New Books In Literature

Shmuel Yosef Agnon (1888-1970) was born in Buczacz, Eastern Galicia (now part of Ukraine). Yiddish was the language of his home, and Hebrew the language of the Bible and the Talmud which he studied formally until the age of nine. His knowledge of German literature came from his mother, and his love of the teachings of Maimonides and the Hassidim came from his father. In 1908 he left for Palestine, where, except for an extended stay in Germany from 1912 to 1924, he lived until his death.Agnon began writing stories when he was quite young. His first major publication, Hakhnasat Kalah (The Bridal Canopy), 1922, re-creates the golden age of Hassidism, and his apocalyptic novel, Oreach Nata Lalun (A Guest for the Night), 1939, depicts the ruin of Galicia after WWI. Much of Agnon’s other writing is set in Palestine. Israel’s early pioneers are portrayed in his epic Temol Shilshom (Only Yesterday), 1945, considered his greatest work, and in the surreal stories of Sefer Hamaasim (The Book of Deeds), 1932. Agnon also

Melissa Albert's novel The Hazel Wood(Flatiron Books, 2018) is a shivery delight, like a dazzling vintage ball gown of paisley silk, slithering over your head. Reading it is like drowning in musk rose petals and damson wine.It begins in an almost conventional manner, with a missing person mystery. Alice and her mother, Ella, live a peripatetic existence, which takes them from Nacogdoches, Texas to Brooklyn, New York. Alice copes with the frequent moves by becoming a loner, though she feels a fierce loyalty to her mother, and curiosity about her grandmother, a mysterious reclusive writer of fairy tales. When Ella meets and marries Harold, Alice and she stay still long enough for her past to catch up with them. One day Ella disappears, abducted in front of Harold. This is no ordinary kidnapping though, as Alice and her friend Finch soon find out. Their search for Ella takes them deeper and deeper into another reality, and the secrets of Alice’s origin, and things start to get really weird.Gabrielle Mathieu is t

Two sisters are struggling to save their land when a gas well explodes on a neighboring ranch in western Colorado, setting off a disturbing chain of events. Their father has died, the older sister has become unraveled and the younger sister is mauled by an angry cow. Her ex-boyfriend is buying up oil and gas rights and downplays a spate of cancer-related deaths near his wells. The company offers the sisters bottled water when the river starts bubbling. There’s also an Iraqi war veteran who helps the sisters while he’s on probation from his job as a police officer, putting his own marriage at risk. This is a moving debut novel about family, land, and the preservation of both in rural America.Award-winning journalist Rebecca Clarren has been writing about the rural West for twenty years. Her journalism, for which she has won the Hillman Prize, an Alicia Patterson Foundation Fellowship, and nine grants from the Fund for Investigative Journalism, has appeared in such publications as MotherJones, High Country News

C.A. Fletcher’s new novel,  A Boy and His Dog at the End of the World(Orbit, 2019), takes place several generations after a pandemic has turned humans into an endangered species.For Griz, the adolescent narrator, life is bounded by his family, two dogs, and the Outer Hebrides island where they hunt, fish, and farm.When Brand, a lone sailor, shows up, Griz is mesmerized by his stories of adventure. But when Brand steals one of the family’s dogs, Griz gives chase.As Griz and their other dog journey through the ruins of our world, they explore the limits of loyalty while learning a lesson in human cruelty.“If you're not true to the things you love, what are you?” Fletcher says, quoting Griz. “That's when you stop being human.”In his interview, Fletcher discusses the research that informs the novel’s “soft apocalypse,” the difference between writing screenplays and novels, his father’s wise words about dogs, and the real-life terrier behind Griz’s canine companion.Rob Wolf is the author of The Alternate Univ

When I spoke with Linnea Hartsuyker back in 2017, her epic saga was just beginning. The first novel opens with her hero, Ragnvald, seeing a vision of a golden wolf who will unite the feuding kingdoms of Norway under one rule. The vision sets the course of Ragnvald’s life, bringing him into the service of Harald Fair-Hair, a young and confident warrior whose counselor and friend Ragnvald becomes. Meanwhile, Ragnvald’s sister, Svanhild, sets off on a different course, one that offers her a life of adventure not often available to women but pits her against her beloved brother.Twenty years later, Harald has come close to achieving his goal. One more wedding stands between him and a unified Norway. Svanhild and Ragnvald have returned to fighting on the same side, but two decades of wounds and battles, as well as old patterns, are catching up with the older generation. And the three of them have produced a large and varied group of children, most of them sons at or near adulthood, ready to challenge their parents’

