New Books In Literature

The next world war is 13 years away—that is, if you live in the world envisioned by Elliot Ackerman and James Stavridis, 2034: A Novel of the Next World War (Penguin, 2021). When writing about the intersection of combat and diplomacy, the co-authors draw from experience. Ackerman has worked in the White House and served five tours of duty as a Marine in Iraq and Afghanistan, where he received the Silver Star, the Bronze Star for Valor, and the Purple Heart. Stavridis, a retired United States Navy admiral, served as NATO Supreme Allied Commander Europe and, after leaving the Navy, as the dean of the Fletcher School of Law and Diplomacy at Tufts University. 2034 plays out a what-if scenario, starting with an incident between the Chinese and U.S. that escalates into a major conflict. “You could certainly say right now, vis-a-vis the United States’ relationship with China, that if we’re not in a Cold War, we are at least in sort of the foothills of a Cold War,” Ackerman says. Told through the eyes of multiple mai

Today I talked to Sara B. Fraser about her new novel Just River (Black Rose Writing, 2021). The Otis River flows through the once bustling city of Wattsville, a few hours north of NYC, reminding the remaining residents of better days. Cross-dressing Sam is okay with his new, minimum-wage job, as long as he gets to sing Karaoke twice a month. His neighbor and best friend, Carol, is a cashier who spreads love through her baking. Garnet, Carol’s daughter, is in prison after nearly killing her violent boyfriend, who visits her in prison. A couple of inmates learn that he’s rich and threaten Garnet with violence unless he sneaks in drugs for them. Carol and Sam try to help Garnet, but then an innocent boy is kidnapped and a dog is poisoned. The river is the only thing that can save them all. Sara B. Fraser is the author of the novels Long Division and Just River. Her short fiction and essays have appeared in Carve, Jabberwock Review, the Forge, Wilderness House Literary Review, Salamander, Traveler’s Tales, and mo

Daniel Alexander Jones' Love Like Light: Plays and Performance Texts (53rd State Press, 2021) collects seven plays and performance texts from the past twenty-five years. Together, they provide a panoramic view of a remarkable playwright, songwriter, improviser, and performer. In our conversation we discuss Jones' early exposure to theatre as a high school student in Springfield, MA, his discovery of Ntozake Shange's work, his emergence in the Radical Alternative Theater scenes in Austin and the Twin Cities, and his more recent work at New York venues including Soho Rep and Joe's Pub. Love Like Light should be of interest to anyone interested in queer performance, Afromysticism, and abstract structures of performance writing. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! htt

An interview with Pola Oloixarac, Mona (2021). Pola and I get to talking about the failure of the US university to live up to its massive influence, especially when it comes to making the lives of black and brown people better. We discuss whether writers are terrible people, or are they simply unfit for any other vocation? Pola introduces me to "me-search," the self-centered prancing of authors at literary conferences. And she helps me to see the folly of imagining writing as a solitary affair, instead imagining the work of the writer as a constant convening of friends. Books Recommended in this episode: Pola Oloixarac, Mona Pola Recommends: Maria Gainza, Portrait of an Unknown Lady Aldolfo Caseres, Borges (2023 in English) Rafael Chirbes, Cremation trans. valerie miles Edgardo Cozarinsky,Milongas trans. valerie miles Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Liter

Carin Clevidence speaks to managing editor Emily Everett about her essay “Ghosts of the Southern Ocean,” which appears in The Common’s fall issue. In this conversation, Carin talks about how her experiences traveling to Antarctica on expeditions have changed over the years, and how that change comes through in her writing. She also discusses her 2011 novel The House on Salt Hay Road, and the novel she’s recently completed about an expedition to Antarctica. Carin Clevidence grew up in a family of naturalists and travelers. She is the author of a novel, The House on Salt Hay Road (FSG), as well as essays and short stories appearing in Guernica, the Washington Post, Off-Assignment, O Magazine, OZY, Panorama, and elsewhere, and forthcoming in the anthology Letter to a Stranger: Essays to the Ones Who Haunt Us. She has worked as a deckhand in Baja, Mexico and an assistant expedition leader in Antarctica, and received a Rona Jaffe Foundation Writers’ Award, fellowships from the Fine Arts Work Center, the Elizabeth

