New Books In Literature

Det, Chang and Lek are young university students living in Thailand during the 1970s. It is a turbulent time for the country’s politics: student-led protests in 1973 succeeded in (briefly) overthrowing the country’s military dictatorship. Det, Chang and Lek — three students from very different backgrounds — navigate the country’s changing politics from the streets of Bangkok to the jungles of northern Thailand. This is the premise behind A Good True Thai (Epigram Books: 2020), the debut novel by Sunisa Manning, and a finalist for the Epigram Books Fiction Prize for Southeast Asian writers. In this interview, Sunisa and I discuss the historical setting of her book, and how much her characters represent the dynamics and emotions of Thailand’s student activists. We also discuss the process of writing historical fiction, and some of the parallels one might draw with today’s protest, with reference to Sunisa's recent piece for Nikkei Asia, "Thailand's punctured monarchy". Sunisa Manning was born and raised in Bang

No Entry (Stormbird Press, 2020) is Gila Green’s first young adult Eco-Fiction novel. It is the first in an environmental series focused on elephant poaching and the international trade that leads to their illegal slaughter. Seventeen-year-old Yael Amar is in South Africa, signed up for a summer course in South Africa’s Kruger National Park. A rising senior, she plans to join her parents in Johannesburg, where her father will spend his sabbatical year from a Canadian University. Yael’s parents originally emigrated to Canada from South Africa years before and have returned while mourning the tragic death of Yael’s brother. Yael, also in mourning, but busy learning everything from medic training to driving on the left side of the road, uncovers a deadly elephant poaching ring. After witnessing some horrible violence, she just isn’t sure what to do about it. In addition to No Entry, Canadian author Gila Green is the author of three novels: King of the Class (Non-Publishing 2013), Passport Control (S&H Publishing

It seems likely that most of our listeners have at least heard of Charlotte Brontë’s Jane Eyre and her sister Emily’s Wuthering Heights. Many also know that Charlotte and Emily had two other talented siblings who grew to adulthood: Anne, author of the novel Agnes Grey, and the only male heir, Branwell—whose early promise evaporated in a haze of alcohol and opiates. Still, it seems likely that Branwell’s affair with his employer—Lydia Robinson, a wealthy, married woman eighteen years older than he—has received far less attention. This affair, the exact parameters of which have not been determined, is the subject of Finola Austin’s lovely debut novel, Brontë’s Mistress (Atria Books, 2020). Although advantaged in many ways, Lydia has many reasons for complaint when we meet her. Her mother has just died, and her father suffers from senility. At forty-three, she fears the effects of approaching middle age on her beauty and her ability to bear children, the things that have defined and given value to her life. She

Writer David Moloney speaks to managing editor Emily Everett about his story “Counsel,” which appears in Issue 19 of The Common magazine. “Counsel” is an excerpt from Moloney’s novel-in-stories, Barker House, set in a correctional facility in New Hampshire. The book follows nine correctional officers over the course of one year on the job. Moloney discusses his own experiences as a correctional officer in a New Hampshire facility, and the work of turning those complex experiences into stories for the novel. Barker House was published by Bloomsbury in April 2020, so this conversation also includes discussion of what it’s like to publish during a pandemic. David Moloney worked in the Hillsborough County Department of Corrections in New Hampshire, from 2007 to 2011. He received a BA in English and creative writing from the University of Massachusetts Lowell, where he now teaches. Read “Counsel” by David Moloney at thecommononline.org/counsel. Find out more about David Moloney at davidrmoloney.com. The Common is

Roy G. Guzmán’s Catrachos (Graywolf Press, 2020) is a stunning debut collection of poetry that immerses the reader in rich, vibrant language. Described as being “part immigration narrative, part elegy, and part queer coming-of-age story,” this powerful collection blends pop culture, humor, with Guzmán’s cultural experience to explore life, death, and borders both real and imaginary. “This isn’t supposed to be a history book, and yet it is,” says Guzmán in discussing Catrachos. It’s not supposed to be anthropology, sociology, or a testimonial either, and yet it is. “Those are the contradictions, especially when you’re a marginalized writer, your words are always operating on so many different frequencies at once.” “It is not a fallacy that the pulpería owner who wakes up dressed in a tunic of warriors’ pelos, or the milkman pressing his rough hands against the cow’s tectonic body, remembers the skirted boy with an ovarian lipstick for a tongue, the boy who offered a tenth of his knees to the teeth of a country

In order to reclaim her throne and save her people, an ousted queen must join forces with a young warrior in the second book of this"relentlessly gripping, brilliant" epic fantasy series from a breakout author (James Islington). Tau and his Queen, desperate to delay the impending attack on the capital by the indigenous people of Xidda, craft a dangerous plan. If Tau succeeds, the Queen will have the time she needs to assemble her forces and launch an all out assault on her own capital city, where her sister is being propped up as the 'true' Queen of the Omehi. If the city can be taken, if Tsiora can reclaim her throne, and if she can reunite her people then the Omehi have a chance to survive the onslaught. Listen in as I talked to Evan Winter, the author of The Fires of Vengeance (Orbit, 2020). Gabrielle Mathieu is the author of the YA fantasy, Girl of Fire, the first in the Berona’s Quest series, and the historical fantasy Falcon series. You can follow her on Twitter to get updates about new podcasts and mor

“It turns out there are things that cannot be left. The very nature of secrets, for instance, insists that they be kept.” On this episode of the New Books Network, Dr. Lee Pierce (s/t) interviews Dr. Rachel Hall (s) about her collection of stories about a Jewish family crossing worlds amidst wars. Heirlooms (BkMk Press, 2016) begins in the French seaside city of Saint-Malo, in 1939, and ends in the American Midwest in 1989. In these linked stories, the war reverberates through four generations of a Jewish family. Inspired by the author's family stories as well as extensive research, Heirlooms explores assumptions about love, duty, memory and truth. Montaigne Medal Finalist and Winner of the G. S. Sharat Chandra Prize for Short Fiction, selected by Marge Piercy. We hope you enjoyed listening as much as we enjoyed chatting about this fascinating book. Connect with your host, Lee Pierce, on Twitter, Instagram, and Facebook for interview previews, the best book selfies, and new episode alerts. Learn more about yo

In The Maverick (Broken Arrow Books, 2020), author Jennifer Valenti plugs into the current zeitgeist of young women who struggle to defy the casual sexism of men in power. Jane Valiante is elated when the hottest tech company in the world offers to fly her from Florida to New York for the job of her dreams. After a long day of interviews, Jane feels insecure about her chances, but then she receives an invitation to the holiday party from the CEO and Founder, Peter Wright. She happily accepts, and has a lovely, if perhaps overly boozy time. Unfortunately, Peter ends up in her hotel room, where he overpowers and rapes her. Then he leaves. Although she’s traumatized, she doesn’t let it stop her from accepting a position in Peter’s company. What is it going to take to propel Jane on a journey of self-discovery that will allow her to learn who she is and what she is capable of? Jennifer Valenti was born in New Hampshire, grew up in Florida, hailed from Boston, and is mostly a New Yorker. Moving around meant learni

Today I interview Mary Cappello about her new book, Lecture (Transit Books, 2020). Although I almost hesitate to call it a book. It’s much more—like all great lectures are—a performance, one full of erudition and insight, humor and humanity, profound diversions and wry musings, one asking for your most acute attention and simultaneously inviting you to drift and dream. It’s like a lecture in that it resists summing up and instead leaves you throwing up your hands and saying, “You had to be there.” Fortunately, because it is a book, you can be there. And fortunately for us, the incomparable Mary Cappello is here right now.  Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lot Six (Harper 2020) is a moving and hilarious memoir from playwright David Adjmi. The book traces Adjmi’s search for his identity, during which he becomes an observant yeshiva student, a club kid, a fashionista, a film nerd, a teenage Nietzschean, and finally a playwright. It is a memoir about feeling like the world is against you, yet simultaneously yearning to fit in. Adjmi’s memoir also traces his evolving relationship with his family and his community, from whom he desires to escape even as he finds himself drawn continually back to them. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on

