Granta

Carmen Maria Machado discusses her new memoir, In the Dream House, with Josie Mitchell. They discuss memory as architecture, formal experimentation, and making space for queer narrative. Carmen is the author of Her Body and Other Parties. You can read more of her work, including the new story ‘The Lost Performance of the High Priestess of the Temple of Horror’, from our Winter 2020 issue, here. 

Josie Mitchell talks to Momtaza Mehri about her pamphlet, Doing the Most with the Least, out with Goldsmiths Shorts. They discuss the value of self-interrogation, the significance of the Black Arts Movement and the limits to checking your privilege. You can read Momtaza’s poetry and essays on our website: https://granta.com/contributor/momtaza-mehri/And her recent essay in the Guardian, ‘Anti-racism requires so much more than checking your privilege’: https://www.theguardian.com/commentisfree/2020/jul/07/anti-racism-checking-privilege-anti-blackness

Jenny Offill, author of Dept. of Speculation, talks to editor Josie Mitchell about her new novel, Weather. They discuss pre-apocalypse warnings, the doomers among us and the draws of prepper culture in a world gone mad. You can read an interview between Jenny and Mark O’Connell, author of Notes from an Apocalypse, on our website: https://granta.com/in-conversation-oconnell-offill/ 

Sandra Newman is the author of the novels The Only Good Thing Anyone Has Ever Done, Cake, The Country of Ice Cream Star and four non-fiction books including the memoir Changeling. Her most recent novel The Heavens is published by Granta Books. She spoke to Lucy Diver about friendship, love, hope and how to write like an Elizabethan.

Maureen N. McLane reads from her book My Poets. My Poets begins its first chapter ‘proem, in the form of a Q&A’, which is what you hear at the beginning of the recording. The second part of the recording is from ‘My Elizabeth Bishop / My Gertrude Stein’, the fourth chapter in the book,

Kamila Shamsie is the author of seven novels and one book of non-fiction. Among many other accolades, Kamila is a Fellow of the Royal Society of Literature and in 2013 was named a Granta Best of Young British Novelist. She joined us in the Granta offices for an interview about her new novel Home Fire, published by Bloomsbury. Home Fire was longlisted for the 2017 Man Booker Prize.

In this episode of the Granta podcast, Max Porter, author of Grief is the Thing with Feathers reads ‘False Blood’ by Will Self. Diagnosed with a rare blood condition, Self attends weekly ‘venesections’ (the modern-day equivalent of bloodletting) which inspire morbid thoughts on addiction and disease. The story can be found in full on our website: https://granta.com/false-blood/ Will Self is the author of numerous novels, most recently Phone. In 1993 he was named as one of Granta’s Best of Young British Novelists. Max Porter is the author of Grief is the Thing With Feathers, which was shortlisted for the 2015 Guardian First Book Award and the 2015 Goldsmiths Prize, and won the 2016 International Dylan Thomas Prize.

In this episode of the Granta podcast, Margo Jefferson, author of Negroland, reads Kathleen Collins’s short story, ‘The Uncle’, taken from the collection Whatever Happened to Interracial Love? Kathleen Collins was a pioneer African-American playwright, film-maker, civil rights activist and educator. You can read more work by Kathleen Collins on our website: granta.com/whatever-happened-to-interracial-love/

In this episode of the Granta podcast, Josie Mitchell speaks with Andrea Stuart about her essay ‘Travels in Pornland’. They discuss the value of feminist porn, the importance of counter narratives and the challenges faced by feminist pornographers. The essay was first published in August 2016. You can read the essay in full on our website: https://granta.com/travels-in-pornland/

Luke Neima talks to George Saunders about his first novel, Lincoln in the Bardo. They discuss the pressures on Abraham Lincoln during the civil war, the art of creating distinctive historical voices, verbal improv and writing the afterlife.