Planted in her mind while the author was working as a professional gardener, The Forgetting Flower (Magnolia Press, 2019) tells the story of Renia, a working- class young woman who left Crakow to live in Paris. She manages a flower shop for the obnoxious, oblivious owner, who is tone-deaf regarding business, money, and people. Renia has built a secret nook to store an unusual plant whose blossoms make people forget just about everything. The plant belonged to her twin sister, still in Crakow, and it turns out that there are lots of people interested in getting their hands on it - questionable people with guns, and drugs to sell.Karen Hugg loves plants and is thrilled when new cultivars or varieties are discovered. She is often reminded that “if she didn’t exist, they would live on just fine anyway.” Karen is a Seattle-based certified ornamental horticulturalist and Master Pruner and is also a graduate of the Goddard MFA program. When she is not actually digging in the dirt, Karen likes to write mysteries and

It is not easy to interview a writer of murder mysteries without giving away too many details, but when an author not only manages to create a full and complex cast of characters but also sweetens the deal with recipes for everything from cakes to zucchini dip (given in detail at the end of the book), that helps. G. P. Gottlieb does both in Battered (D. X. Varos, 2019), the first of her Whipped and Sipped Mystery series, set in present-day Chicago.Since divorcing her husband eight years ago, Alene Baron has owned a neighborhood café specializing in healthy but tasty breakfasts, lunches, and nonalcoholic drinks. Managing the business is a full-time job, and the staff ranges from Alene’s closest friend to relatives of the former owner who have been grandfathered in despite their troubled lives and work histories. With three children and an elderly father to support while counteracting the influence of her irresponsible ex-husband, Alene has her hands full.When one of the residents of her apartment block winds u

Zaytuna just wants to be left alone to her ascetic practices and nurse her dark view of the world. But when an impoverished servant girl she barely knows comes and begs her to bring some justice to the death of a local boy, she is forced to face the suffering of the most vulnerable in Baghdad and the emotional and mystical legacy of her mother, a famed ecstatic whose love for God eclipsed everything. The Lover (Kindle Direct Publishers, 2019) is a historically sensitive mystery that introduces us to the world of medieval Baghdad and the lives of the great Sufi mystics, washerwomen, Hadith scholars, tavern owners, slaves, corpsewashers, police, and children indentured to serve in the homes of the wealthy. It asks what it means to have family when you have nearly no one left, what it takes to love and be loved by those who have stuck by you, and how one can come to love God and everything He’s done to you.In our conversation Laury Silvers discusses her transition from writing scholarship to historical fiction,

Nellie Bly is in some respects a household name, yet the passage of time has erased many of her accomplishments from popular memory. One of the first well-known female journalists, she wrote for Joseph Pulitzer’s acclaimed paper The World, traveled around the world in less than eighty days, married a millionaire, and pursued a celebrated career at a time when the idea of women with professions was still new.But her first journalistic assignment—the one that landed her a job with The World when she was still Elizabeth Cochrane, a twenty-something from Pittsburgh trying to make her living in the big city—was quite different. As Kate Braithwaite details in The Girl Puzzle (Crooked Cat Books, 2019), at Pulitzer’s suggestion, Elizabeth had herself declared insane and sent off to Blackwell’s Island, the location of one of New York’s most notorious lunatic asylums, with the intention of reporting on life from the inside.Braithwaite’s dramatic and compelling novel opens with the middle-aged Nellie Bly revealing her s

For Blue and Red—arch enemies at the center of Amal El-Mohtar and Max Gladstone’s epistolary novella, This is How You Lose the Time War (Gallery, 2019)—the only thing that endures after millennia of espionage and intrigue is love. El-Mohtar and Gladstone are themselves avid letter writers who favor fountain pens and G. Lalo stationery over pixels and Gmail. So it was only natural that when they decided to collaborate on a novella about enemies-turned-inamoratas, their tale takes the form of a correspondence. Since Blue and Red can travel across timelines and live for eons, they compose their letters from materials that take a long time to manipulate, such as the rings of a tree, an owl pellet, lava flows, and sumac seeds. El-Mohtar and Gladstone, on the other hand, were constrained by ordinary time and space. “He writes about four times as fast as I do. So it was it was tricky at first,” El-Mohtar says. “But then as we rounded off the first act, we started changing the pace of our respective writing. Max slow

