New Books In Communications

Beginning in the 1970s Chicana and Chicano organizers turned to community radio broadcasting to educate, entertain, and uplift Mexican American listeners across the United States. In rural areas, radio emerged as the most effective medium for reaching relatively isolated communities such as migrant farmworkers. And in Washington’s Yakima Valley, where the media landscape was dominated by perspectives favorable to agribusiness, community radio for and about farmworkers became a life-sustaining tool. Feminista Frequencies: Community Building through Radio in the Yakima Valley (U Washington Press, 2022) unearths the remarkable history of one of the United States’ first full-time Spanish-language community radio stations, Radio KDNA, which began broadcasting in the Yakima Valley in 1979. Extensive interviews reveal the work of Chicana and Chicano producers, on-air announcers, station managers, technical directors, and listeners who contributed to the station’s success. Monica De La Torre weaves these oral histori

Information is everywhere. We live in an “Information” Society. We can get more of it faster, quicker, and in more different shapes and sizes than at probably any other time in history. Meanwhile, misinformation (a very old word) and disinformation (a neologism of the 20th century) have worked their way into our collective cultural lexicon.  Like everything, information has a history and Information: A Historical Companion (Princeton UP, 2021)—just shy of 900 pages, comprising 13 narrative essays, followed by 100 shorter pieces on particular technologies, practices, etc. relevant to information history—is an invaluable and highly readable reference work to help us orient in that history. This collaboration of 107 contributing experts has been brought to fruition by a team of four editors: Ann Blair, Paul Duguid, Anja-Silvia Goeing, and Anthony Grafton. In the interview, we talk with Ann Blair and Anthony Grafton, experts who know, among a great many other things, as much anybody about the history of one of th

In this episode of High Theory, Olivia Stowell speaks with Saronik about Reality TV. In the episode she talks about the genesis of the genre in Candid Camera, An American Family, COPS and America’s Most Wanted, before the watershed moment of The Real World in the 1990s. She references the work of June Deery, and Pier Dominguez on the commercial realism and affective economies of reality tv, and Susan Douglass’s article “Jersey Shore: Ironic Viewing.” She reminds us that Reality TV dramatizes the life of the neoliberal subject under surveillance, and explicates our “trashy” desires. Olivia Stowell is a Ph.D. student in the Department of Communication at the University of Michigan, where she studies the intersections of race, genre & narrative, food, and temporality in contemporary popular culture. Her scholarship has appeared or is forthcoming in Television & New Media and New Review of Film & Television, and her public writing has appeared in Post45 Contemporaries, Novel Dialogue, Avidly: A Channel of the L.A

We’ll save the Moby Dick puns for the episode itself, but suffice it to say that sinister game developers are on a whale hunt. This episode, originally published last fall, is about the sophisticated psychological tactics they use to hunt and capture their prey. Free to play mobile games as glorified slot machines, in-game purchases even for triple-A titles, game design that keep gamers hooked to their rigs. These practices are often exploitative and, for some who fall victim to them, devastating. Some countries, like China, are pushing back. But their restrictions are overbearing and unlikely to work as people skirt the restrictions. There are better ways. On this episode of Darts and Letters, we take a journey to save the whales. —————————-SUPPORT THE SHOW—————————- You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button. If you want to do a

You can learn much about a media and political culture by examining when it panics, and who it panics about. And we’ve always panicked about video games, from the early arcades until this very day. Whether you are a prudish Christian conservative, or a concerned liberal-minded paternalist, demonizing video games has long been good politics. On this episode: guest host and lead producer Jay Cockburn travels back to the 90s, and looks at the story of Mortal Kombat. The game was violent, gory, glorious. It was a youth rebellion in miniature. Parents rebelled against the rebellion, staging their own petulant counter-revolution, and politicians embraced it. It triggered a moral panic and even congressional hearings into violence in games. But why did it happen, who did it serve, and what does it tell us about our own culture? —————————-SUPPORT THE SHOW—————————- You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out an

As the nineteenth century came to a close and questions concerning the future of African American life reached a fever pitch, many social scientists and reformers approached post-emancipation Black life as an empirical problem that could be systematically solved with the help of new technologies like the social survey, photography, and film. What ensued was nothing other than a "racial data revolution," one which rendered African American life an inanimate object of inquiry in the name of social order and racial regulation. At the very same time, African American cultural producers and intellectuals such as W. E. B. Du Bois, Kelly Miller, Sutton Griggs, and Zora Neale Hurston staged their own kind of revolution, un-disciplining racial data in ways that captured the dynamism of Black social life. Autumn Womack's The Matter of Black Living: The Aesthetic Experiment of Racial Data, 1880-1930 (U Chicago Press, 2022) excavates the dynamic interplay between racial data and Black aesthetic production that shaped lat

