Latino Usa

Puerto Rico’s relationship with the United States has long been a subject of intense debate. In 1952, Puerto Rico adopted a new status that was meant to decolonize the island. In English, we call it a “Commonwealth.” In Spanish, it’s called “Estado Libre Asociado”, or ELA. Puerto Ricans were promised for decades that this unique status meant they had a special kind of sovereignty while maintaining ties to the US. Now, a series of recent crises on the island have led many to question that promise, and to use the word “colony” more and more. In this episode, political anthropologist and El Nuevo Día columnist Yarimar Bonilla looks for those who still believe in the ELA, and asks what happens when a political project dies.

Despite being a U.S. colony, Puerto Rico competes in sports as its own country on the world stage. Since the 70s, Puerto Rico’s national basketball team has been a pride of the island, taking home trophy after trophy. But in the 2004 at the Athens Olympics, the team was up against the odds, with an opening game against a U.S. Dream Team stacked with players like Lebron James and Allen Iverson. Futuro Media’s Julio Ricardo Varela tells the story of a basketball game that Puerto Ricans will never forget, and why he thinks now, more than ever, is a crucial moment to remember it.

Photographer Chris Gregory-Rivera examines the legacy of the surveillance files known in Puerto Rico as las carpetas — produced from a decades-long secret government program aimed at fracturing the pro-independence movement. Gregory-Rivera looks at las carpetas through the story of one activist family, the traitor they believed was close to them, and the betrayal that holds more mystery than they realize.

A year after COVID-19 first shut down the United States, Latino USA looks at how the pandemic has changed the lives of Latinos across the country. We’ll check in with a domestic worker in Chicago who has lost work because of the pandemic. We'll visit a Honduran family living in Mexico after they tried asking for asylum in the U.S., but were turned away. We’ll go to the South Bronx to hear how one family saved their restaurant by turning it into a mutual aid soup kitchen. And we’ll hear from a priest in Texas who is helping his community heal from a year of tremendous loss.

A winter storm in Texas left millions with no power and water issues in February. Latino USA producer Reynaldo Leaños Jr. documented his family’s experience during the storm and kept an audio diary of what happened.

Weeks after Hurricane María, the Government of Puerto Rico accepted an emphatic suggestion from officials of the Federal Emergency Management Agency (FEMA), put it in writing as if it were its own decision, and celebrated it would be used to rebuild in a “resilient” way. On the island of Vieques — which has a very high rate of cancer — they were supposed to rebuild its only hospital, destroyed by the hurricane in 2017. Now, a young girl has died from lack of care, and a neglected community fights for their basic human right: access to quality medical services. Reporter Cristina del Mar Quiles from El Centro de Periodismo Investigativo explains how federal red tape has hindered hurricane recovery.

What will the music of Texas’ Rio Grande Valley sound like 100 years from now? That’s the premise at the heart of Futuro Conjunto, a multimedia sci-fi project by artists Charlie Vela and Jonathan Leal. Futuro Conjunto is an expansive work of speculative fiction, but it also revolves around urgent issues of our present, such as climate change, technology, war, and class disparity. The multimedia project also draws from the Rio Grande Valley’s history and musical traditions, and Vela and Leal collaborated with more than 30 local artists to make this project happen. Futuro Conjunto is, first and foremost, a musical album. But it’s complemented by animated clips, an interactive website, and a detailed history that imagines the events that came to pass between today and several generations into the future. In this “How I Made It” segment, Vela and Leal explain the inspiration behind Futuro Conjunto and break down how they captured the sounds of the Rio Grande Valley’s future.

Gustavo Dudamel is one of the most famous and acclaimed conductors in the world. He’s been the Music and Artistic Director of the Los Angeles Philharmonic since 2009, when he was just 27 years old. El maestro is the best-known graduate of El Sistema, Venezuela’s national youth music education program. In the years since, Dudamel made a name for himself conducting world-famous orchestras, running his own arts charity —The Gustavo Dudamel Foundation— and founding the Youth Orchestra Los Angeles. Even amid the ongoing COVID-19 pandemic, Dudamel has been living up to his personal passion of finding creative ways to play and expand access to music, all while stressing the importance of staying in touch with his Venezuelan roots. In this episode of Latino USA, Dudamel talks about staying indoors, calling family home, and his belief that music will inspire a stronger future for all.

Alana Casanova-Burgess traces the history and development of Levittown, a massive suburb that was founded on the idea of bringing the American middle-class lifestyle to Puerto Rico during a time of great change on the island. Casanova-Burgess (herself the granddaughter of an early Levittown resident) traces back the story of the boom and bust of Levittown and explores what its shortcomings tell us about the promises of the American Dream in Puerto Rico.

In this kick off episode, host Alana Casanova-Burgess sets out to define la brega and examine what its ubiquity among boricuas really means. A brega implies a challenge we can’t really solve, so you have to hustle to get around it. In Puerto Rico, Cheo Santiago runs a social media account called Adopta Un Hoyo, where people deal with the huge problem of potholes by painting their edges white and posting photographs of craters to the site. Because the roads are rarely fixed properly, the challenges of potholes (hoyos) and what people do to fix them or get around them is a metaphorical and literal brega in Puerto Rico. Plus, the scholar Arcadio Diaz Quiñones reflects on how this useful word has its limitations, and how la brega sometimes asks too much of boricuas.

