building the West, even as she comes to terms with the sacrifices she must make to achieve independence and happiness. A gripping and illuminating window into life in the Old West, Prospects of a Woman (She Writes Press, 2020) is the story of one woman’s passionate quest to carve out a place for herself in the liberal and bewildering society that emerged during the California gold rush frenzy. Born and raised on the American Riv

By combining the spirit of fiction with the fabulism of Indian mythology and in-depth academic research, Vanessa R. Sasson shares the evocative story of the Buddha from the perspective of a forgotten woman: Yasodhara, the Buddha's wife. Although often marginalized, Yasodhara's narrative here comes to life. Written with a strong feminist voice, we encounter Yasodhara as a fiercely independent, passionate and resilient individual. We witness her joys and sorrows, her expectations and frustrations, her fairy-tale wedding, and her overwhelming devastation at the departure of her beloved. It is through her eyes that we witness Siddhattha's slow transformation, from a sheltered prince to a deeply sensitive young man. On the way, we see how the gods watch over the future Buddha from the clouds, how the king and his ministers try to keep the suffering of the world from him and how he eventually renounces the throne, his wife and newly-born son to seek enlightenment. Along with a foreword from Wendy Doniger, Yasodhara

Kate Moran, a graduate of Smith College, has been making her living tutoring students in French when her college friend Emmie Van Alden appears out of the blue and talks Kate into joining a group of alumnae intent on offering relief to rural families in war-torn France. Despite her mother’s disapproval, in July 1917 Kate boards an ocean liner with the Smith College Relief Unit. She knows few of the other alumnae and dislikes some of those she remembers from her college days. Even her friendship with Emmie has been tarnished since graduation by their disparate family backgrounds. After a dangerous journey across the Atlantic, where German U-boats still patrol the seas, the Smith women reach Paris. There they encounter one obstacle after another: incomplete paperwork, missing supplies, trucks delivered in pieces, absent members of their unit, and a simmering coup against their leader. Somehow they overcome their difficulties and reach their intended destination in Picardy, not far from the River Somme. But no s

Today I spoke with Max Gross about his book The Lost Shtetl (HarperCollins, 2020). Imagine a Jewish village hidden in the forests of Poland that somehow escapes the Holocaust. Eighty years later, a young woman divorces her husband and runs into the surrounding forest. The town sends a young man to find her. He’s an orphan and expendable because he’s not that good a marriage prospect, but suddenly he finds himself in modern-day Poland. He finds it hard to believe that all the Jews of Poland have been murdered along with most of Europe’s Jewry. Officials toss him in an institution and study him for months until a Yiddish translator is found. And when they fly him home in a helicopter, the townspeople think the Messiah has finally come. The Lost Shtetl is about love, family, community, religion, class, government, politics, antisemitism, assimilation, and history itself. Although the town never heard of electricity, running water, or cars, never advanced in science or medicine, and never even heard of sliced bre

Mary Godwin Shelley had yet to reach her nineteenth birthday when she had the dream that gave rise to the classic Gothic horror tale Frankenstein. The daughter of a dissenting English clergyman and Britain’s first feminist, Mary Wollstonecraft, Mary Godwin lost her mother not long after her birth. After an unconventional upbringing by the standards of late eighteenth-century Europe, followed by the arrival of a very conventional and far from accommodating stepmother, at the age of fourteen Mary fell madly in love with the poet Percy Bysshe Shelley. Two years later, they eloped to Europe, leaving behind Percy’s wife and child but bringing along Mary’s stepsister, Claire. For the next decade, the trio traveled around the continent—especially France, Switzerland, and Italy—with occasional returns to London to secure funds. Through trips over the Alps by mule, sailing expeditions on Lake Como, and wild parties thrown by Lord Byron—a misogynist who belittles Mary’s talents even as he engages in a wild affair with

Everywhere young Russian noblewoman Darya Sheremeteva turns, someone in her circle of family and friends reminds her that she exists to serve a single purpose: to marry a powerful man selected by her male relatives and bear children, preferably sons, to continue his line. But after years in isolation nursing her elderly father, Darya questions whether marriage and motherhood constitute the best, never mind the only, future for a woman of twenty-five. Should she not instead take monastic vows and surrender her will to the soaring ritual of the Orthodox Church? When a cousin lays claim to her father's estate, Darya's decision acquires a new urgency. Because this cousin will stop at nothing to advance his career, and his most valuable asset is Darya herself. Years ago, C. P. Lesley decided to focus on sixteenth-century Russia. After all, they say, “write what you know,” and as a historian with a Stanford doctorate, that’s what she knew. It was also a time and place filled with exciting and dramatic events, some