A picaresque novel about a serious boy with special powers, The Lost Puzzler takes place in an impoverished, technologically backwards world. After the fall of the advanced Tarakan Empire, the remaining population struggles to get by on what remains of their technology. Others turn to a rural existence, adhering to religious dogma which condemns all those who still seek out technology.Children who spontaneously exhibit tattoos are linked to the fallen Tarakanian society, sought after by those who collect Tarakanian technology, and ostracized or killed by the religion rural faction.Two boys, born years apart, both possess the markings which indicate special powers. One, Rafik, flees death in his religiously conservative village only to be passed from hand to hand, as various factions try to make use of his powers. Rafik possesses one of the most useful mutations, the ability to open the locks that guard caches of the lost Tarkanian technology. Those locks are made of intricate puzzles that can only be solved b

It’s 1979, and the Islamic Revolution is just around the corner, as is a massive solar eclipse. In this epic novel set in the small Iranian city of Naishapur, a retired judge and his wife, Bibi, grow apples, plums, peaches, and sour cherries, as well as manage several generations of family members. The days here are marked by long, elaborate lunches on the terrace and arguments about the corrupt monarchy in Iran and the rise of Islamic fundamentalism. And yet life in the orchard continues. An uncle develops into a powerful cleric. A young nephew goes to university, hoping to lead the fight for a new Iran and marry his childhood sweetheart. Another nephew surrenders to opium, while his widowed father dreams of a life in the West. Told through a host of vivid, unforgettable characters that range from servants to elderly friends of the family, To Keep the Sun Alive (Catapult, 2019) is the kind of rich, compelling story that not only informs the past, but raises questions about political and religious extremism t

In Sing This at My Funeral: A Memoir of Fathers and Sons (Wayne State University Press, 2019), David Slucki, Assistant Professor in the Yaschik/Arnold Jewish Studies Program at the College of Charleston, gives us a very different type of history book. Slucki’s memoir blends the scholarly and literary, grounding the story of his grandfather and father in the broader context of the twentieth century. Based on thirty years of letters from Jakub to his brother Mendel, on archival materials, and on interviews with family members, this is a unique story and an innovative approach to writing both history and family narrative. Students, scholars, and general readers of memoirs will enjoy this deeply personal reflection on family, Jewish history and grief.Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

When Emily Dawson inherits a plantation in Barbados from her grandfather, Jonathan Fenty, in 1854, she is not quite sure what to make of the bequest. Emily, an English vicar’s daughter, has long been the “poor relation” of her merchant family, but the bigger surprise is that her grandfather never once mentioned the existence of this property, Peverills. In the company of her cousins Adam and Laura, Emily embarks on a sailing vessel for the West Indies. In Bridgeport, further shocks await. Their contact, Mr. Turner—reputed to be the wealthiest man in Barbados—is of African descent; and neither he nor anyone else in his family seems to think much of the English visitors. When Emily expresses the desire to see Peverills for herself, the Turners explicitly warn her away. Emily persists, only to find the estate in ruins and the family next door eager to take her in. But Emily soon begins to wonder about the neighbors’ motives, as well as the history of the plantation. How many other secrets did her grandfather con

After surviving a car crash that left her widowed at twenty-two, Kathleen has retreated to a remote corner of a state park, where she works flipping burgers for deer hunters and hikers—happy, she insists, to be left alone. But when a stranger appears in the dead of winter—seemingly out of nowhere, kicking snow from his flimsy dress shoes—Kathleen is intrigued, despite herself. He says he’s a student visiting from Uzbekistan, and his worldliness fills her with curiosity about life beyond the valley. After a cautious friendship settles between them, the stranger confesses to a terrible crime in his home country, and Kathleen finds herself in the grip of a manhunt—and face-to-face with secrets of her own. Steeped in the rugged beauty of the Blue Ridge Mountains as America’s War on Terror rages in the background, Sarah St. Vincent’s Ways to Hide in Winter (Melville House, 2018) is a powerful story about violence and redemption, betrayal and empathy, and how we reconcile the unforgivable in those we love.Sarah St.