Sokoto was the largest and longest lasting of West Africa's nineteenth-century Muslim empires. Its intellectual and political elite left behind a vast written record, including over 300 Arabic texts authored by the jihad's leaders: Usman dan Fodio, his brother Abdullahi and his son, Muhammad Bello (known collectively as the Fodiawa). Sokoto's early years are one of the most documented periods of pre-colonial African history, yet current narratives pay little attention to the formative role these texts played in the creation of Sokoto, and the complex scholarly world from which they originated.  Far from being unified around a single concept of Muslim statecraft, Paul Naylor's book From Rebels to Rulers: Writing Legitimacy in the Early Sokoto State (James Currey, 2021) demonstrates how divided the Fodiawa were about what Sokoto could and should be, and the various discursive strategies they used to enrol local societies into their vision. Based on a close analysis of the sources (some appearing in English tran

Inventing the Alphabet: The Origins of Letters from Antiquity to the Present (University of Chicago Press, 2022) by Dr. Johanna Drucker provides the first account of two-and-a-half millennia of scholarship on the alphabet. Drawing on decades of research, Dr. Drucker dives into sometimes obscure and esoteric references, dispelling myths and identifying a pantheon of little-known scholars who contributed to our modern understanding of the alphabet, one of the most important inventions in human history. Beginning with Biblical tales and accounts from antiquity, Dr. Drucker traces the transmission of ancient Greek thinking about the alphabet’s origin and debates about how Moses learned to read. The book moves through the centuries, finishing with contemporary concepts of the letters in alpha-numeric code used for global communication systems. Along the way, we learn about magical and angelic alphabets, antique inscriptions on coins and artifacts, and the comparative tables of scripts that continue through the dev

In Molecular Capture: The Animation of Biology (University of Minnesota Press, 2021), Adam Nocek, Assistant Professor in the Philosophy of Technology and Science and Technology Studies at Arizona State University, investigates the collusion between entertainment and scientific visualization in the case of molecular animation. “The very same tools that were invented to animate a character like Shrek or Nemo are now being applied to set in motion protein domains and cellular processes.” Opening with this quote by animator and scientist Gaël McGill, the book retraces the complex genealogy of molecular animation and analyses its pretension to scientific value. While the first half of the book deals with “molecular capture” as the cinematographic process of producing moving images of the molecular world, the second half thinks about that same “capture” as a form of governmental rationality, a kind of apparatus rendering life visible and available down to its most fundamental mechanisms. This discussion leads the a

The Future of Money: How the Digital Revolution is Transforming Currencies and Finance (The Belknap Press of Harvard University Press, 2021) provides a cutting-edge look at how accelerating financial change, from the end of cash to the rise of cryptocurrencies, will transform economies for better and worse. We think we have seen financial innovation. We bank from laptops and buy coffee with the wave of a phone. But these are minor miracles compared with the dizzying experiments now underway around the globe, as businesses and governments alike embrace the possibilities of new financial technologies. As Eswar Prasad explains, the world of finance is at the threshold of major disruption that will affect corporations, bankers, states, and indeed all of us. The transformation of money will fundamentally rewrite how ordinary people live. Above all, Prasad foresees the end of physical cash. The driving force won't be phones or credit cards but rather central banks, spurred by the emergence of cryptocurrencies to de

What is the potential of podcasts to disseminate research based insights? How can a podcast function as a networking and pedagogical tool? And what is so intriguing about a Nordic podcast on Asia? Born during the pandemic to keep alive the vibrant research community on Asia in the Nordics, the Nordic Asia Podcast began as a collaborative effort between Nordic research institutions. More than two years and over 100 episodes later the podcast is, dare we say, doing better than ever. Tracing the birth and evolution of the Nordic Asia podcast, Kenneth Bo Nielsen, Duncan McCargo, Outi Luova and Julie Yu-Wen Chen discuss the potential of podcasts to disseminate research based insights, as well as how it can function as a networking and pedagogical tool for teaching Asia studies. Kenneth Bo Nielsen is an Associate Professor at the dept. of Social Anthropology at the University of Oslo and one of the leaders of the Norwegian Network for Asian Studies. Outi Louva is University Lecturer at the Centre for East Asian Stu

The television industry is changing, and with it, the small screen's potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the "post-network" era. Despite this, most scholarship has been dedicated to analyzing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage. In History by HBO: Televising the American Past (UP of Kentucky, 2022), Rebecca Weeks fills the gap in this area of media studies and defends the historiographic power of long-form dramas. Dr. Weeks is a lecturer in the Bachelor of Art and Design Programme at Media Design School in Auckland, New Zealand. By focusing on this change and its effects, History by HBO outlines how history is crafted on television and the diverse forms it can take. Weeks examines the capabilities of the long-form serial for engaging with historical stories, in

In 2016, social media users in Thailand called out the Paris-based luxury fashion house Balenciaga for copying the popular Thai “rainbow bag,” using Balenciaga’s hashtags to circulate memes revealing the source of the bags’ design.  In Why We Can't Have Nice Things: Social Media's Influence on Fashion, Ethics, and Property (Duke UP, 2022), Minh-Ha T. Pham examines the way social media users monitor the fashion market for the appearance of knockoff fashion, design theft, and plagiarism. Tracing the history of fashion antipiracy efforts back to the 1930s, she foregrounds the work of policing that has been tacitly outsourced to social media. Despite the social media concern for ethical fashion and consumption and the good intentions behind design policing, Pham shows that it has ironically deepened forms of social and market inequality, as it relies on and reinforces racist and colonial norms and ideas about what constitutes copying and what counts as creativity. These struggles over ethical fashion and intellec

