B&h Photography Podcast

On this week’s episode of the B&H Photography Podcast, we continue our coverage of the 2022 OPTIC Conference with two highly invigorating segments about exploring the world after dark. Our first guest is Susan Magnano, who specializes in luminescent night painted portraits. Our chat is revealing on many levels, from the balance of careful orchestration and randomness inherent in her portraits to a mention of the OM Systems OM1 as Magnano’s newest secret weapon. After delving into her playful yet powerful arsenal of lighting tools, we gain insight into her multifaceted career—from beginning at a local newspaper to her currently thriving wedding photography business, and her upcoming schedule of intensive photo workshops. After a break, we welcome Sigma Ambassador Jack Fusco to discuss his unique blend of astrophotography with idyllic nocturnal landscapes. During our conversation, Fusco distinguishes astro work from deep sky photography, weighs the differences between DSLRs, the latest in mirrorless camera

On this week’s episode of the B&H Photography Podcast we return to the 2022 OPTIC Conference for two enjoyable and pragmatic segments about macro photography. While both photographers we speak with are well-rounded professionals, their not-so-secret joy is crawling around in gardens and woods, making beautiful close-up macro photographs of insects, plants, and the tiny wonders of nature.   Our first guest is Chris McGinnis, who specializes in spider and insect photography and is an OM System Ambassador. Our chat with McGinnis is incredibly elucidating, not only about OM System lenses and cameras, but also about computational photography and his macro techniques with flash.   After a break, we welcome Sigma Ambassador Heather Larkin to discuss her macro work with flowers and to learn a bit about her specialty portrait work. Primarily, we discuss the wealth of macro subjects available in your own backyard and garden, but we also learn of the latest Sigma macro lenses and a few very specific tips for approac

On this week’s episode of the B&H Photography Podcast, we are pleased to welcome photographer and director Brandon Tauszik and journalist Pendarvis Harshaw to talk about their recently completed project, “Facing Life,” an effective blend of form and content, whose principal image format is the cinemagraph and whose content speaks to one of our society’s most pressing issues: prison reform.   Our discussion takes on both aspects as we learn how cinemagraphs are produced and how Tauszik uses this process to create resonating portraits that blur the line between still and motion photography.  We also come to understand the motivation for these two creators to address the changing landscape of the California Department of Corrections and Rehabilitation, and profile the joys and struggles of eight people recently released from life sentences. Our conversation brings together the technical and creative aspects of this imaging process, including Tauszik’s thoughts on portraiture and the specific gear and techni

On this week’s episode of the B&H Photography Podcast, we are pleased to present a conversation with photographer Camille Seaman, and pleased to do so from the halls of the OPTIC 2022 Photo Conference, which we have certainly missed over the past two years.   Seaman was a keynote speaker at the 2022 OPTIC Outdoor, Wildlife & Travel Photo/Video Conference, which is hosted by B&H and held from June 12-15, 2022, in New York City. Please check the above link to find an archive of the conference’s presentations, but settle in now for an enjoyable and inspiring conversation with Seaman that we recorded in person after her keynote address.    Seaman’s photographs have been published in National Geographic, Italian Geo, TIME, The New York Times Sunday Magazine, Newsweek, Outside, and American Photo, among many others. She frequently leads photographic workshops and is a TED Senior Fellow, Stanford Knight Fellow, and a Cinereach Filmmaker in Residence. It is her work photographing Earth’s two poles that fi

The 2022 OPTIC Outdoor, Photo/Video, Travel Imaging Conference or just “OPTIC 2022” is live and in-person again and we are excited to welcome the event’s director, David Brommer, to the program. Brommer will give us a sense of the updated conference, which after two years online is now a fully hybrid in-person and online event. Of course, we at the B&H Photography Podcast look forward to being back at the live events and talking with the many photographers who speak and present their work.    This year’s OPTIC Conference runs from June 12–15, 2022, and includes presentations by Chester Higgins, Camille Seaman, Joe McNally, and many others. There are also opportunities to try the latest gear in specialized environments, expert-led panels, portfolio reviews, a sunset cruise, the OPTIC Challenge Print Competition, and OPTIC Signature Photo Walks sponsored by Lindblad Expeditions. Online participants can check the selection of available webinars.   After our brief chat with Brommer, we present a very import