In this edition of the Granta podcast, editor Luke Neima talks to Diane Williams, the author of eight books of fiction and founder and editor of the distinguished literary annual NOON. Diane reads from her latest book, Fine, Fine, Fine, Fine, Fine, and discusses her approaches to writing and editing, the gatekeepers of literary publication and stitching.

Rosalind Porter reads Carmen Maria Machado’s ‘The Husband Stitch’. The story was first published in 2015, and went on to be nominated for the Nebula and Shirley Jackson Award.Carmen Maria Machado’s debut short story collection, Her Body and Other Parties, is out with Graywolf Press.

In this edition of the Granta Podcast, editor Ka Bradley speaks with Madeleine Thien about her book, Do Not Say We Have Nothing, which has recently been shortlisted for the Man Booker Prize. They talk about translating the sensation of music for a reader, the importance of writing about women of colour, and the Chinese conceptual framework of time.

In this edition of the Granta podcast we speak to Astrid Alben, who reads a selection from her book of poetry Plainspeak, discusses her work as a translator and as an editor of the interdisciplinary journal Pars, shares a poem by Valérie Rouzeau – translated from the French by Susan Wicks – and explains how she develops her poetic alter ego.

In our latest podcast, Joanna Walsh discusses the Irish Writing Boom with Sarah Davis-Goff of Tramp Press; Susan Tomaselli, editor of Gorse Journal; and Amy Herron of the Irish Writers' Centre. They touch on the culture and history of Ireland’s literary journals; short story culture; the fight against marketing departments and the work of fostering literary innovation.

Sally Rooney and Joanna Walsh: The Granta Podcast, Ep. 80 by Granta Magazine

Ireland has one of the world's most distinguished literary traditions. In Granta 135: New Irish Writing, we showcase contemporary Irish fiction, memoir, poetry and photography.For the launch of the issue, Granta and Foyles hosted Peggy Hughes, Sally Rooney, Lucy Caldwell and Sara Baume in a discussion about their work, the state of Irish writing and the place of technology in literature. Audio production by Adam Barr.

Last year we celebrated the 70th anniversary of the end of the Second World War, but the legacy of war and communism lives on in eastern Europe. In the new issue of Granta – No Man’s Land – Peter Pomerantsev writes about propaganda in Ukraine’s Donbas region, where pro-Russian activists battle with pro-Ukrainian, pro-democracy activists and Ukrainian nationalists, whilst Philip Ó Ceallaigh tells the devastating story of the Communist destruction of Old Bucharest. They joined us for the launch of the new issue at the Frontline Club in London.Both writers encounter people who are longing for a strong leader to bring back security and pride. They discussed whether, following the challenges to democratic structures in Russia, Hungary, and most recently Poland, eastern Europe’s new democracies are at risk.Chaired by author and journalist Oliver Bullough, who lived and worked in Russia from 1999 – 2006. He is author of two books about Russian history and politics: The Last Man in Russia and Let Our Fame Be Great.Pe

Neel Mukherjee and Patrick deWitt discuss their books, Undermajordomo Minor and The Lives of Others, subconscious influence, the power of the exclamation mark and love.

Hiromi Kawakami is a novelist, haiku poet, literary critic and essayist. Her books include 'Manazuru, Pasuta mashiin yūrei' ('Pasta Machine Ghosts') and 'Sensei no kaban' ('The Briefcase'), published as 'Strange Weather in Tokyo' by Portobello Books in the UK. She was awarded the 1996 Akutagawa Prize for 'Hebi o fumu' (Tread on a Snake).Here, she talks to Granta Books editor Anne Meadows on her essay for Granta 127: Japan, the presence of death in her work and the influence of Gabriel García Márquez, with interpretation by Asa Yoneda.'I never really thought about death or mortality, but coming to terms with this diagnosis, or the probability of this diagnosis, I realised that, medically speaking, death can always be thought of not as a certainty, but as a probability. Looking back, I never was aware of feeling that close to death, but actually if you think about it, just living every day there is a very small but definitely existing chance of de