Yesika Salgado grew up in Los Angeles in a Salvadoran family, and she calls herself a fat, fly poet—her most recent book of poems is titled "Hermosa." Yesika and Maria start this episode with a trip to the world’s largest wholesale produce market, where they go on a quest to find the sexiest fruit. Then, they sit down to talk about how love has changed Yesika’s relationship with her body and how her literary success has shaped what she wants out of love.

Every holiday season, you can't help but sing along to the infectious melody of José Feliciano's 1970 mega single, "Feliz Navidad." But aside from the holiday hit, the Puerto Rican singer boasts an almost 60-year musical career and one of his specialties is recording covers like "California Dreamin'" and "La Copa Rota"—blending them with his own sound of blues, folk, soul and Latin. In this conversation with Maria Hinojosa, José Feliciano opens up about why he keeps the 70s alive and about one of his favorite relationships: the one he has with his guitar. This story originally aired in February of 2020.

In this second episode of our new podcast series, Suave, Maria Hinojosa learns more about Suave’s early life in the South Bronx and the crime Suave was convicted of as a teenager in the Badlands of Philadelphia. We explore the "tough on crime" politics of the 80's and early 90's and the ruthless tactics of prosecutors that led to Pennsylvania becoming the state that sentenced the most minors in the country to life in prison without parole. Meanwhile, Suave anxiously awaits the decision from a judge that could grant him the opportunity to finally leave prison.

Suave has been serving a life sentence at a Pennsylvania maximum-security prison since he was a teenager. In 1993, he meets Maria Hinojosa when she's invited to speak at the prison and they begin a decades-long journalist-source relationship. Now nearly 50, Suave has come to terms with the fact that he will never leave the confines of Graterford prison. That is until a Supreme Court ruling in 2016 changes everything — and suddenly grants him a second chance to fight for his freedom.

Journalist Maria Garcia tells her story as she began to report on the lasting legacy of Selena Quintanilla. Maria's reporting begins not with Selena herself, but with Abraham Quintanilla: Selena's father, manager and mentor, known for guarding his daughter’s legacy with an iron fist. Maria confronts Abraham’s complicated legacy and reflects on fatherhood in Latinx cultures. Subscribe to Anything For Selena wherever you get your podcasts.

Dr. Anthony Fauci has served as Director of the National Institute of Allergy and Infectious Diseases under seven presidents stemming back to the 1980s. He is often seen as the leading voice in combating COVID-19, which has now killed more than 440,000 people and infected over 26 million across the country. A disproportionate number of those have been Black, Latino and Indigenous people. During the past administration, Dr. Fauci at times contradicted President Trump, who would often promote unscientific or unproven cures, minimize the threat of COVID-19 or underestimate the gravity of the emergency. Today, Dr. Fauci is President Joe Biden’s chief medical advisor and is back at the forefront of the fight against the COVID-19 pandemic. On this episode of Latino USA, Dr. Fauci discusses his early childhood, similarities in combating the AIDS/HIV epidemic and the COVID-19 pandemic, and what the Biden administration plans on doing to eliminate inequalities that have led to Black and brown communities being heavily

Omar Apollo, a rising star in the indie R&B scene, began making music on his own by teaching himself chords from YouTube videos and honing his sound in an attic in a small town in Indiana. His first breakthrough came on Spotify in 2017, with the song “Ugotme.” Four years later, Omar has amassed more than 100 million streams on the platform and has toured internationally. In this “How I Made It” segment, Omar Apollo takes us back to the days of making music on borrowed equipment, and shares how he explored everything from funk music to corridos to make his debut album, “Apolonio.”

In the summer of 1971, President Nixon declared a “War on Drugs.” Today, with over 2 million people behind bars, the U.S. is the world's most carceral nation. Many of those serving time are there for crimes related to drugs. Meanwhile, more than 70,000 people died last year as a result of drug overdoses. Nearly 50 years later, the so-called War on Drugs is failing. And advocates for reform have long argued that punitive policies have not reduced the flow of drugs across the country but have actually strengthened illicit drug markets, creating risky and unhealthy conditions for drug users by focusing on the criminal element of drug use instead of seeing it through a lens of healthcare access and social justice. In this episode of Latino USA, Maritza Perez from the Drug Policy Alliance in Washington, DC breaks down the racial history behind the War on Drugs and why decriminalization may be the only way to end the persecution of people of color under the guise of drug enforcement.

Since January 2019, nearly 68,000 asylum seekers have been ordered to wait in Mexico as their cases make their way through the U.S. courts system. The wait can take years, and it can often be deadly. After Mexico boasted its highest number of deportations ever in 2019, a group of local researchers and advocates set out to document just how extensive the cooperation has become between the U.S. and Mexico. The study concluded that Mexico violated its guaranteed constitutional protections when, under the Trump administration, the country mirrored its immigration policies after those of the U.S. In this episode of Latino USA, Maria Hinojosa talks to Alicia Moncada and Gretchen Kuhner about their findings and why President Biden should prioritize reform of the U.S. asylum in his first 100 days of office.

Goya Foods was has been on the spotlight after its CEO Robert Unanue expressed his support for former president Donald Trump. Calls for boycotts flooded social media over the summer. But that wasn’t the first time the food giant got caught in political turmoil. From labor disputes with its Latino workers trying to unionize in Miami to the Puerto Rican community in New York, three boycotts tell a “not-so-rosy” story about Goya. In this episode of Latino USA, we look into how Goya became a badge of identity for Latinos in the US, and why these boycotts were about much more than a can of beans.