For this episode of How To Be Wrong, I speak with George Styles, a biochemist and author of the book Contemplation. George is also what we describe these days as an “influencer”—although as we discuss he objects to that label—on social media, with over 37 thousand followers on Twitter. His approach to Twitter is novel in that he focuses on asking probing questions designed to generate discussion, which at times become rather heated. Our conversation moves through topics related to how Twitter is used and how it can be used as a tool for generating civil intellectual discourse. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What is the role of the press in a democracy? For nearly a century, scholars, media critics, and politicians have debated this question—in a large part thanks to Walter Lippmann. Lippmann’s 1922 book, Public Opinion, changed the conversation about how to educate voters and who should be able to vote at all. In this episode, University of British Columbia professor Heidi Tworek discusses the timeless questions and the man who asked them. Heidi Tworek is assistant professor of international history at the University of British Columbia. She is an editor of The Journal of Global History and the author of News from Germany: The Competition to Control World Communications, 1900–1945. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Music sampling has become a predominantly digitalized practice. It was popularized with the rise of Rap and Hip-Hop, as well as ambient music scenes, but it has a history stretching back to the earliest days of sound recording and experimental music making from around the world. Digital tools and networks allow artists to sample music across national borders and from diverse cultural traditions with relative ease, prompting questions around not only fair use, copyright, and freedom of expression, but also cultural appropriation and "copywrongs." For example, non-commercial forms of sharing that are now commonplace on the web bring musicians and their audiences into closer contact with emerging regimes of commercial web-tracking and state-sponsored online surveillance. Moreover, when musicians actively engage in political or social causes through their music, they are liable to both commercial and state forces of control. Shifts back to corporate ownership and control of the global music business—online and of

Dr. Tim Hutchings is a sociologist of digital religion. His Ph.D. (Durham University, 2010) was an ethnographic study of five online Christian churches. Dr. Hutchings is interested in the relationship between religion, media and culture, with particular attention to digital forms of Christianity. His research has included studies of online worship; digital evangelism and formation; online community; digital publishing and e-reading; apps and games; and death and dying. His research led to the publication of his book Creating Church Online: Ritual, Community and New Media (Routledge, 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Dana Stevens joins Elizabeth and John to discuss Camera Man: Buster Keaton, the Dawn of Cinema and the Invention of the Twentieth Century. Her fantastic new book serves as occasion to revel in the work and working world of Buster Keaton, that "solemn, beautiful, perpetually airborne man." Although packed with fascinating tidbits from Keaton's life, Camera Man is much more than just a biography. It performs its own airborne magic, lightly traversing topics like the crackdown on the use of children in vaudeville, the fluidity of roles before and behind the camera in early Hollywood and the doors that were briefly (ever so briefly) opened for female directors. Among other treats, Dana unpacks one of Keaton's early great "two-reelers" One Week ( a spoof of brisk upbeat industrial films) and his parodic "burlesques" e.g. of Lillian Gish. People, Films, Books and Ideas in the conversation include: Roscoe ("Fatty") Arbuckle: got Keaton his start in early films like Butcher Boy, reportedly filmed the day Keaton first

Since the 1970s, there has been a rich, global lineage of broadly guitar-based music scenes which have enacted a political critique of the commercial music industries under the banner of ‘DIY’. DIY music practice has involved taking control of production and distribution processes and lowering barriers to participation and performance, as a form of cultural resistance. In DIY Music and the Politics of Social Media (Bloomsbury, 2020), Ellis Jones analyses the effects of the internet and social media on the inner lives and the communal music-making of practitioners in contemporary DIY music scenes. Jones provides a nuanced and original reading of the points of convergence and (substantial) divergence between the emancipatory and participatory rhetoric of digital platforms and the ethical imperatives of DIY music, past and present. He argues that the imperatives toward self-branding, commodification and individualization that are baked into the affordances of social media are fundamentally inimical to the conviv

It was billed as “the biggest event in the history of the terminally online.” A debate: socialism vs. capitalism. On your left side, the esteemed Marxist economist Richard Wolff. On your right, a StarCraft player-turned-online intellectual: Steven Bonnel II, better known as Destiny. But this debate didn’t take place on TV, or in a university debate club… it was on Twitch.tv. The online streaming platform that is mainly used for watching other people play video games. We dissect the debate, and its limitations. But more broadly, we ask, why are gamers becoming an emerging political commentariat, and what does that mean for the rest of us? Twitch is reshaping political and intellectual discourse, whether we like it or not; is it making that discourse more vibrant and more inclusive, or more phoney and more bro-y? —————————-SUPPORT THE SHOW—————————- You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs