Watch This With Rick Ramos

Bloody Giallo - Dario Argento's Suspiria This week Ibrahim & I dive into the world of Italian Giallo Cinema with a look at Dario Argento's 1977 "masterpiece" Suspiria. Combining violence, sexploitation, the supernatural, and vibrant color, Argento's film is one that is considered one of the most influential films in the genre. For those familiar with the podcast it should come as no surprise that one of us dislikes this film and one of us wholeheartedly embraces it. Take a listen for a spirited conversation. . . it's a good time. You can reach us at gondoramos@yahoo.com.  As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. Follow the link below to contribute.  Our Continued Thanks. https://www.buymeacoffee.com/watchrickramos

Dark, Wild Woods: Neil Jordan's The Company of Wolves This week Mr. Chavez & I sink into the world of Fairy Tales and Warped Childrens' Stories to examine Director Neil Jordan's 1984 Horror/Fairy Tale The Company of Wolves. This is an intersting film with beautiful production design. One of us appreciates it more than the other and so the arguments begin. Take a listen as we discuss fairy tales as allegory, the storied history of werewolves in cinema and literature, as well as Neil Jordan's filmography. It's an interesting conversation that we know you will appreciate.   You can reach us at gondoramos@yahoo.com As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. Follow the link below to contribute.  Our Continued Thanks.  https://www.buymeacoffee.com/watchrickramos  

Beyond Black Tropes: Horror Noire: A History of Black Horror (Part II) A second episode uploaded and ready for your enjoyment, as Mr. Chavez and Mr. Ramos continue our look at The History of Black Horror Cinema through the Shudder Network and Xavier Burgin's Horror Noire: A History of Black Horror (2019). Take a listen as we move out of the "Blaxploitation" era and into the modern era of Black Horror. It's a fun talk. Let us know what you think at gondoramos@yahoo.com  If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. We've busted ass for a number of years, scraping by for the Love of Cinema . . . you can do the right thing by digging into those pockets and giving a little bit to help keep the lights on. Our Continued Thanks.  https://www.buymeacoffee.com/watchrickramos

First to Die: Black Noire: A History of Black Horror Part I  The first of a two-part looking at The History of Black Horror Cinema. On this episode we discuss the Shudder Network Documentary Black Noire: A History of Black Horror (2019), focusing on the history, films, tropes, and achievements of African-American Horror Cinema. Including interviews with scholars, writers, directors, and actors, Xavier Burgin's 2019 documentary is an enjoyable and informative look at a sub-genre that rarely gets the attention and examination it deserves. Take a listen and let us know what you think. We can be reached at gondoramos@yahoo.com.  If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. We've busted ass for a number of years, scraping by for the Love of Cinema . . . you can do the right thing by digging into those pockets a

Horror Well-Cut: Nicholas Roeg's Don't Look Now This week Ibrahim & I continue our descent into Horror Cinema with a look at a British Classic, Nicholas Roeg's Don't Look Now (1973). Beautifully edited, masterfully directed, and sensitively acted (from stars Julie Christie and Donald Sutherland), Nicholas Roeg's film examines the struggle of a married couple as they attempt to continue living after the accidental drowning of their young daugter. Featuring a sex scene that has stirred controversy and speculation for over forty years, Roeg's film utilizes tension built through incredible tension and editing. Don't Look Now is a film that has continued to captivate critics while unsettling audiences since the film's premiere in 1973. Take a listen and let us know what you think. We can be reached at gondoramos@yahoo.com If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply cl

A Mary Shelley Dick Joke: Mel Brooks's  Young Frankenstein There's absolutely no caption, intro, blurb, or description that can capture the magic and brilliance of Mel Brooks's masterpiece (arguably one of three), Young Frankenstein (1974). From a script by Brooks and star, Gene Wilder, two comic geniuses salute, honor, and show great love for the Classic Universal Horror films of the 1930s, 40s, and 50s. With a brilliant supporting cast (possibly the greatest ever committed to film) including Marty Feldman, Cloris Leachman, Teri Garr, Kenneth Mars, Peter Boyle, Gene Hackman, and Madeline Khan, Brooks and Wilder's continuation of James Wales's Frankenstein (1931) and The Bride of Frankenstein (1935) faithfully recreates the Frankenstein World Cinema has come to know and love. Take a listen as Mr. Chavez & I shine a light on this incredibly loving and - often times - hilarious film.   If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the

Family Plot: William Friedkin's Film of Tracy Letts's Killer Joe This week Ibrahim & I remember the iconic filmmaker, William Friedkin. Friedkin was director of numerous classic films including: The French Connection (1971), The Exorcist (1973),  Sorcerer (1977), and To LIve and Die in L.A. (1985). His career would see numerous hits and misses, however many would agree that it ended with one of the strongest (and easily the most polarizing) films of his career . . . the Tracy Letts scripted (from his stage play) Killer Joe. Troubling material and numerous explicitly violent scenes make this film a struggle (albeit incredibly rewarding) to get through. With an powerful titular performance from Matthew McConaughey and an incredible supporting cast including: Emile Hirsch, Thomas Hayden Church, Gina Gershon, and Juno Temple, this is - arguably - one of the best films 2011 and the decade. Take a listen and see if you agree with our impressions of this overpowering film. Questions, Comments, Complaints, and Su

