New Books In Literature

What does it mean to be normal? What even is normal? It’s a strange concept, dependent entirely on context and yet, in spite of this flexibility, it’s an inescapable word. Try as we might, we can’t seem to escape it, even as it seems to collapse under critical scrutiny. So again, what does it mean to be normal? And is normal even something we should try to be? This is an animating question for Phil Christman in his new essay collection How to be Normal: Essays (Belt Publishing, 2022), a collection of previously published writings of the last few years. A sort of companion-piece to his previous book Midwest Futures, these essays are simultaneously fascinated by and skeptical of all the ways normal dominates our public discourse, especially in the wake of the COVID pandemic, where a return to normal has loomed over us as the most important achievement we can aim for. Christman tries to get beyond this imperative, and in a series of reflections on masculinity and gender, race and whiteness, religion and faith, c

Today I talked to Joan Schweighardt about her novel River Aria (Five Directions Press, 2020). It’s 1928 and Estela Euquério Hopper, of Manaus, Brazil, is the star vocal pupil of a world-renowned musician who’d come to revive a magnificent opera house. It had been erected during the heady years when rubber seemed likely to change Brazil’s fortunes. Those days ended, and most of the population is poor and struggling. Estela has grown up among the “river brats,” but she was fortunate to have a magnificent voice, a stellar musical education, and an American father. She’s got a job offer from the Metropolitan Opera House, but it’s only to work in the sewing room. And her cousin JoJo, another river brat and a talented artist, is going to accompany her across the ocean. But secrets threaten to destroy her plans, the heady days of Prohibition are about to come to an end, and the stock market is about to crash. Joan Schweighardt studied English Lit and Philosophy at Suny New Paltz, NY and is the award-winning author o

This is a story of America! Lynden Hoover, a young man on the brink of a new beginning, cannot embrace it without confronting the traumas of his past. Help comes from The Duke, an old loner who calls America's landscape his home. He clings to an honor code, but in fleeing from Short Arm, his merciless enemy, his code is being tested. At the end of the 20th century few Knights of the Road still cling to their vanishing lifestyle. The Duke mentors Lynden, enlisting old traveling friends to keep himself and his apprentice just ahead of Short Arm's relentless pursuit. When two of those friends are murdered, the stakes become life or death. Bonds are formed, secrets exposed, sacrifices made, trusts betrayed - all against a breathtaking American landscape of promise and peril. Three unforgettable characters, hurtling toward a spellbinding climax where pasts and futures collide, and lives hang in the balance. With The Last Professional (Artemesia Publishing, 2022), Davis has done for American railroads what Kerouac

The city of Dublin, with its ancient cobblestones, historic pubs, and legendary river Liffey, has been a source of inspiration for writers and poets for centuries. Though it might provide a creative buzz, modern city existence can often prove exhausting for the contemporary poet constantly bombarded with new sights, sounds, and smells, as well as the increasing pull of technology, with smartphone apps and messages vying for attention, offering new ways of interacting with the history of the city, or with imagined versions of it. Adam Wyeth’s new experimental poetry collection about:blank (Salmon Poetry, 2021) takes the city of Dublin as its setting and depicts the pressures of contemporary urban life by expanding the poetic form to include a variety of genres and short forms: monologue, dialogue, and instructions for yoga poses. These narratives are interwoven to give readers a remarkable impression of contemporary human existence and the ways that human consciousness is shaped by myth, literary references,

Shubha Sunder speaks to managing editor Emily Everett about her story “A Very Full Day,” which appears in The Common’s fall issue. In this conversation, Shubha talks about writing stories set in India, and how she built out the insular world of Indian retirees that “A Very Full Day” centers on. She also discusses teaching creative writing to undergrads, her revision process, and her forthcoming collection of stories Boomtown Girl, which won the St. Lawrence Book Award. Shubha Sunder's debut short story collection, Boomtown Girl, won the St. Lawrence Book Award and is forthcoming from Black Lawrence Press. She has published stories and essays in New Letters, The Common, Narrative Magazine, Michigan Quarterly Review, Catapult, Crazyhorse, and elsewhere. Her fiction has received honorable mention in The Best American Short Stories, won the Crazyhorse Fiction Prize and Narrative "30 Below," and been shortlisted for The Flannery O’Connor Award, The Hudson Prize, and The New American Fiction Prize. She is a recipie

