The Business

Kim Masters and Matt Belloni dive into the challenges faced by legendary filmmaker Francis Ford Coppola as he struggles to find distribution for his self-financed passion project, Megalopolis. The Banter partners also take a look at the risks behind David Ellison’s bid to acquire Paramount parent company National Amusements. Plus, Eric Deggans speaks to comedian Mike Birbiglia and documentary filmmaker Eddie Schmidt about their new special, Good One: A Show About Jokes. They share how they approached adapting a popular Vulture podcast into their Peacock special, and talk about sticking with the truth in autobiographical comedy following allegations that Hasan Minaj falsified elements of his award-winning special Homecoming King.

Kim Masters and Matt Belloni take a quick look at Ari Emanuel-led Endeavor going private, and the banter partners break down the outcome of the long battle between Nelson Peltz and Disney.  Plus, on this special episode of The Business, Kim Masters speaks to director James Hawes about his film One Life, which tells the story of Sir Nicholas Winton, who saved more than 600 children, including Masters’ own mother, from Nazi-occupied Czechoslovakia. Hawes talks about how after years as a television director, he found his feature directorial debut in One Life, and Masters shares her deeply personal family stories connected to Winton’s rescue efforts.

Kim Masters and Matt Belloni report on the latest in the Disney proxy battle, and the banter partners examine the outrage of NBC staff following the brief, yet confounding, hiring of former RNC chair Ronna McDaniel. Plus, Masters speaks to writers Justin Marks and Rachel Kondo about their FX limited series, Shōgun. The husband and wife creative team talk about how they’ve been granted more control writing for television over feature films. They also explain why the risk FX took on their very expensive—and heavily subtitled—period epic tops any hurdles they experienced on the show’s massive production.

Matt Belloni and Lucas Shaw examine four Disney executives poised to take the throne in 2026 following CEO Bob Iger’s proposed retirement.  Plus, we revisit our conversation with Steven Yeun, who joined Kim Masters to talk about his Emmy winning limited series, Beef. The actor talks about his initial fears of not living up to expectations after being cast in what would become an Academy Award-nominated performance for Minari, why he and his Beef co-star Ali Wong broke out in hives after production wrapped, and how Netflix approached the A24 limited series with an offer that was too good to turn down.

Kim Masters and Matt Belloni discuss the alleged years of abuse and inappropriate behavior on Nickelodeon sets as shown in ID’s new docuseries, Quiet on Set: The Dark Side of Kids TV.  Plus, Eric Deggans talks to actors Andrew Lincoln and Danai Gurira about reprising their breakout roles as Rick and Michonne Grimes on The Walking Dead: The Ones Who Live. Gurira shares why writing an episode of the new spinoff series opened her eyes to the challenges of writing for television, and co-star Lincoln talks about how streaming affected the flagship show’s viewership over the years.  

Kim Masters and Matt Belloni examine the latest developments in the Disney proxy fight. They also take a look at a peculiar lawsuit filed against CBS Studios and Paramount. Plus, Masters speaks to writer Tony McNamara about his Academy Award-nominated screenplay for the Yorgos Lanthimos film, Poor Things. He talks about how he and Lanthimos managed to take a book about Scottish nationalism and turn it into their film, which is nominated for 11 Academy Awards this weekend. He also shares why he likes splitting his time between film and TV, and why the voices he hears in his head dictate how he writes a screenplay.

Kim Masters and Matt Belloni break down the latest executive hires at Netflix and Disney. They also take a look at Kevin Costner’s ambitious plans to theatrically release a four-part film saga set in the Old West.  Plus, NPR contributor Jeff Lunden speaks to composer Laura Karpman about her work on two vastly different 2023 films: the Disney juggernaut The Marvels, and Cord Jefferson’s sharp comedy-drama, American Fiction, which led to her first Academy Award nomination.

PREVIEW: Kim Masters speaks to writer Tony McNamara, who adapted a 1992 Alasdair Gray novel into the Oscar nominated Yorgos Lanthimos film, Poor Things. Tune in to The Business on March 8th to hear the full interview with McNamara, where he shares how his toddler inspired him to write Emma Stone’s favorite line in the Academy Award nominated screenplay.  

Kim Masters and Matt Belloni examine FuboTV’s $1 billion lawsuit seeking to halt the development of the recently announced Fox, Disney, and Warner Brothers Discovery sports streaming service. They also take a look at Sony’s struggles with live action Marvel films. Plus, Masters speaks to filmmaker and war correspondent Mstyslav Chernov about his documentary, 20 Days in Mariupol. The BAFTA-winning director shares how an Associated Press assignment in war-torn Ukraine turned into a devastating Oscar contender for best documentary. He also talks about the importance of keeping the world’s eyes on the war in Ukraine.

