Granta

Granta New Poet Sean Borodale discusses his debut collection Bee Journal, shortlisted for he TS Eliot prize, with online editor Ted Hodgkinson.

Robert Olen Butler reads his story 'Banyan' and talks to Ted Hodgkinson about how memory can be like compost and why every story is a search for an identity.

Michel Laub reads from his story in Best of Young Brazilian Novelists and discusses trespassing and fathers.

Best of Young Brazilian Novelist Vinicius Jatobá and his translator Jethro Soutar on the challenges and intimacy of translation.

Deborah Levy spoke to Ted Hodgkinson about being shortlisted for the Booker Prize for her novel, Swimming Home.

Alison Moore talks to John Freeman about her debut novel, The Lighthouse, which was shortlisted for the Man Booke Prize. 

Jeet Thayil talks to Ted Hodgkinson abot his Booker shortisted novel, Narcopolis.

Booker shortlisted author Tan Twan Eng talks to John Freeman about The Garden of Eveing Mists.

D.T. Max on his biography: 'Every Love Story is a Ghost Story: A Life of David Foster Wallace'.

Claire Vaye Watkins on her debut story collection Battleborn, finding ritual in relationships and drawing inspiration from cartoons, mythology and Paul Simon.

Pete Stamm reads from his novel Seven Years and discusses imagining his characters as buildings and whether people, in life and in his fiction, can change.

Poets Jo Shapcott and George Szirtes on their poems inspired by Titian's interpetations of Ovid.

Sam Byers talks about being introduced in Granta 119: Britain, turning office life into fiction and writing women.

Rachel Seiffert talks to Yuka Igarashi about her new fiction in the Britain issue.

Mark Haddon, author of 'The Curious Incident of the Dog in the Night Time' talks about his latest novel, 'The Red House' and his story in Granta 119: Britain, 'The Gun'.

Cynan Jones on writing about adolesence, what we can learn from animals and why he doesn't want to be seen as a Welsh writer.

Mo Yan talks to John Freeman at the London Book Fair about writing strong women and avoiding censorship.

Andres Neuman reads from his novel The Traveller of the Century and discusses translation, writing nineteenth century characters who smell and have sex and using a post modern aesthetic to tell an epic love story.

Jeanette Winterson reads from her new memoir, Why Be Happy When You Could Be Normal, and her story 'All I Know About Gertrude Stein' from Granta 115: The F Word. She also talks to Saskia Vogel about the line between truth and fiction and the pleasures of Twitter.

Live recording of John Barth reading his essay 'The End?' from Exit Strategies and discussing his career, discovering Tristram Shandy, what happened to postmodernism and ways of encouraging the muse to pay a visit.