It’s been a minute since we spoke about drones on the B&H Photography Podcast. The last time we did, it was about drones in news photography and before that, drone work in landscape photography. But today we welcome back to the show one of our earliest guests on the podcast, Randy Scott Slavin.   Slavin is an aerial photographer and drone operator, as well as a motion director and still photographer. He started his company Yeah Drones in 2013, at the dawn of drone use in film and commercial work, and his clients include Showtime, Netflix, ESPN, Saturday Night Live, and CNN, among many others.  Slavin’s work crosses all genres from advertising to film, working with small teams and big crews, and he understands drone use from the photographer’s perspective as well as a flyer, racer, and builder of drones.   With Slavin, we discuss his recent projects, his workflow, and how he decides which drone is best for each assignment. We also talk about drones and cameras for large professional shoots and those gea

Is artistic creativity passed down through generations of a family? How is style and wisdom garnered? How can a father and son collaborate to grow their work individually and as a team?  These are just a few of the questions we posed to Moshe and Eddie Brakha, otherwise known as Brakha x2, during this week’s episode of the B&H Photography Podcast.   Moshe Brakha likes to say that he was “born in Israel and reborn in Hollywood,” and both his early music and celebrity portraiture, as well as his later advertising and editorial work, sure have the vibe of Tinseltown. The elder Brakha built a thriving photography practice that includes not only portrait work but also high-profile advertising campaigns such as those for SKYY Vodka, Martini & Rossi, and Motorola. Eddie Brakha began collaborating with his father after graduating from film school and has expanded their work with new ad campaigns and fine-art series. They have also directed music videos, public service announcements, and “motion” campaigns for

In 1966, a twenty-one-year-old French woman bought a one-way ticket to Vietnam, where the American military involvement was becoming a full-scale war. The young Catherine Leroy was an admirer of photographer Robert Capa and the “reportage” she grew up seeing in Paris MATCH magazine, but she had little photojournalism experience. Despite that, and despite her particularly small physical frame, Leroy began as a freelance “stringer,” photographing the growing conflict in Vietnam. For the two years that she was working there, she was the only female photojournalist covering the war.   Our guest on today’s B&H Photography Podcast is author Mary Cronk Farrell, who recently published “Close-up on War: The Story of Pioneering Photojournalist Catherine Leroy in Vietnam.” The book chronicles Leroy’s time covering the Vietnam War and her evolution from an ambitious newbie to a respected conflict photographer with images appearing in LIFE, The New York Times, and her beloved Paris MATCH.   With access to Leroy’s pers

This is a fun conversation, very informative, and gets the creative chemistries gellin’. Our guest on today’s episode of the B&H Photography Podcast is Rhiannon Adam  and if there is anyone who knows more about instant film photography, I don’t want to meet them.  She brings a wealth of researched knowledge about the history of the Polaroid company and also simple but effective techniques to improve your instant film photography practice, whether via FUJIFILM, Mint Camera, or Polaroid.   Our conversation generally follows the framework of Adam’s 2017 book “Polaroid: The Complete Guide to Experimental Instant Photography,” which has been updated and republished in 2022 as a paperback version. The first part of the book (and our conversation) relates the story of the “Polaroid” camera and the inventions of its founder, Edwin H. Land, a.k.a. Dr. Land, which include polarizer sheeting. We learn of the race to market the various instant cameras and films until the SX-70 took the world by storm in the 1970s.

In September 2017, we dedicated an episode to a conversation about one photograph—an image made by photographer Richard Drew, on September 11, 2001, in New York, which has come to be called “The Falling Man.”  It was an insightful recollection and analysis of an incredibly painful image,  and on today’s episode of the B&H Photography Podcast, we will again discuss one photograph to try to understand it better.   The photograph is titled, “The Drowning,” and it was taken in August of 2020 during another national crisis, albeit a very different one. Photographer Cornell Watson created the series “Behind the Mask,” “… for the times we pretend to be strong when we are dying from the weight of racism.”   Each image in the series is a carefully created and powerful allegory, but “The Drowning,” for reasons we will discuss in the episode, has a quiet power that has not waned since we first saw it. To learn more about this photograph, we are fortunate to have Cornell Watson join us, as well as photographer, auth

Our conversation on this week’s episode of the B&H Photography Podcast is about the challenges that the practice of photojournalism faced during, and in the wake of, the monumental year, 2020.  With the Coronavirus pandemic and the protests following the murder of George Floyd news photographers and editors were faced with situations few had ever experienced. To their credit, the institution as a whole, worked through it, adapted their workflows, and continued to produce honest journalism in the face of many dangers.   Our guests to discuss this topic are Lauren Walsh and Danese Kenon.  Author, Lauren Walsh is a past guest on our show and her recent book “Through the Lens: The Pandemic and Black Lives Matter” addresses the challenges for photojournalism brought by the Covid pandemic and the protests and politics of 2020. It is a wonderful collection of interviews with noted photojournalists and editors who worked through the events of that unprecedented year.   Danese Kenon is the Managing Editor of Visua

(This episode of the B&H Photography Podcast was originally published on January 20, 2017.)     We are living in a Golden Age of landscape photography. Digital cameras and improved software enable the kind of imaging that until recently was only possible via the budgets of large publications and the talents and ambitions of a few select photographers. Ambition and talent remain, and with enhanced dynamic range and color algorithms, higher sensitivity settings, simplified stitching and compositing software, and a network of websites to display work, impressive landscape photography is abundant; however, there are new masters and the skill set of current practitioners includes not only those of the photographer, but also of the savvy digital graphic artist.   With the ability to pull details from shadows, augment colors, and combine distinct files into a single image now easier than ever, we must ask—is it acceptable to represent nature without natural characteristics, to merge photos from different focal l

It has been a hope of ours for some time to speak with photographer Stanley Greenberg and, considering he’s made three books in the past three years, there is a lot to talk about. Greenberg is known for his large-scale series on subjects like the New York City reservoir and water systems, on giant particle accelerators, telescopes, and dams. His recent projects, however, are an interesting blend of urban exploration and 19th-Century history. We speak briefly about his 2019 book, CODEX New York,  and the typologies he identified walking the whole of Manhattan, but we concentrate our conversation on his work, Springs and Wells - Manhattan and the Bronx,  and after a break, we discuss his latest book Olmsted Trees.    Greenberg, who started his professional life working in city government, is a Guggenheim fellow and no stranger to prestigious grants and commissions. He’s also no stranger to libraries and the research that informs his work. It was during a research visit to the New York Historical Society that

Artist Pete Eckert began to lose his sight at age twenty-seven. That’s the time he began to study photography. In a few years, Eckert would be completely blind, but his photography practice continued, and numerous exhibitions and high-profile assignments later, he is still creating unique and personal images―and we are fortunate to welcome him to the B&H Photography Podcast.   We start our conversation learning a bit about how Eckert lost his sight and then dive right into discussing the ways he learned photography, the modifications he made to his gear, including his Mamiya medium format camera, and the manner in which he works, whether in studio, streets, or nature.  Eckert is clear that his photography is not meant to pass for or mimic photography by a sighted person but to create images that tell his story and communicate his perceptions. One glance at his long-exposure, impressionistic images should make that clear.   After a break, we talk with Eckert about his commercial photography assignments, a

Except for the new flagship Olympus OM SYSTEM OM-1 Mirrorless Camera, there haven’t been a lot of big camera announcements thus far in 2022, so we thought for this episode of the B&H Photography Podcast we’d start an introductory conversation about photo accessories and the wide range of tools and toys available to improve your photography or just make it easier.   Along with our guest, B&H Explora writer and photographer Todd Vorenkamp, we made an outline of the most important accessory categories, and we speak about the photo disciplines for which each are used and what is important to understand when purchasing these items for your specific photography practice. We discuss tripods and camera support, straps, bags, and gear protection, lens filters, lens adapters, remote controls, and more.  Because this conversation is primarily concerned with outdoor and natural light photography, we don’t get much into accessories for the studio, but we do touch on flash photography and light modifiers.

