New Books In Communications

The Ubiquitous Presidency: Presidential Communication and Digital Democracy in Tumultuous Times (Oxford UP, 2021) is part of the Oxford Studies in Digital Politics book series, and it makes an important contribution to the literature on the American presidency and the understanding of presidential rhetoric. There are decades of literature on the concept of the rhetorical presidency, dating back to the 1960s and 1970s. This area of study of executive politics focuses on public communication by the president, which is distinct from examining the powers and norms of the presidency itself. The media environment in which the president operates and in which the presidency exists has shifted and changed rather dramatically over the past century, moving the presidency to a position that is often or regularly the focus of news media, however consumed or delivered. Josh Scacco and Kevin Coe’s new book examines this changed and continuing to change media landscape and to re-assess the capacity of presidential rhetoric,

In the midst of the disruptions and distrust that have plagued traditional media in recent years, and a degree of polarization rarely seen in American history, a new style of journalism is emerging. Dozens of news organizations, from corporate powerhouses to home-office startups, are reviving a classic role of American journalism: inspiring and enabling Americans to do the difficult, authentic, and ultimately rewarding work of citizenship in a democratic society.  News for US: Citizen-Centered Journalism (Cognella, 2021) is the first-ever guide to this new approach — one that enriches the skill set of the 21st-century journalist with the mindset of civic engagement. Authors Paula Lynn Ellis, Paul S. Voakes, and Lori Bergen illuminate the principles of citizen-centered journalism and demonstrate how today's journalists can apply them within the context of modern-day news and feature reporting. The text features engaging perspectives from leading innovators and experimenters in the field, who describe their cha

The common-sense way of thinking about what representatives should do in democracies tends to revolve around the concept of responsiveness: representatives should respond to the interests and demands of their constituents. However, this account of representation does not tell us much about how citizens form preferences. If political representatives and other actors have the ability to shape the interests and preferences of actors, this raises the specters of manipulation, voter incompetence, and false consciousness. All of these concepts question whether citizens have the capacity to form accurate beliefs about their own interests and to judge whether or not politicians are serving them. In her new book Making Constituencies: Representation as Mobilization in Mass Democracy (University of Chicago Press, 2021), my guest Lisa Disch argues that concerns about manipulation and voter competence are overwrought because they are grounded in a mistaken understanding of how representation works in democracies. Buildin

In Deep Mediations: Thinking Space in Cinema and Digital Cultures (U of Minnesota Press, 2021), co-editors Karen Redrobe and Jeff Schieble argue that the notion of “depth” is a multivalent one in the field of the humanities. In literary criticism, “depth” is a term that can qualify the profoundness of a given text and the ways that we analyze it, while for film theorists “depth” typically refers to the volume and spatial coordinates of the moving image. In the geohumanities, “deep time” names broad stretches of geological time, while in recent political discourse, the “deep state” suggestively evokes ideas about covert networks of political control. Across a range of essays on topics ranging from cinematic depth of field to deep-fake pornography, Deep Mediations brings together the work of leading scholars who collectively navigate the legacies of depth models of thought and vision, particularly in light of the “surface turn” and as these models impinge on the realms of cinema and media studies. Jules O’Dwyer

Police put Eric Garner in a fatal chokehold for selling cigarettes on a New York City street corner. George Floyd was killed by police outside a store in Minneapolis known as “the best place to buy menthols.” Black smokers overwhelmingly prefer menthol brands such as Kool, Salem, and Newport. All of this is no coincidence. The disproportionate Black deaths and cries of “I can’t breathe” that ring out in our era — because of police violence, COVID-19, or menthol smoking — are intimately connected to a post-1960s history of race and exploitation. In Pushing Cool: Big Tobacco, Racial Marketing, and the Untold Story of the Menthol Cigarette (U Chicago Press, 2021), Keith Wailoo tells the intricate and poignant story of menthol cigarettes for the first time. He pulls back the curtain to reveal the hidden persuaders who shaped menthol buying habits and racial markets across America: the world of tobacco marketers, consultants, psychologists, and social scientists, as well as Black lawmakers and civic groups includi