On her own since the age of eighteen, Cass Macklin dated brilliant, troubled Ben McGreavy, convinced he was the smartest person she'd ever known. They partied their way through their twenties, slowly descending into a bleak world of binge-drinking and broken promises, inebriated for most of a decade. Now Ben is dead, and Cass is broke, homeless, scared...and pregnant. Determined to have a healthy pregnancy and raise Ben's baby, Cass has to find a way to stop drinking and build a stable life for herself and her child. But with no money, skills, or sober friends or family, the task seems insurmountable. At wit's end, Cass turns to the only person with the means to help her: Ben's brother Scott, third basemen for the Boston Red Sox, a man with a temper and problems of his own. The two make a deal that neither one of them is sure they can live up to. As Cass struggles to take control of her life and to ask for help when she needs it, Scott begins to realize there's a life for him beyond the baseball diamond. By t

Today I interview Lisa Marchiano. Marchiano is a mother of two children. She’s also a Jungian analyst and a host of the podcast called This Jungian Life. She brings these experiences together in her new book Motherhood: Facing and Finding Yourself (Sounds True, 2021). It’s a fascinating and deeply insightful book that draws on the universal wisdom of fairy tales and myths to illuminate how motherhood offers mothers a rich opportunity for psychological exploration and growth. And the wonderful thing about Marchiano’s approach is that she fully recognizes that this opportunity comes amid all sorts of struggles, from spilled juice to adolescent outbursts to the complicated and sometimes ugly feelings that mothers experience. Her book recognizes and names these difficulties and shows how they might, in the end, lead to unexpected riches. Eric LeMay is on the creative writing faculty at Ohio University. He is the author of five books, most recently Remember Me. He can be reached at eric@ericlemay.org. Learn more a

It’s December 1667 and London is still recovering both from the Plague and the Great Fire. Lucy Campion visits retired judge Master Hargrave and discovers that he’s been attacked and robbed in his home. She once worked as a maid for the judge, but she learned how to read and now works as a sort of printer’s apprentice. It turns out that a stash of the judge’s papers has been stolen. Then, while Lucy is working, trying to interest buyers in the books she has helped print, a rival storyteller poaches the crowd she has convened, and it becomes clear that his tales are directly connected to the judge’s stolen papers. When she hears someone being murdered, and that too is connected to the judge’s papers, Lucy is determined to figure out who is trying to destroy his name. In The Cry of the Hangman (Severn House, 2021), the historian Susanna Calkins also manages to convey 17th century British views about order and justice, crime and punishment, legal and illegal marriages, the possibility of moving out of the social

Jordan Salama’s Every Day the River Changes: Four Weeks Down the Magdalena (Catapult Press, 2021) is a travelogue for a new generation about a journey along Colombia’s Magdalena River, exploring life by the banks of a majestic river now at risk, and how a country recovers from conflict. An American writer of Argentine, Syrian, and Iraqi Jewish descent, Jordan Salama tells the story of the Río Magdalena, nearly one thousand miles long, the heart of Colombia. This is Gabriel García Márquez’s territory—rumor has it Macondo was partly inspired by the port town of Mompox—as much as that of the Middle Eastern immigrants who run fabric stores by its banks. Following the river from its source high in the Andes to its mouth on the Caribbean coast, journeying by boat, bus, and improvised motobalinera, Salama writes against stereotype and toward the rich lives of those he meets. Among them are a canoe builder, biologists who study invasive hippopotamuses, a Queens transplant managing a failing hotel, a jeweler practicin

Annabel Abbs’s Windswept: Walking the Paths of Trailblazing Women (Tin House Books, 2021) is a beautifully written meditation on connecting with the outdoors through the simple act of walking. In captivating and elegant prose, Abbs follows in the footsteps of women who boldly reclaimed wild landscapes for themselves, including Georgia O’Keeffe in the empty plains of Texas and New Mexico, Nan Shepherd in the mountains of Scotland, Gwen John following the French River Garonne, Daphne du Maurier along the River Rhône, and Simone de Beauvoir―who walked as much as twenty-five miles a day in a dress and espadrilles―through the mountains and forests of France. Part historical inquiry and part memoir, the stories of these writers and artists are laced together by moments in Abb’s own life, beginning with her poet father who raised her in the Welsh countryside as an “experiment,” according to the principles of Rousseau. Abbs explores a forgotten legacy of moving on foot and discovers how it has helped women throughout

