Art Gallery Of Ontario

British artist Hurvin Anderson in conversation with Contemporary Art Museum St.Louis Deputy Director for Exhibitions and Programs Jeffrey Uslip.

Frazier considers the work, legacy and influence of artist and photojournalist Gordon Parks and his contemporaries.

Co-curator Valéria Piccoli shares her thoughts on Alexander von Humboldt's theories in the visual arts in the Picturing the Americas: Landscape Painting from Tierra Del Fuego to the Arctic exhibition.

Panelists Karen Miranda Augustine, Fab 5 Freddy, Dana Michel, and Christian Campbell explore the legacy of Jean-Michel Basquiat.

Thelma Golden discusses the art and social changes from the work of artist Jean-Michel Basquiat.

Suzy Lake discusses her work and exhibition at the Art Gallery of Ontario, in conversation with exhibition curators Sophie Hackett and Georgiana Uhlyarik.

Inspired by the exhibition Michelangelo: Quest for Genius, artists, architects, writers and other creative thinkers consider the value of failure to the creative process.

This lecture explores the private and the public sphere of Michelangelo’s activities and how we can gain an understanding of his working methods and development through drawings from the Casa Buonarroti.

A reflection of Haudenosaunee worldview, mnemonic continuum, and the retention of knowledge. Following an introduction by Fredrik S. Eaton, speakers Andrew Hunter, Jolene Rickard, Rick W. Hill Sr. and Greg Staats discuss the power of reflection, Staats’ recent visual language, the multiplicity of relationships to trauma and renewal and life experiences.

Join artist, activist, writer, facilitator and educator Kim Crosby Milan for an in-gallery tour of Fan the Flames: Queer Positions in Photography.

Glenn D. Lowry and Matthew Teitelbaum discuss art, ideas and the future of museums.

Linda Milrod, Transformation AGO senior project manager and program & installation director, will talk about the extraordinary process of working with Gehry International to transform the AGO.

Join Gilles Mongeau and Sasha Suda as they bring to light the challenges faced by the artists that tried to capture a radical new vision of religious faith started by Dante's Divine Comedy.

Richard Meyer reclaims the contemporary from historical amnesia, exploring episodes in the study, exhibition, and reception of early twentieth-century art and visual culture.

This was a free screening of the 1983 Mexican film Frida, naturaleza viva (1983), directed by Paul Leduc with Ofelia Medina as Frida and painter Juan José Gurrola as Diego.

Hayden Herrera discusses Kahlo's biography and her painting.

Vishakha Desai discusses the rise of contemporary art in Asia and its connection to global movements of economic and political power.

The artist spoke about creating the "Memory Loops" virtual monument, an audio artwork based on material from victims of National Socialism, and addressed important questions about her own work, including content, format and medium.

The photographic images we encounter on a daily basis circulate in the press, on billboards, posters, postcards and online. They teach us, for instance, about fashion, crime, what's beautiful and what isn't. How do contemporary photographers today make use of different contexts and modes of circulation to reinvent how we understand photographs?

Since the 1970s, many contemporary photography artists have worked with spaces of display – studio, gallery, cinema – and their conventions – both past and present – as they push two-dimensional images into the three-dimensional realm.