When philosophers have approached virtual reality, they have almost always done so through the lens of metaphysics, asking questions about the reality of virtual items and worlds, about the value of such things, and indeed, about how they may reshape our understanding of the “real” world. Grant Tavinor finds that approach to be fundamentally mistaken, and that to really account for virtual reality, we must focus on the medium and its uses, and not the hypothetical and speculative instances that are typically the focus of earlier works. He also argues that much of the cultural and metaphysical hype around virtual reality is undeserved. But this does not mean that virtual reality is illusory or uninteresting; on the contrary, it is significant for the altogether different reason that it overturns much of our understanding of how representational media can function and what we can use them to achieve. The Aesthetics of Virtual Reality (Routledge, 2021) is the first book to present an aesthetics of virtual realit

Dr. Stephanie (Sam) A. Martin’s new book, Decoding the Digital Church: Evangelical Storytelling and the Election of Donald J. Trump (U Alabama Press, 2021), is a fascinating exploration of the way that sermons, particularly those delivered by white evangelical pastors with sizeable congregations, link together storytelling, patriotism, conservative and Republican politics, and American exceptionalism. Martin’s work is a rich and deep textual and rhetorical analysis of sermons that are delivered both in person and online. These sermons—delivered over the course of more than a decade—reach many listeners and believers since they are given by pastors who preside over churches with congregations of at least 2000 members. And Martin teases out the focus of so many of these sermons, which are not always directly discussing or addressing politics, but have and continue to create an understanding of the white evangelical individual within American society. Decoding the Digital Church explains that part of the thrust

Caught on film, the iconic jump of escaped POW Virgil Hilts (Steve McQueen) over an imposing barbed wire fence on a stolen motorcycle has become an unforgettable symbol of a disaffected 1960s America. Dana Polan's Dreams of Flight: 'The Great Escape' in American Film and Culture (U California Press, 2021) offers the first full-length study of The Great Escape, the classic film based on a true story of American and Allied prisoners of war who hatched an audacious plan to divert and thwart the Wehrmacht and escape into the nearby countryside. Polan centers The Great Escape within American cultural and intellectual history, drawing a vivid picture of the country in the 1960s. We see a nation grappling with its own military history; a society undergoing significant shifts in its culture and identity; a film industry in transition from Old Hollywood's big-budget runaway studio films to the slow interior cinema of New Hollywood. The book combines history with fan anecdotes and a close study of filmic style to bring

In Confidence Culture (Duke UP, 2022), Shani Orgad and Rosalind Gill argue that imperatives directed at women to “love your body” and “believe in yourself” imply that psychological blocks rather than entrenched social injustices hold women back. Interrogating the prominence of confidence in contemporary discourse about body image, workplace, relationships, motherhood, and international development, Orgad and Gill draw on Foucault’s notion of technologies of self to demonstrate how “confidence culture” demands of women near-constant introspection and vigilance in the service of self-improvement. They argue that while confidence messaging may feel good, it does not address structural and systemic oppression. Rather, confidence culture suggests that women—along with people of color, the disabled, and other marginalized groups—are responsible for their own conditions. Rejecting confidence culture’s remaking of feminism along individualistic and neoliberal lines, Orgad and Gill explore alternative articulations of

Scholars Esther De Dauw and Daniel J. Connell have assembled an array of chapters that explore the idea of masculinity in the realm of contemporary heroes and superheroes. Toxic Masculinity: Mapping the Monstrous in Our Heroes (UP of Mississippi, 2020) examines not only the presentation of masculinity in which we are constantly immersed in the superhero narrative in films, television, and comics, but also how this translates into our expectations as to what is the model for heroism. The editors and authors unpack this concept of hegemonic masculinity, and how it generally incorporates hypermasculinity and toxic masculinity, and how it also, by definition, tends to reject femininity, thus bifurcating gender and gender performances and images into two distinct silos. This reification is communicated in so many of these superheroic narratives and is re-absorbed by the audience. The contributing authors to Toxic Masculinity interrogate these presentations and continue the conversation that is active in the academ