In Disorientation: A Novel by Elaine Hsieh Chou (Penguin Press, 2022), we meet Ingrid Yang: an eighth-year PhD student in East Asian studies struggling to write a dissertation on (fictional) canonical Chinese American poet Xiao-Wen Chou. Her situation is made all the more distressing by the fact that her student loan deferral is soon to expire, and it’s dawning on her that she was never interested in Xiao-Wen Chou in the first place—rather, her advisor convinced her that this would be a good topic for a marketable dissertation. Then one day, a strange note in the archives leads her to a shocking discovery. What is it? What happens? You’ll have to read Disorientation to find out. Tune in to this episode of the New Books Network podcast to hear Elaine Hsieh Chou discuss the inspiration for Disorientation, how liberating it felt to have the last word on toxic white men, the difficulties of finding institutional space for Asian American studies, the continued importance of the legacy of the Third World Liberation

Today I talked to Leslie T. Grover about her book The Benefits of Eating White Folks (Jaded Ibis Press, 2022). The Sickness, a disease with unknown origins, is killing white children in the antebellum South, but Perpetua, a Black enslaved woman, is facing something much more devastating: Her daughter Meenie is missing. What she finds in her search for her child will change her life forever. By fusing the past and present with the power of prose and poetry, Leslie T. Grover poignantly explores the ripple effect of history and the nature of love and family and the ties that bind. Leslie T. Grover is a Black History writer and community scholar-activist. She is the founder of a small nonprofit, Assisi House, Inc., which uses the power of story to build the capacity of vulnerable communities. Her work in Narrative Medicine, social justice, and Black History has inspired this book. A native of Charleston, Mississippi, she is an unapologetic Black Southern woman, and this extends itself into her writing. Leslie’s w

France in 1755 is a country of extremes. The streets of Paris are filled with the poor and downtrodden, whereas just a few miles away lies the Palace of Versailles, with its renowned Hall of Mirrors where courtiers under the eye of Louis XV while away the hours amid endless extravagance. Once known as Louis the Well-Loved, the king has steadily lost ground with his people, and even his long-term relationship with Madame de Pompadour has entered a new phase. To retain her power and appeal to the king’s changing appetites, Madame enlists the help of Dominic-Guillaume Lebel, Louis’s valet de chambre. He sets up a school in Deer Park (le Parc des Cerfs), near the palace, where carefully selected thirteen- and fourteen-year-old girls from poor families can master basic literacy, painting, music, dance, embroidery, manners, and court protocol. Those who succeed in pleasing the king leave with a dowry and an income for life. Even those who fail receive some kind of financial settlement. Véronique Roux, a printer’s d

When I Grow Up, the latest graphic nonfiction narrative from New Yorker cartoonist Ken Krimstein, is based on six of hundreds of newly discovered, never-before-published autobiographies of Eastern European Jewish teenagers. These autobiographies, submitted in a writing contest, were hidden away at the outbreak of World War II, and were only discovered seven decades later. In When I Grow Up, the author brings these stories, their authors, and their entire world, to life. David Gottlieb is the Director of Jewish Studies at the Spertus Institute for Jewish Learning and Leadership in Chicago. He is the author of Second Slayings: The Binding of Isaac and the Formation of Jewish Memory (Gorgias Press, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Life Sentences (Godine, 2022) tells three interconnected stories about a family in his home country of Ireland. In lyrical, moving prose, with characters that reach across the years, Billy O’Callaghan describes births, deaths, war, and the life of his family. The book begins in the 1920’s with Jeremiah, who survived as a soldier in the Great War. He’s drunk and jailed on the night before his sister’s funeral to prevent him from killing his sister’s husband. “Life had its struggles,” he says as he muses about his family and experiences, “but we bore them in the way that our kind always do.” The second part goes back to the 1880’s, and Jer’s mother, Nancy, recounts being the only member of her family to survive the Great Potato Famine. Starving, she left her tiny island home to find work on the mainland and was wooed by Michael Egan, the man who fathered her two children and haunted her for years. The third section is in the voice of Nellie, Jer’s youngest daughter, who is nearing the end of her life. This is a