Tom Rastrelli is a survivor of clergy-perpetrated sexual abuse who then became a priest in the early days of the Catholic Church’s ongoing scandals. Confessions of a Gay Priest: A Memoir of Sex, Love, Abuse, and Scandal in the Catholic Seminary (University of Iowa Press, 2020) divulges the clandes­tine inner workings of the seminary, providing an intimate and unapologetic look into the psychosexual and spiritual dynamics of celibacy and lays bare the “formation” system that perpetuates the cycle of abuse and cover-up that continues today. Under the guidance of a charismatic college campus minister, Rastrelli sought to reconcile his homosexuality and childhood sexual abuse. When he felt called to the priesthood, Rastrelli be­gan the process of “priestly discernment.” Priests welcomed him into a confusing clerical culture where public displays of piety, celibacy, and homophobia masked a closeted underworld in which elder priests preyed upon young recruits. From there he ventured deeper into the seminary system

Harvey Araton’s new book Our Last Season: A Writer, a Fan, a Friendship (Penguin, 2020), reads like a mix between Tuesdays with Morrie and a sequel to his book When the Garden was Eden (which chronicled the New York Knicks’ early-70s title teams). It’s a book about friendship, aging and of course, basketball. Harvey Araton is one of New York's--and the nation's--best-known sports journalists, having covered thousands of Knicks games over the course of a long and distinguished career. But the person at the heart of Our Last Season, Michelle Musler, is largely anonymous--except, that is, to the players, coaches, and writers who have passed through Madison Square Garden, where she held season tickets behind the Knicks bench for 45 years. In that time, as she juggled a successful career as a corporate executive and single parenthood of five children, she missed only a handful of home games. The Garden was her second home--and the place where an extraordinary friendship between fan and sportswriter was forged. Tha

Sharifa and her husband Murtuza are spending his sabbatical year in Mumbai with their seven-year-old daughter, Zeenat. While Murtuza teaches, Shari is planning to homeschool Zee, reconnect with her family, and research her great-great grandfather with hopes of creating a family history. But Sharifa’s cousins, with whom she was once close, are at odds. Fatema is involved in a campaign to ban the practice of female genital mutilation (FGM) while Zainab sees it as a time-honored tradition that must be respected. Sharifa thinks it’s a cruel and harmful injustice, but isn’t at all sure it is still practiced in the Dawoodi Bohra Muslim sect they all belong to – and if it is, she wonders who is insisting on such an outdated practice? Today I talked to writer, activist, and psychotherapist Farzana Doctor, author of Seven (Dundurn Press, 2020). She was born in Zambia to Indian parents, lived there for five years and then in 1971, immigrated with her family to Canada. As a teenager, Doctor because interested in communi

Alix E. Harrow’s The Once and Future Witches (Redhook, 2020) begins with the familiar phrase “Once upon a time” but the novel is anything but a traditional fairytale. Yes, there are witches. But there are also suffragists. Yes, there are spells. But there are also women who fall in love with each other. While Harrow loves fairytales “because they give us this shared language,” she hates them for the limits they impose. Through her main characters, the Eastwood sisters, she turns the familiar archetypes of Maiden, Mother, and Crone on their heads. “The Maiden-Mother-Crone triptych is something that I have always hated. It's pretty gross to define a woman's existence by her reproductive state at that moment,” Harrow says. “I wanted to be embodying and subverting it at the same time.” As the story unfolds, women’s demands to rediscover and use magic parallel their demands for political power and social freedom. In the guise of a fairytale, The Once and Future Witches explores the long afterlife of family trauma,

Welcome to The Academic Life. You are smart and capable, but you aren’t an island, and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring in an expert about something? Email us at cgessler@gmail.com or dr.danamalone@gmail.com. Find us on Twitter : The Academic Life @AcademicLifeNBN. In this episode you’ll hear: disaster stories, finishing a book project, poetry, and what resilience is and isn’t. Our guest is: Jennifer Strube, a writer, educator, and licensed therapist who loves chronicling life's stories. After three master's degrees and a decade of teaching, she relocated west from New York City in search of open sky. An avid believer in the wild places, her work highlights the spaces that wake one up—the byroads of travel, the subtlety of everyday grace, and that impetuous ache called love. She is the author of the poetry book Wild Everything, discussed in this episode. Your