Shmulie Shimmer is the inventor of LERBS, the most popular designer drug ever to be created. Turns out that it leaves people brain dead, and Shmulie should be in prison, but his business partner took the rap. Now Shmulie’s father hasn’t heard from him in over a year and half. He approaches Shmulie’s high school friend, Professor Nick Friedman, aka Nick Bones, private detective. Nick’s beautiful daughter was a victim of Lerbs, and Nick never wants to see the guy again, but Shmulie’s father has cancer and only a few months to live, so NIck takes the case. It’s a future in which the world no longer works the way it did, and sharp-witted, colorful characters roam above and below ground in what is an unrecognizable New York City. Now, Nick needs the help of his AI computer to make his way in the Velvet Underground, previously known as part of the subway system. Phil M. Cohen's Nick Bones Underground (Koehler Books, 2019) is a mystery, a wild ride through the future, a science-fiction nightmare, and an exploration

Water, Wood, and Wild Things: Learning Craft and Cultivation in a Japanese Mountain Town  (Viking, 2021) is memoir, ethnography, cookbook, and sketchbook rolled into one." This is the Princeton Independence's description of the polyvocal and artistic text, written by Hannah Kirshner. I cannot agree more with the following review they made on the creative quality of the book: "It evokes the best of the nature writing of Rachel Carson and Wendell Berry, as well as the food writing of M.F.K. Fisher and craft writing of Edmund de Waal." It is certainly a great book to read if you are traveling to Japan or to buy as a gift if you know someone who might be interested in Japanese culture but does not where to start.  An immersive journey through the culture and cuisine of one Japanese town, its forest, and its watershed–where ducks are hunted by net, saké is brewed from the purest mountain water, and charcoal is fired in stone kilns–by an American writer and food stylist who spent years working alongside artisans On

Destroyer of Light (Tor Books, 2021) is Jennifer Marie Brissett’s long-awaited follow up to her critically acclaimed debut Elysium, winner of a Philip K. Dick Special Citation and a finalist for the Locus and the Tiptree awards. Her new novel takes readers far into the future where humans are settling a new planet. They are the survivors of the world described in Elysium—an Earth where four-dimensional aliens known as the Krestge have destroyed human civilization. The frame of Destroyer of Light is a mystery—a search for a missing boy. But a deeper story follows the relationship of a mother and her young daughter, who is kidnapped and abused by a warlord building an army of child soldiers. The book is also about the relationship between humans and their former antagonists, the Krestge. Some of the aliens’ descendants now live peacefully among humans. While some people are willing to forgive the crimes of the past, going so far as to start families with the Krestge, others see their aliens’ crimes as unforgiva

Lydia Stilling has a particular kind of amnesia. She vaguely recalls arriving in Santorini with a one-armed man whom she calls David Copperfield, who takes care of her. Lydia spends her days watching the sea and the changing light, trying to remember who she is. She takes walks, befriends a kindly old antiques dealer who might have been a Nazi and a French woman who helps people remember their past lives. Bits and pieces of what might or might not have been past lives appear in brief visions. A lamp she buys from the antiques dealer reminds her of an New York apartment she once lived in, but it’s the 1960’s, well before she was born. Then she’s visited by someone from The Hague investigating war crimes, and she learns that she has an uncle who lives like a hermit behind a monastery, also somewhere in Greece. This is a story about memory, the mysterious workings of the brain, and the human capacity for forgiveness. Jessica Sticklor earned a BA from the New School and an MFA in Creative Writing from the City Un

Since Arthur Conan Doyle first created Sherlock Holmes, the great detective has gone through many permutations and been the subject of much study. As Sherry Thomas admits in this latest New Books Network interview, finding a new element to explore is not easy. But she has managed to discover one—perhaps an angle that is particularly fitting in this age of gender fluidity, although the Lady Sherlock series draws much of its punch from and plays off the stereotypes of the past, in this case Victorian England. In Thomas’s reimagining of the great detective, Sherlock Holmes is not only a fictional character but a front for the real detective, the disgraced younger daughter of a poverty-stricken baronet. Charlotte Holmes has an incisive intellect, an unflappable temperament, little respect for convention, and a love of books—traits that undermine her intended purpose in life as defined by her parents: to marry a wealthy, titled man. Charlotte cuts a deal with her father: if she’s still unmarried at twenty-five, he