A Companion to The Story of the Stone: A Chapter-by-Chapter Guide (Columbia UP, 2021), co-authored by Susan Chan Egan and Pai Hsien-yung (Columbia University Press, 2021), is a straightforward guide to the Chinese literary classic, The Story of the Stone (also known as Dream of the Red Chamber), that was written at a time when readers had plenty of leisure to sort through the hundreds of characters and half a dozen subplots that weave in and out of the book’s 120 chapters. The Story of the Stone is widely held to be the greatest work of Chinese literature, beloved by readers ever since it was first published in 1791. The story revolves around the young scion of a mighty clan who, instead of studying for the civil service examinations, frolics with his maidservants and girl cousins. The narrative is cast within a mythic framework in which the protagonist’s rebellion against Confucian strictures is guided by a Buddhist monk and a Taoist priest. Embedded in the novel is a biting critique of imperial China’s poli

Charles Yu won the 2020 National Book Award for Interior Chinatown but some of us became fans a decade earlier, with How to Live Safely in a Science Fictional Universe (2010). He brilliantly uses SF conventions to uncover the kind of self-deceptive infilling that we all do every day, the little stories we tell ourselves to make our world seem predictable and safe when it’s anything but. His other work includes two books of short stories (Third Class Superhero 2006 and Sorry Please Thank You in 2012) and some episodes of Westworld, He speaks with John and with Chris Fan, Assistant Professor at UC Irvine, senior editor and co-founder of Hyphen magazine, noted SF scholar. The conversation gets quickly into intimate territory: the pockets of safe space and the "small feelings" that families can and cannot provide, and that science fiction can or cannot recreate. Graph paper and old math books get a star turn. Charlie's time as a lawyer is scrutinized; so too is "acute impostor syndrome" and the everyday feeling o

The superhero of comic books and blockbuster movies may be a quintessentially American invention, forever saving the world in skin-tight spandex. But the cultural DNA of the superhero can arguably be traced to a much older, more progressive, British tradition: the larger-than-life folk heroes of historical protests – General Ludd, Captain Swing, Lady Skimmington, and others; semi-fictional identities that ordinary protestors adopted, often dressing up in the process. The Cuckoo Cage (CommaPress, 2022), edited by Ra Page, is a unique experiment, twelve authors have been tasked with resurrecting that tradition: to spawn a new generation of present-day British superheroes, willing to bring the fight back to British shores and to more progressive causes. From the dimension-jumping statue-toppler, to the shape-shifting single mum raiding supermarkets to stock local foodbanks, these figures offer unlikely new insights into shared, centuries-old political causes, and usher in a new league of proud, British (social j

An interview with Caitlin Barasch, author of A Novel Obsession (Dutton Books, 2022), a debut novel about a young woman convinced that she must be a writer, but entirely uncertain that she has a story worth sharing. Her solution: concoct a real-life romantic triangle featuring her boyfriend’s ex and herself as the protagonists. Caitlin and I discuss how she goes about building anticipatory dread scene by scene, and how plotting is not a dead artform in the novel. We talk about the relationship between obsession and writing, the pleasures of writing awkward sex scenes, the need for more women characters behaving badly, failing to avoid social media in art, and so much more. Caitlin Recommends: Alyssa Nutting, Tampa Mary Gaitskill, Veronica Elena Ferrante, Days of Abandonment Charlotte McConaghy, Migrations  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is u

Nell Young, a dedicated cartographer, once had it all—a dream job in the New York Public Library, a stylish boyfriend, Felix, who understood her obsession with maps, and a good salary as a researcher. Then she and her father, Dr. Young, the top scholar at NYPL had a fight about the importance of find she discovered in the basement, and her dreams came crashing down. She lost Felix when her father fired him, along with her. Seven years later, Nell is frumpy and depressed, working well below her aptitude, when news arrives of her father’s unexpected death at the Library. While in his office, she comes across his secret hiding place for treasured items and is amazed to find one of the maps included in the box that provoked the fight. It’s not one of the rare expensive maps, but rather a cheap common map from the thirties. It’s not until she enters her find into the database that she realizes she may have the only surviving map of this edition. The others have all mysteriously disappeared. Soon she begins to wond