Electrifying athletes like Olga Korbut and Nadia Comaneci helped make women’s artistic gymnastics one of the most popular events in the Olympic Games. But the transition of gymnastics from a women’s sport to a girl’s sport in the 1970s also laid the foundation for a system of emotional, physical, and sexual abuse of gymnasts around the world.  In Degrees of Difficulty: How Women's Gymnastics Rose to Prominence and Fell from Grace (University of Illinois Press, 2021), Dr. Georgia Cervin has written “one of the first books to examine the history of women’s gymnastics as an international sport. It aims to do this in the context of international sport and global politics, as well as the social norms that have been constructed within the sport. Hence, the book fluctuates between looking inwardly at the sport and outwardly at gymnastics’ place in the world. It reviews the origins of gymnastics and its position in the Olympic movement, how it was governed and the reasons behind the rules, where the sport fits into n

Political scientists have argued that Donald Trump exacerbated long-simmering changes in polarization, populism, and other aspects of politics. In their book News After Trump: Journalism's Crisis of Relevance in a Changed Media Culture (Oxford University Press, 2021), Matt Carlson, Seth C. Lewis, and Sue Robinson, argue that Trump's candidacy and presidency did the same in journalism. The question now is, how do news organizations move forward and continue to deliver informational value to the public at a time when they're just one of many information sources people see? Taking an expansive view of the contemporary media and political environment during the Trump years, News After Trump portrays a media culture in transition. As journalism's very relevance comes to be increasingly questioned, the authors focus on how different actors — from Trump to small-town newspaper editors — use their cultural power to define journalism, assess its value, and question what the news should look like. This conversation is

How should we understand the role of television in everyday life? In On Living with Television (Duke UP, 2021), Amy Holdsworth, a Senior Lecturer in Theatre, Film & Television Studies at the University of Glasgow uses an autobiographical and autoethnographic approach to understand an object that has ‘always been there’ in many people’s lives. The book combines analysis of programmes, including In the night garden, Man vs food and Last Tango in Halifax, with rich theoretical reflections from television studies, cultural studies, and beyond. Exploring ideas of time, home, and care, the book will be essential reading across the humanities, as well as for anyone watching television! Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

This interview was recorded and first published in early 2020 when the NBN had about a million downloads a month. Since then the downloads have increased more than four-fold to just below 5 million monthly downloads at the end of 2021 and the number of hosts has increased greatly as well. On the New Books Network authors to talk about their books with a specialist host. Founded in 2007 by Marshall Poe, formerly a Russian history professor from the US. The NBN has grown to be the most downloaded podcast of its type in the world.  New Books Network website NBN on Stitcher NBN on Apple Podcasts NBN on Spotify Marshal Poe on Wikipedia About your host Richard Lucas Richard is a business and social entrepreneur who founded, led and/or invested in more than 30 businesses, Richard has been a TEDx event organiser, supports the pro-entrepreneurship ecosystem, and leads entrepreneurship workshops at all levels: from pre-schools to leading business schools. Richard was born in Oxford and moved to Poland in 1991. R

How can we make creative industries fair and inclusive? In Reimagining the Creative Industries: Youth Creative Work, Communities of Care (Routledge, 2021), Miranda Campbell, an associate professor in the School of Creative Industries at Ryerson University, explores this question theoretically and empirically to present a new vision for both young creative workers and creative production itself. Drawing on ideas of ordinariness and the everyday, along with the need for care and inclusivity, the book is critical of current creative industry practice at corporate level, whilst offering new models and new methods for making culture. With examples from a range of art and cultural forms, the book is essential reading for creative industries, arts and humanities, and social science scholars, as well as for creative practitioners everywhere. Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adcho