The Seventh Queen (HarperCollins, 2021) is the second book in the Warrior Witch Duology, so the following review and questions for author Greta Kelly assume you’ve read the first one. If not, go get yourself a copy before listening to the podcast, so you don’t encounter any spoilers. The Frozen Crown ends with a cliffhanger. Princess Askia had travelled to Vishir in the hopes of convincing Emperor Armaan of Vishir to help her liberate her own kingdom of Seravesh. Seravesh, like many other countries, fell to the Roven Empire, ruled by Radovan. Radovan magnanimously offered to marry Askia himself and restore peace to her country. The biggest problem with his offer was that none of his wives survived more than six months. And then, of course, he dealt with dissent by ordering his fire witch to burn down entire towns along with the inhabitants. By the end of The Frozen Crown, Askia has a promising protector for her besieged country in the person of her husband-to-be, the polygamous but noble and charismatic Emper

Julian Zabalbeascoa speaks to managing editor Emily Everett about his story “Igerilara,” which appears in The Common’s fall issue. In this conversation from San Sebastián, Julian talks about writing stories set in Spain during the Spanish Civil War and the Basque Conflict. He also discusses his love of travel and his experiences running study abroad programs for college students, and what it’s like to teach The Common in his classes at UMass Lowell. Julian Zabalbeascoa’s stories have been published or will appear in American Short Fiction, Copper Nickel, Electric Literature’s The Commuter, The Gettysburg Review, Glimmer Train, Ploughshares, Ploughshares Solos, Shenandoah, and other publications. He is a visiting professor in the Honors College at the University of Massachusetts Lowell and lives in Boston. Read his story in The Common at thecommononline.org/igerilaria. Read more about Julian and his work at julianzabalbeascoa.com. The Common is a print and online literary magazine publishing stories, essays, a

Today I talked to Clare Pooley about her novel The Authenticity Project (Penguin, 2020). In this chatty, very British story, a few personal lines written in a “pale-green exercise book like the one Monica had carried around with her at school,” inadvertently trigger enormous personal change in a group of strangers. Monica owns the café where Julian, an aging, lonely artist, has left a few words about himself in the exercise book. Julian hopes that whoever finds it might want to share their own truth and pass it along, and surprisingly, some do. Monica writes in it and leaves it for the next person, Hazard, a coke-snorting, financially high-flying jackass. Hazard takes it to Thailand and gives it to Riley, a cute young Australian gardener. And so on, but everyone ends up back Monica’s café, grappling with the challenges of finding love, or raising a baby, or getting sober. The Authenticity Project will bring you up to date on popular culture back in 2018, when slapdash gatherings, art classes in cafes, raising

“My poetry captures a moment,” remarked Dr. Castillo when asked about the process of writing her most recent collection of poems My Book of the Dead: New Poems (University of New Mexico Press, 2021). While many of us would be immobile at the news about the effects of climate disaster, school shootings, and anti-black racism which often resulted in extralegal violence, Ana Castillo reached for pen and paper. She processed these events through writing carefully, intentionally, and vividly about the world which gave rise to these catastrophes. She forces us to feel that moment with her – confusion, anger, grief. My Book of the Dead is the result of Ana’s mourning turned artistic bodily expression. Each poem offers a snapshot in response to personal and national tragedies. Ana mourns loss at all levels – from the passing of artist friends she danced with to the national news of slain schoolchildren. “You hear of his death by the virus and // it all comes back – // meeting in Chicago, // celebrating his first nove

Nariman Youssef speaks to managing editor Emily Everett about her work translating three short stories from Arabic for The Common’s portfolio of fiction from Morocco, in the spring issue. In this conversation, Nariman talks about the conscious and unconscious decisions a translator makes through many drafts, including the choice to preserve some features of the language, sound, and cadence that may not sound very familiar to English readers. She also discusses her thoughts on how the translation world has changed over the years, and her exciting work as Arabic Translation Manager at the British Library. Nariman Youssef is a Cairo-born, London-based semi-freelance literary translator. She holds a master’s degree in translation studies from the University of Edinburgh, manages a small translation team at the British Library, and curates translation workshops with Shadow Heroes. Her literary translations include Inaam Kachachi’s The American Granddaughter, Donia Kamal's Cigarette Number Seven, and contributions