Californian Claire Easton, who writes a magazine column called “The Anglophile’s Notebook,” travels to England to do research for a book about Charlotte Brontë. She’s already in love with England, where her late mother grew up and where she plans to find some healing now that her marriage of twenty years is imploding. Claire is specifically interested in Charlotte Bronte, but she wants to read up on the people who are obsessed with the world’s most famous literary family, the Brontës. The three precocious Bronte sisters and their alcoholic brother lived in a chilly parsonage surrounded by a cemetery and the mysterious Yorkshire moors, and the novels they wrote between 1844-49 changed the course of English literature. Clair, while connecting with people who can help her research, manages to solve some mysterious goings on, connect her new friends to each other, rebuild her life, and fall in love with the man who might publish her as yet unwritten book. Today I talked to author Sunday Taylor about The Anglophil

Terry Baum’s book One Dyke’s Theater: Selected Plays 1975-2014 (Exit Press, 2019) collects plays and solo scripts from throughout the career of a “slightly world-renowned lesbian playwright.” The plays range from outlandish comedies like Bride of Lesbostein to the historical drama Hick: A Love Story. This book will be of interest to anyone interested in the history of queer theatre, solo performance, and feminism. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn

Home is the place many of us have spent our days for the last eight months. During the pandemic, our homes have become our workplaces, our classrooms, and our social spaces through apps like Zoom. But no matter what we do in our homes, for many of us, the notion of a home is fixed, tied just as much to a specific place as it is to our identities—both how we understand who we are, and the ways we communicate that self to the world. Whether our country, our region, or our city, when asked where we come from, most of us will respond with a definitive answer: This is the place I call my home. But for some, the concept of home is anything but stable, or fixed. For author Megan Harlan, a nomadic family lifestyle led her to live in seventeen homes across four continents by the time she was seventeen years old. In Mobile Home: A Memoir in Essays, Harlan recounts her experiences living in some of the world’s most historically rich, remote places, and how these many homes afforded her an appreciation and a keen eye for

A rich and complex world of sword-wielding fighters and seductive sorceresses, written in percussive, lyrical prose. The 19th Bladesman (Dark Blade, 2018) first introduces us to Kaell, the eponymous hero of the novel, when he runs away from the mountain castle where Lord Vraymorg tutors him in swordcraft. We learn the eight-year old Kaell is bonded to the battle god Khir and has been blessed with exceptional strength. In a pattern that’s often to be repeated, Kaell’s defiance of Vraymorg after a verbal tussle propels him into an unsanctioned adventure—and exposure to danger. For Kaell is a target of those who know of the prophecy of the 19th Bladesman. It is said that if he breaks, disaster will strike the lands. Vraymorg is soon informed of this prophecy as well, by a beautiful queen who then beds him, but though he appears stern with Kaell, he loves the boy like his own son. Vraymorg hopes to protects him—well, as much as a child sworn to serve a battle god can ever be protected. As the tale winds on, intro

The Botticelli Caper (Wings ePress, 2019) is set at the Uffizi Galleries during a period, not long ago, when workmen were constantly coming in and out during massive amounts of reconstruction. Flora, an art conservator, is working to clean Sondro Botticelli’s world-famous Birth of Venus. She realizes that there are no notes from the previous cleaning and begins to get suspicious as she removes the frame and looks at the paint’s sheen. Then she sees a smiley-face. She’d seen it before in a forgery of another famous painting. In this light-hearted caper, Wisseman asks how some very skilled painter could make a nearly perfect copy of one of the world’s great paintings. But, how would the original have been removed from the museum with guards all around, night and day? Now a few more forgeries are discovered along with two bodies. Against the advice of all, Flora continues to meander through the beautiful old building, wondering where the original copies might be stored. What about all the doors, the unused corri