With much thanks for a listener’s suggestion, we invited Pete Isgrigg back to the B&H Photography Podcast for an incredibly informative conversation about memory cards, external hard drives, and other digital image storage solutions. Isgrigg, who previously joined us in 2019, is from the Channel Marketing team at Western Digital (WD), which is the parent company of SanDisk and G-Technology, all very well-recognized names in the digital storage field. Isgrigg brings a wealth of knowledge to the conversation, and we start with simple terminology and the basics of SD cards, but then we discuss the latest memory card formats, capacities and speeds, and card readers, as well as best practices with memory cards in your photography practice.   During the second half of the program, we focus on digital image storage and hard drives and we ask Isgrigg to explain SSD and HDD and the various interfaces and ports. We also get very practical advice on which devices are better for long-term storage and which for

(This is an encore presentation of an episode first published in November, 2018.)   When we finished recording this episode, Jay Maisel asked us which podcast episode was our favorite. It didn’t take Allan a second to answer, “This one!” While we now have recorded more than three hundred, there is no doubt that this episode of the B&H Photography Podcast is very memorable. Once we turned the mics on, nobody wanted this conversation to end and, indeed, it runs longer than 80 minutes, but it is worth every minute. When listening to Jay Maisel and Stephen Wilkes talk, time doesn’t fly—it soars.   The reason we have two such remarkable photographers and long-time associates on together is because Wilkes made a documentary about Maisel, called Jay Myself and with Maisel and Wilkes we discuss the making of the film and their personal and professional relationship that has lasted for 40 years.   At the heart of the film is Maisel’s former residence and studio, the six-story, 30,000 square-foot Germania Bank buil

Our guest on this week’s episode of the B&H Photography Podcast is food photographer Christina Peters, and we start with a discussion of Peters’ macro food photography. We learn about her work with medium and large format systems, including FUJIFILM cameras. We also explore focus stacking, tilt-shift lenses, and when and why she might choose her Canon full-frame system over larger formats. Peters’ work runs the gamut from large commercial jobs with major brands to editorial, portrait, and restaurant work, as well as the unique challenge of photographing pet food. Choice of lighting is also a topic we cover, and Peters offers practical advice for newbies considering a first lighting kit.    In the second half of our conversation, we talk about The Food Photography Blog and The Food Photography Club, both founded by Peters and designed to “help foodies and photographers improve their photography and get higher-paying clients.” We also acquire some perspective on Peters’ professional trajectory and learn wh

On this week's episode of the B&H Photography Podcast we talk to an old friend about a new book; two-time past guest Amy Touchette joins us to discuss her book of street portraits. She also brought a friend with her - none other than photographer, Larry Fink. Is it fair to call Fink a photo legend?  We think so, and clearly the people at the Center for Creative Photography seem to think so, because they just acquired his complete archive of work including images from the 1950’s to the present, from his acclaimed series “The Beats”, “Social Graces”, “The Vanities” and others.   While this is a roundtable conversation, we start with a few questions about Touchette’s book “Personal Ties: Bed-Stuy, Brooklyn”, which she shot over the course of summer strolls through her New York neighborhood. We learn why she started photography in 2001, about her working process with a Rolleiflex twin lens reflex film camera, and why her personal interaction with her subjects/collaborators is paramount in her photography pra

On today’s episode of the B&H Photography Podcast we welcome two members of the New York chapter of the American Society of Media Photographs, otherwise known as the ASMP-NY and we discuss their evolving role as a trade organization for photographers, as well as a recent photography exhibition they sponsored.   Our guests are Liam Alexander, President of the New York chapter of ASMP, and Harper Bella, ASMP-NY board member and co-curator of the exhibition "Uncovering the Laws of Perseverance". From Alexander, we learn a bit about the history, structure, and benefits of the organization and discuss his initial reasons for joining. We also talk about the group’s mentorship programs, photo law counsel, and recent initiatives to include a new generation of artists, whether that means reaching out to photographers from underrepresented communities or opening the organization’s membership criteria to include “new media” makers, who don’t necessarily operate within traditional media outlets.   In the second half