What does artistic resistance look like in the twenty-first century, when disruption and dissent have been co-opted and commodified in ways that reinforce dominant systems? In The Play in the System: The Art of Parasitical Resistance (Duke UP, 2020), Anna Watkins Fisher locates the possibility for resistance in artists who embrace parasitism, a tactic of complicity that effect subversion from within hegemonic structures. Anna Watkins Fisher speaks to Pierre d'Alancaisez about the underhand tactics of the parasite - artists like the collective Ubermorgen, Núria Güell, the writer Chris Krauss, or Roisin Byrne - by which it appropriates the logic of their hosts - Amazon, the Spanish State, Dick, and in the case of Byrne, Watkins Fisher herself. Ubermorgen, Amazon Noir Núria Güell, Stateless by Choice, Humanitarian Aid Marina Abramović, The Artist is Present Ann Liv Young archive.org capture, Sheryl Is Present Lauren Barri Holstein Anna Watkins Fisher is a cultural and media theorist whose research sp

Listen to this interview of Ayelet Baram-Tsabari. We talk about the accessibility of science using Google to scholars and students in languages beyond English and how scholars can de-jargonize their research to ensure increase their reach. Avi Staiman is the founder and CEO of Academic Language Experts Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Inhospitable World: Cinema in the Time of the Anthropocene (Oxford UP, 2018) explores the connection between cinema and artificial weather, climates, and even planets in or on which hospitality and survival are at stake. Cinema’s dominant mode of aesthetic world-making is often at odds with the very real human world it is meant to simulate. The chapters in this book take the reader to a scene —the mise-en-scène— where human world-making is undone by the force of human activity, whether it is explicitly for the sake of making a film, or for practicing war and nuclear science, or for the purpose of addressing climate change in ways that exacerbate its already inhospitable effects. The episodes in this book emphasize our always unnatural and unwelcoming environment as a matter of production, a willed and wanted milieu, however harmful, that is inseparable from but also made perceivable through film. While no one film or set of films adds up to a totalizing explanation of climate change, cinema enables us to glim

In Visions of Beirut: The Urban Life of Media Infrastructure (Duke UP, 2021), Hatim El-Hibri explores how the creation and circulation of images has shaped the urban spaces and cultural imaginaries of Beirut. Drawing on fieldwork and texts ranging from maps, urban plans, and aerial photographs to live television and drone-camera footage, El-Hibri traces the histories of how the technologies and media infrastructure that visualize the city are used to consolidate or destabilize regimes of power. Throughout the twentieth century, colonial, economic, and military mapping projects helped produce and govern its spaces. In the 1990s, the imagery of its post-civil war downtown reconstruction cast Beirut as a site of financial investment in ways that obscured its ongoing crises. During and following the 2006 Israel/Hizbullah war, Hizbullah's use of live television broadcasts of fighting and protests along with its construction of a war memorial museum at a former secret military bunker demonstrate the tension between

In the second edition of her book, The Sisters Are Alright: Changing the Broken Narrative of Black Women in America (Berrett-Koehler, 2021), Tamara Winfrey Harris interviews over 100 diverse Black women about marriage, motherhood, health, sexuality, beauty, and more. Winfrey Harris examines the Mammy, Sapphire, and Jezebel stereotypes that persist in American popular media and culture.   Winfrey Harris explores the evolution of stereotypes of Black women, with new real-life examples, such as the rise of blackfishing and digital blackface (which help white women rise to fame) and the media’s continued fascination with Black women’s sexuality (as with Cardi B or Megan Thee Stallion). The second edition includes a new chapter on Black women and power that explores how persistent stereotypes challenge Black women’s recent leadership and achievements in activism, community organizing, and politics. The chapter includes interviews with activists and civic leaders and interrogates media coverage and perceptions of S