The Business

A former intern who sued Fox speaks out about what he calls "wage theft." Brian K. Vaughn and Neal Baer of CBS's "Under the Dome."

Why Kevin Smith won't use Kickstarter to fund "Clerks 3." Producer Lynda Obst on Hollywood's "sequelitis."

Matthew Weiner, the creator of "Mad Men" talks about ending the iconic show, the Emmys, Twitter, and his conflicts with AMC.

Long time collaborators Seth Rogen and Evan Goldberg talk with John Horn about making their directorial debut, "This Is the End."

Bogdanovich discovers his 1975 flop "At Long Last Love" on Netflix only it’s not his version! Plus, he hits the highs and lows of a long career in filmmaking.

Mitchell Hurwitz bares all: how "Arrested Development" was revived, his response to critics and if there's more to come.

How Fred Savage went from child actor to go-to TV director.

Why filmmaker Noah Baumbach stripped down the set, crew and budget for his new movie, Frances Ha. Plus, the life the lowly PA.

Marc Maron reinvigorated his lagging comedy career with his podcast WTF. Now he's translated that life into scripted TV comedy.

Zach Braff defends his use of Kickstarter.

How the Oscar-nominated Norwegian film "Kon-Tiki" was simultaneously shot in English. Plus, the story of "Unmade in China."

From binge viewing to streaming, Joshua Topolsky on how tech innovation is changing the way we watch TV and movies.

How indie filmmaker Adam Leon made his gritty indie film. Plus, the Hollywood power lunch isn't about the food.

Danny Boyle directs his new film "Trance" while also creating the London Olympics Opening Ceremony.

Filmmaker Derek Cianfrance on Ryan Gosling and the art/business balance of movie-making.

An Aboriginal director on his hit Aussie film, "The Sapphires." Plus a VFX business update.

'Top Chef's' Richard Blais talks about being a TV chef. Plus, hacking Hollywood.

Making preschool TV: We talk "Sesame Street," Disney Junior and focus groups.

Why Participant Media made an action film with meaning, starring Dwayne 'The Rock' Johnson.

Visual effects pros share their woes, and 2012 Academy Award winners reflect on their life with Oscar.