Kim Masters and Matt Belloni examine the latest updates in the Disney proxy vote saga. Also, has peak TV officially ended? The banter partners break down FX chairman John Landgraf’s recent remarks on the current state of television.   Plus, Masters speaks to Oppenheimer writer and director Christopher Nolan and American Prometheus co-author Kai Bird about adapting the film’s Pulitzer Prize winning source material. Bird talks about the 25 years it took to complete the sprawling biography with co-author Martin Sherwin, and Nolan shares how he approached adapting their 700-page book into a summer blockbuster hit.

Kim Masters and Matt Belloni take a look at the big surprises revealed during Disney’s Q1 earnings call. They also dive into the announcement of ESPN, Warner Bros. Discovery, and Fox’s joint sports streaming service set to debut this year. Plus, Masters speaks to writer-director Ed Zwick about his new memoir, Hits, Flops and Other Illusions: My Fortysomething Years in Hollywood. The filmmaker shares lessons learned from his decades-spanning career in the industry, and he reads excerpts from the book, including stories from the making of the 1989 film Glory and how he nearly directed an early iteration of Shakespeare in Love, which he would later end up producing and winning an Oscar for Best Picture.

Kim Masters and Matt Belloni examine media mogul Byron Allen’s offer to acquire Paramount Global. They also take a closer look at the Netflix-WWE deal in the wake of WWE founder Vince McMahon’s resignation following allegations of battery and sex trafficking. Plus, Masters is joined by The Hollywood Reporter’s Executive Awards Editor Scott Feinberg to discuss the frontrunners, surprises, and snubs of the 2024 Academy Awards.

Kim Masters and Matt Belloni examine the latest happenings at Netflix and Jon Stewart’s surprise return to The Daily Show.  Plus, Masters speaks with Matthew Heineman about directing American Symphony. The filmmaker describes the process of documenting musician Jon Batiste and his wife Suleika Jaouad through her battle with leukemia. Heineman also shares how he snuck into the Grammys to film Batiste’s big night, and how he whittled down 1,500 hours of footage into the film that ended up being acquired by Netflix and the Obamas’ production company, Higher Ground.

Kim Masters and Matt Belloni look into the Tom Cruise-Warner Bros. deal and what that means for his projects at Paramount.  Plus, Masters speaks to Jon Batiste about being the subject of American Symphony. The musician explains how the documentary was originally conceived to follow his composition and performance of a symphony, but following his wife’s recurrence of leukemia, the project evolved into an intimate portrait of the couple coping with a life-threatening illness. Batiste shares how director Matthew Heineman spent eight months with the couple, resulting in over 1500 hours of footage, a premiere at Telluride, and distribution by Netflix.

Kim Masters and Matt Belloni take stock of layoffs at Amazon as a result of consolidation and reorganizing across its studios. Eric Deggans speaks to Fargo creator Noah Hawley about the fifth season of his anthology series. The writer and director talks about the challenges of writing 51 hours of television based on the Coen Brothers film of the same name. He also teases his upcoming FX series based on Ridley Scott's Alien franchise.

Eric Deggans speaks to Gary Oldman about starring in Apple TV+’s spy thriller series, Slow Horses. He also talks about the joys of briefly reuniting with Christopher Nolan in Oppenheimer, how he worked around being typecast in over-the-top roles, and why he’s considering stepping away from acting after Slow Horses wraps.  Plus, the Disney proxy fight continues, with CEO Bob Iger gearing up to stave off advances from activist shareholder Nelson Peltz, former Marvel chairman and CEO Ike Perlmutter, and former Disney exec Jay Rasulo. 

What will 2024 hold for Paramount, Warner Bros. Discovery, Disney, Netflix, and mega-agencies CAA and Endeavor?

Hollywood’s messy year: Strikes disrupted show biz, the box office surprised, studios and execs struggled, and streamers started licensing. Kim Masters, Matt Belloni, and Lucas Shaw look into the main Hollywood events of 2023.

Netflix released its first report revealing viewership patterns. Why does it matter? What does the data reveal — and what happens next? Then, Past Lives writer-director Celine Song and producer Christine Vachon discuss Song’s foray into filmmaking, their partnership, and the journey of the awards circuit.

SAG-AFTRA members ratify a three-year contract with studios. Plus, actors promote work post-strike, studios license content, and streamers bundle services. Then, Kim Masters revisits a 2014 conversation with legendary television producer Norman Lear, who died Dec. 5 at the age of 101. The force behind TV shows like All in the Family, Maude, Good Times and Mary Hartman, Mary Hartman, among many others, Lear discusses his memoir Even This I Get to Experience, and shares stories about how he got his first job in television and the line that almost caused CBS to pull the plug on All in the Family.