In The Last Astronaut (Orbit, 2019), David Wellington turns his prolific imagination—which is more often associated with earthbound monsters like zombies, vampires, and werewolves—to the threat of an alien invasion.Set in 2055, the novel introduces a NASA ill equipped to respond to the arrival of a massive object from another star system. The agency no longer has an astronaut corps, so it turns to the last astronaut it trained, 56-year-old Sally Jansen, who retired in disgrace years earlier after the death of an astronaut under her command.Jansen and a crew of three, who are trained for space flight in just a few months, race to greet the massive 80-kilometer-long visitor, but the goal of each member of her team is as varied as their personalities. One wants to fulfill a life-long dream of being an astronaut; one wants to communicate with aliens; one wants to study them; and one wants to destroy them.Wellington says his interest in science fiction goes back to when he was six and he himself aspired to be an a

Rachel Stolzman Gullo Practice Dying (Bedazzled Ink, 2018) is about twins, David and Jamila, who seek meaning and connection from opposite ends of the world. Just as she turns 30, Jamila falls in love with an Indian pastry chef who is temporarily in New York City. When that doomed relationship falters, she unsuccessfully tries to commit suicide, and David flies immediately home from Tibet. David is a devoted Buddhist who has been mentored by the 14th Dalai Lama. He is obsessed with a rash of self-immolations by Tibetan monks who are protesting China’s occupation of their country and attempts to annihilate their culture. In alternating chapters, the twins grapple with family bonds, spirituality, illness, death, and love.Rachel Stolzman Gullo is the author of The Sign for Drowning (Shambhala, 2008). Her poetry and fiction have appeared in various publications. Practice Dying was a semi-finalist for Best Novel in the William Faulkner-William Wisdom Literary Competition, received a fellowship from Summer Literary

If the prompt is “respond to a myth of Narcissus using thoughtful, meditative poems,” then jayy dodd gave us a beautiful answer. In The Black Condition Ft. Narcissus (Nightboat Books, 2019),  jayy dodd offers her own brilliant reflections on so many things: the contemporary moment, dystopia, her transition, and more. In this interview, jayy dodd shares poems from this collection, discusses the process of making the book come to light, and talks about her other projects.jayy dodd is a blxk trans womxn from Los Angeles, California who is now based in Portland, Oregon. She is a poet and a performance artist. You can also follow her on Twitter and Instagram at @deyblxk.Adrian King (pronouns: they/them/theirs) is a recently graduate of Brandies University’s Women’s, Gender, and Sexuality Studies MA program and is an incoming graduate student in University of Michigan’s American Culture PhD program.Learn more about your ad choices. Visit megaphone.fm/adchoices

101 years have passed since the murder of the Imperial Family of Russia at Yekaterinburg, but their appeal has not diminished.  Indeed, interest in the Romanovs is at a historic high as television and the Internet age enables ever more devotees to discover the sepia-tinged appeal of Tsar Nicholas II and his doomed family.Less attention is devoted to the members of Nicholas’s family of origin, including many who survived the slaughter of 1917, escaping Russia for lives of exile in Europe and North America. And of these, no one is more fascinating than Nicholas's own mother, Dowager Empress Maria Fyodorovna, the Danish princess who captured the hearts of Russia when she arrived to marry the heir to the throne, Grand Duke Alexander Alexandrovich in 1866.C.W. Gortner's latest novel, The Romanov Empress: A Novel of Tsarina Maria Feodorovna (Ballentine Books, 2018) goes a long way to addressing this disparity.  The novel is an exceptionally well-researched, masterfully crafted account of Maria Fyodorovna

The story of where we come from is such an important aspect of our personal sense of self, the forefront of many conversations about national identity, community, and belonging. In a country like the United States, where so many of us are or are descended from immigrants, the answer to this question of heritage can be a complicated one that takes us back generations. And, with proliferation of home genealogy tests like AncestryDNA and 23andMe, people are learning more about their family histories than was ever thought possible. But what happens when the questions we have about our identities and parentage can’t be answered by a simple test?For writer Sophia Shalmiyev, the question was never “who is my mother,” but rather, “where has she gone?” Mother Winter: A Memoir (Simon & Schuster, 2019) traces Shalmiyev’s journey from early childhood in Leningrad, Russia to parenthood in Portland, Oregon as she comes to terms with the ambiguous loss of the most important relationship in her life. Finding inspiration