The Prometheus Warning: Christopher Nolan's Oppenheimer  Take a listen as Mr. Chavez makes his triumphant return and we dive into Christopher Nolan's masterpiece bio-pic of J. Robert Oppenheimer - The Father of the Atomic Bomb. A fascinating film that the two of us are thrilled to have seen in 70MM IMAX and are even more thrilled to discuss. A great film and - hopefully - a great discussion. Take a listen. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks for Your Continued Support.  If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. Anything and Everything is Appreciated. https://www.buymeacoffee.com/watchrickramos      

Based On a True Story: William Friedkin's The Brink's Job This past week we said farewell to one of the greats of 70s & 80s Cinema, William Friedkin. Known for  such classics as The French Connection, The Exorcist, and To Live and Die in L.A, Friedkin was a difficult and polarizing figure in the world of cinema. What cannot be argued was his briliance. For this week's episode I remember Mr. Friedkin with a rarely seen film that is far outside his better known filmography, 1978's The Brink's Job. Based on the true story of the biggest heist in history - up to that point - Friedkin's film is a wonderfully playful and comic look at the men who pulled off this ridiculous crime. Featuring an all-star cast led by Peter Falk and including Gena Rowlands, Peter Boyle, Allen Garifeld, Paul Sorvino, and Warren Oates, The Brink's Job is a fun little caper film that is far better than it has any right to be. Watch the movie, take a listen and let me know if you agree. Questions, Comments, Complaints, and Suggestions c

Murder Comes Home - Carl Franklin's One False Move  This week I take a look at Carl Franklin's 1992 directorial debut, the powerful and disturbing, One False Move. Featuring Bill Paxton, Billy Bob Thorton, Cynda Williams, Earl Billings, Jim Metzler, and Michael Beach,  in a film the great film critic Roger Ebert called, "a powerful directing job. He (Franklin) starts with an extraordinary screenplay and then finds the right tones and moods for every scene, realizing it's not the plot we care about, it’s the people." Gene Siskel would name it the best film of 1992. It was a thrill to re-watch it and record my thoughts on this brililant first film. Take a listen and let me know what you think. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com.  If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy M

Taking Chances . . . Bitter Stories Neo-Noir - Walter Hill's Johnny Handsome  A solo episode for your enjoyment. This week I recommend a classic Walter Hill film showcasing the violence, grittiness, and power of action and neo-noir cinema. Featuring an all-star cast including Forrest Whitaker, Ellen Barkin, Lance Henriksen, Elizabeth McGovern, Morgan Freeman (in a rare - questionably - villainous role), and a leading performance from a young and beautiful Mickey Rourke. Darkness overwhelms this film and is a magical reminder of Hill at his artistic peak. Take a listen and let us know what you think. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. Anything and Everything is Appreciated. https://bmc.link/watchrickramos  

A Continuing Story to Tell - The American Western: Dead for a Dollar & Old Henry  Rick Ramos flies solo and talks Walter Hill's Dead for a Dollar (2022), featuring Christoph Waltz and Willem Defoe and Potsy Ponciroli's Old Henry (2021) starring Tim Blake Nelson, Steven Dorff, and Trace Adkins. One good film (if not somewhat disappointing) from one of our greatest action directors and one exceptional film from a director out of nowhere. Take a listen as I wax poetically on this Western genre that I love so much.  Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. Anything and Everything is Appreciated. https://bmc.link/watchrickramos

A Humanistic Pairing: Harrison Ford & Peter Weir (Witness and The Mosquito Coast)  Join me as we close out our Harrison Ford Tribute (tribute?) with a look at two exceptional Ford performances (one of which is his only Oscar nomination), 1985s Witness and 1986s The Mosquito Coast.  In the first film a seemingly typical Ford character, Philadelphia Detective John Book finds himself protecting a young Amish boy (Lukas Haas) and his mother (Kelly McGillis) in an Amish community completely unfamiliar to him. What could easily be a routine and obvious storyline is allowed to find itself and evolve into more than your standard police procedural. Director Peter Weir (in his first American production after great success in Australia - Picnic at Hanging Rock and Gallipoli) delivers a gripping and emotionally powerful narrative. The following year would find Weir and Ford continuing their collaboration with The Mosquito Coast (from the novel by Paul Theroux with a screenplay from Paul Schrader). In a performance un

Indiana Jones: The Making of a Hero  This week Ibrahim & I continue to look at the world of Indiana Jones, first profiled in Raiders of the Lost Ark (1981) and continued with Indiana Jones and the Temple of Doom (1984), Indiana Jones and the Last Crusade (1989), Indiana Jones and the Kingdom of the Crystal Skull (2008), and Indiana Jones and Dial of Destiny (2023). On this episode Mr. Chavez & I focus on the middle three films. There has been a great deal written and discussed about all of the films in this series. Why should Ibrahim and I be any different? From the thrills and ridiculousness of so much of these films thru the politics, controversies, and tropes of the adventure genre (including racism, colonialism, and the White Saviour) we approach all of this with an awareness that acknowledges these facts while simulataneously loving and embracing the excitement of the action and the nobility of the Jones character. It's a fun conversation; we hope you enjoy it. Thanks for your continued love and