Ruta Sepetys is a an acclaimed “crossover” author (read by both young people and adults) of historical novels. In her latest novel I Must Betray You (Philomel Books, 2022) published by Philomel Books in 2022, she dramatizes the last days of the communist dictatorship of Nicolae Ceausescu in Romania in 1989. A 17-year-old boy, Cristian Florescu, feels compelled to become one of the legions of civilian informants in the service of the regime to help his family. Young Cristian becomes involved in the violent revolution against the regime in December 1989. Sepetys’ story reveals the real tensions among Romanians in this closed society and the angst that drove so many ordinary people to risk their lives in revolting against the totalitarian regime. Sepetys interviewed many who lived through the last days the Ceausescu regime in order to recreate, through the use of historically informed imagination, the inherent suspicion and fear of Romanians of not only their government but also their fellow countrymen. Ian J. D

Tom Sleigh speaks to managing editor Emily Everett about his poems “Last Cigarette” and “Apology to My Daughter,” which appear in The Common’s fall issue. In this conversation, Tom talks about his time as a journalist in Syria, Lebanon, Somalia, Kenya, Iraq, and Libya, and how that experience comes out in his poetry. He also discusses the process of putting together his new poetry collection from Graywolf, The King’s Touch, and how he sees the current Ukrainian refugee crisis playing out differently than crises in other parts of the world with less established infrastructure. Tom Sleigh’s many books include The King’s Touch; House of Fact, House of Ruin; Station Zed; and Army Cats. His book of essays, The Land Between Two Rivers, recounts his time as a journalist covering refugee issues in the Middle East and Africa. He has won a Kingsley Tufts Poetry Award, a Guggenheim Fellowship, a Lila Wallace Award, both the John Updike and Individual Writer Awards from the American Academy of Arts and Letters, and two N

There is a great temptation, when writing about the past, to sanitize its circumstances and attitudes to make the characters more palatable to present-day readers. Tania Bayard, who has written four mystery novels set in fourteenth-century France, does not make that mistake. Her Paris is filthy and smelly, with muddy streets and refuse lying in heaps, horrible diseases, stray dogs, and dead rats in the gutters. Her characters, too, wallow in prejudices and superstitions of all sorts. And those streets are filled with beggars, prostitutes, thieves, cheats, and would-be sorcerers and witches, ready to prey on upstanding citizens. Yet fourteenth-century France, in these novels as in real life, also contains farsighted thinkers, gifted artists of all sorts, and would-be scientists. One of the shining lights is Christine de Pizan, a scribe at the court of Charles VI “the Mad” who will soon establish a name for herself as a poet and early feminist. Contrary to the stereotypes of medieval women as passive and obedie

Literature is full of families torn apart by tragedy—death, war, crime. But what if the members of a family can’t agree on the cause of the tragedy that divides them? In Mike Chen’s new novel, Light Years from Home: A Novel (Mira Books, 2022), sisters Kass and Evie agree that their brother Jacob vanished 15 years ago. But did he runaway to party to his heart’s content, as Kass believes, or was he abducted by aliens, as Evie thinks? Their starkly different interpretations of the facts exacerbates the pain and tragedy of their brother’s disappearance, pushing the family to the point of breaking. “One of the things that I really wanted to show was how a single moment can really change the trajectory of people's lives,” Chen says. Jacob’s disappearance “fundamentally changes the direction of this family. Kass has this attitude of ‘if no one else is going to fix it, I am going to fix it.’ And Eve has the same attitude, except she thinks about it as ‘I'm going to fix it by going with my dad on like these UFO hunts,

Today I talked to Sara Goudarzi about her novel The Almond in the Apricot (Deep Vellum Publishing, 2022). Emma lives in New Jersey, works as a civil engineer, has a reliable boyfriend, and had a wonderful best friend from college who she always secretly loved even. Not long after her best friend is killed crossing the street in Manhattan, Emma begins having nightmares. In these not-at-all-normal dreams, she is a young girl name Lilly whose life is continuously upended by bombs that force her and her family into a bunker. Unlike normal dreams, Emma’s are continuous and chronological, and she truly inhabits the little girl’s life, including playing with her friends, skipping home from school, or working on her math homework. Lily also finds a wonderful best friend, and when his life is at risk, Emma wants to go back to her dreams to rescue him, but how? Sara Goudarzi is a Brooklyn writer and holds an M.A. in journalism from New York University and an M.S. in engineering from Rutgers University. Her non-fiction,