Hitchcock University

In this class session, Marty teaches us how to work with a star and make a commercially successful film.

In this class session, Marty teaches us what it means to be a professional.

In this class session Marty lets us in on what has made him and Bobby De Niro so successful, as well as teaches us about creating a subjective experience through the eyes of a protagonist.

In this class session, Marty teaches us about the problems improv filmmaking can create, as well as the attention to detail required to replicate a period look.

In this class session, Marty teaches us to prioritize the story over the production.

In this class session Marty teaches us about how to edit a script, and about camera movement.

In this class session, Marty teaches us how to collaborate with actors, and his shortcut for getting the most out of pre-composed music.

In this class session, Marty passes on some practical lessons he learned from the master of low budget filmmaking, Roger Corman. Also, we have a special announcement on how you can win some free movies.

In our first class session we learn the pains of a first feature.

In our first class session back, I give you the syllabus for the year, so you'll know exactly what's to to expect from our new teacher, the great Martin Scorsese.

In this, our final class session brought to us by the great Alfred Hitchcock, we review everything he taught us as seen in his final film. Plus, an exclusive sneak peak to next semester.

In this class session Hitch teaches us about why it must "FEEL real, but never BE real."

In this class session Hitch takes us on a deep dive into how to use color for dramatic effect.

In this class session, Hitch helps us understand how to direct actors, the style of sound design, and also teaches us how to achieve a realistic aesthetic.

In this class session, Hitch takes the pure cinema we've discussed, and shows us how it can be used to play the audience like a fiddle.

In this class session, Hitch teaches us the power of avoiding the cliche, and reminds us just how little the MacGuffin matters.

In this class session Hitch takes his thoughts from Rear Window, and expounds on them.

In this class session Hitch rebounds from The Trouble with Harry to (re)create a classic.

In this class session Hitch teaches us about the use of color, and why making a movie you want to see isn't always the best idea.

In this class session Hitch teaches us about pure cinema.