The world created by Jane Austen in Pride and Prejudice has established a place for itself in contemporary culture that few other novels can match, yet amid the countless spinoffs, some stand out. Molly Greeley seems to have a special gift for creating novels that, although based on Austen’s creations, take on a life of their own. In 2019’s The Clergyman’s Wife, Greeley imagined how the marriage between Charlotte Lucas, the friend of Austen’s heroine Elizabeth Bennet, and Mr. Collins, Austen’s risible antagonist, might have worked out after three years. The Heiress: The Revelations of Anne de Bourgh (William Morrow, 2020) takes up the story of a character who in the original Pride and Prejudice exists mostly as an example of the kind of young woman that novel’s hero, Mr. Darcy, should prefer to Elizabeth, if only in the opinion of Anne’s formidable mother, Lady Catherine de Bourgh. Now, to anyone familiar with Lady Catherine, the thought of being her daughter is itself enough to cause shudders of alarm, but o

It seems likely that most of our listeners have at least heard of Charlotte Brontë’s Jane Eyre and her sister Emily’s Wuthering Heights. Many also know that Charlotte and Emily had two other talented siblings who grew to adulthood: Anne, author of the novel Agnes Grey, and the only male heir, Branwell—whose early promise evaporated in a haze of alcohol and opiates. Still, it seems likely that Branwell’s affair with his employer—Lydia Robinson, a wealthy, married woman eighteen years older than he—has received far less attention. This affair, the exact parameters of which have not been determined, is the subject of Finola Austin’s lovely debut novel, Brontë’s Mistress (Atria Books, 2020). Although advantaged in many ways, Lydia has many reasons for complaint when we meet her. Her mother has just died, and her father suffers from senility. At forty-three, she fears the effects of approaching middle age on her beauty and her ability to bear children, the things that have defined and given value to her life. She

The intense interest in the horrors of World War II that has characterized the last few years has tended to overshadow other aspects of the long history of Jewish populations in Europe and the antisemitism that often—although not invariably—complicated that history. Michelle Cameron’s new novel, Beyond the Ghetto Gates (She Writes Press, 2020), explores one little-known episode of that past: the effect of Napoleon’s invasion of 1796–97 on the Italian port city of Ancona. The campaign of French revolutionary troops to conquer the still-disunited land of Italy has unexpected consequences when they free the Jews of Ancona from the ghetto that has confined them at night for as long as Mirelle, the young and mathematically gifted daughter of a local artist who manages a workshop devoted to producing Jewish marriage licenses, can remember. As the troops settle in, liberals who welcome change face off against opponents set on turning back the clock, expressing their fears through brutal attacks. Amid this increasing

Inspired by Leona Woods, the only woman who worked on the Manhattan Project, Atomic Love (G. P. Putnam's Sons, 2020) tells the story of Rosalind Porter, a physicist recruited by Enrico Fermi to join his team at the University of Chicago. During the war, Rosalind had fallen in love with Weaver, a fellow scientist working on the project. After the bombs are dropped on Hiroshima and Nagasaki, he suddenly drops her, and she’s fired from the project based on a false report claiming that she’d become unstable. Now she works at the antique jewelry counter in Marshall Fields’ Department Store and struggles to pay her Michigan Avenue rent. It’s 1950, five years after the war ends, and suddenly Weaver is trying to get back in her life. He broke her heart, and probably got her fired, so she never wants to see him again. But the FBI gives her a chance to make it up to all those who died because of her work on the atomic bomb. All she needs to do is go back to Weaver. Jennie Fields received an MFA from the Iowa Writers’ W

Most novels about the sixteenth century written in English take place in Italy, France, or England—with the occasional foray into Spain or Portugal. P. K. Adams’ Jagiellonian Mystery series is a welcome exception. Set at the glittering Italianate court of King Zygmunt I of Poland/Lithuania and his son, Zygmunt August, these books map fictional plots onto real historical incidents to create fast-paced, fluid stories that are as much about the tensions of a culture in transition as what drives a person to commit murder. In Midnight Fire (Iron Knight Press, 2020), the heroine, Caterina Konarska (formerly Sanseverino) returns to Zygmunt I’s court twenty-five years after the events of Silent Water, the first book in the series. Caterina and her husband undertake the long journey from Italy in search of a cure for their young son, Giulio, who suffers from mysterious fevers that have stumped the doctors in Bari. In Kraków Caterina discovers a court far different from the one she left a quarter-century before. The ol

Most people think of Edgar Degas as a French painter of ballerinas. But few have heard that his mother came from New Orleans or that he spent five months in that city between October 1872 and February 1873. That five-month period proved crucial to Degas’s career, moving him from the status of a relative unknown dabbling in the not-quite-respectable world of the Paris Opera into an artist of renown. And although he went back to painting ballerinas—many of his most famous works date from 1873 and later—it was his study of his brothers, A Cotton Office in New Orleans, that won him the critical acclaim that pushed him into the next stage of his career. In Estelle (She Writes Press, 2020), Linda Stewart Henley takes this vital transition as her starting point for a dual-time story in which a young woman named Anne Gautier, twenty-two years old and fresh out of college, inherits an old house on Esplanade Avenue in New Orleans in 1970. While overseeing renovations and dealing with protestors opposed to urban renewal