Indiana Jones: Raiders of the Lost Ark This week Mr. Chavez & I continue our look at one of the great cinematic heroes, The George Lucas/Steven Spielberg imagined, Harrison Ford realized Indiana Jones. For over forty years, five films (as well as novelizations, comic books, and a television show - which we will not be getting into) and countless adventures searching for historical, religious, and cultural artifacts, Jones has amazed and thrilled countless audiences. This week Ibrahim & I go back to the beginning . . . 1981s Raiders of the Lost Ark. There's a whole lot to unpack. Take a listen as we head down memory lane with an old friend.  Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Our Continued Thanks. If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website.

Yesterday Belongs to Us: Indiana Jones & The Dial of Destiny  This week Mr. Chavez & I welcome the return of Henry Walton Jones, Jr. better known as "Indiana" Jones. Fifteen years since Kingdom of the Crystal Skull and 34 years since The Last Crusade, Jones (the 80 years old Harrison Ford) is back in - possibly - his greatest role. James Mangold (Walk the Line and Logan) takes over directing duties from Steven Spielberg and delivers a rousing, exciting, and emotionally satisfying conclusion to one of the greatest heroes in all of cinema. Ibrahim & I discuss the film (all aspects and spoilers noted) as well as internet controversies (box-office and "wokeness") that are plaguing the film in it's first weekend in theaters. There's a great deal here to unwrap as we begin a three episode series that covers the entirety of the "Indiana" Jones story (minus the television show).  Questions Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. We appreciate your continued support

Hidden in the Mind: Ken Russell's Altered States  This week Mr. Chavez and I continue our exploration of mind-altering narratives with a look at Ken Russell's 1980 Hollywood debut, Altered States. While not a completely successful film, there are elements here that force the audience to look deeper into the subject of sensory deprivation, isolation tanks, hallucinogenic drugs and the controversial work of counterculture  scientist, John C. Lilly. Perhaps a victim of 1980s cinematic limitations, Russell's film (from a screenplay by noted playwright and screenwriter, Paddy Chayefksy) touches on a number of interesting factors without being able to successfully depict them on screen. As always, it's an interesting conversation between the two of us, and one that we believe you will enjoy. There's quite a bit to unpack in this episode. We hope you'll join us. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com. Many Thanks.  If you've listened to us over the years, or if you'r

The Suffering in Between: Adrian Lyne's Jacob's Ladder This week Ibrahim & I continue looking into the world of challenging and painful cinema. In 1990 Adrian Lyne directed Bruce Joel Rubin's  screenplay (considered one of the great unfilmed screenplays for the ten years before the production) of Jacob's Ladder (Rubin would also write that year's Ghost). Filled with troubling imagery and an arguably confusing narrative that rewards its viewers with a dark, pained, and powerful story, Lyne's film is one that failed at the box office, found a new life on home video and (it can be argued) led towards a darker cinema of the 1990s led by directors such as David Fincher, Paul Thomas Anderson, Darren Aaronofsky, and Christopher Nolan. Not an entirely successful film, but a film that was an early trumpeting of things to come. Take a listen and let us know what you think. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com. Many Thanks.  If you've listened to us over the years,

Tokyo Book of the Dead: Gaspar Noé's Enter the Void  This week Mr. Chavez and I examine the work of a controversial and polarizing director, Gaspar Noé. Noé made headlines in the early 2000s with Irreversible, a film that continues to upset audiences and challenges filmmaking conventions. With Enter the Void (2009), Noé doubled down and created a film that divided critics calling it both "captivating and innovative" and "tedious and puerile." The argument continues on this week's episode. Watch the film, listen, and agree or disagree. We'd love to hear from you at gondoramos@yahoo.com  If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. Anything and Everything is Appreciated.  https://bmc.link/watchrickramos  

A Little Girl's Dream:  Terry Gilliam's Tideland Troubled throughout his career for circumstances - oftentimes - beyond his control (inadequate budgets - Munchausen, studio interference - Brazil and The Brothers Grimm, flash floods - Quixote, and death - Parnassus), Terry Gilliam has somehow been able to create some of the most incredible images ever committed to the big screen. From the great adventures of Baron Munchausen through an abandoned Philadelphia future overrun by wild animals, into an acid trip vision of 1970s Las Vegas, Gilliam is responsible for creating magic on screen that can only be described by his own adjective - Gilliamesque. With his 2005 look into the life of a nine-year old girl, Jelizah-Rose (Jodelle Ferland), orphaned and left to survive in an abandoned home on the Texas plains, Gilliam began a strange and interesting late career struggle for understanding. The films definitely changed. Pulling strongly from Lewis Carrol's Alice's Adventures in Wonderland, at 64 Gilliam created one o