New Books In Literature

John and Elizabeth look back at Recall This Book’s terrific 2019 conversation with Zadie Smith , so you may want to listen to that again before proceeding Elizabeth and John try their best to unpack Zadie Smith’s take on sincerity, authenticity and human sacredness; the “golden ticket” dirty secret behind our hypocritical academic meritocracy; surveillance capitalism as the “biggest capital grab of human experience in history;” and her genealogy of the novel. If we had to sum the day up with a few adjectives: funny, provocative, resplendent, chill, generous, cantankerous. Discussed in this episode: Tony Judt, Postwar Richard Hoggart, The Uses of Literacy Nicholas Lehmann, The Big Test Elizabeth Strout, Olive Kitteridge Doris Lessing The Fifth Child Muriel Spark, The Girls of Slender Means Stephen McCauley (with JP on RTB) Barbara Pym and the Comic Novel Hilary Mantel, Beyond Black (and others…) Joseph O’Neill, Netherland J. P. Toussaint, The Bathroom Virginia Woolf, The Common Reader, A Ro

An interview with novelist Marcy Dermansky. Hurricane Girl (Knopf, 2022) brings us another unforgettable Dermansky-character, Allison Brody, whose rashness and seeming detachment are matched only by her commitment to finding a place in the world that is truly her own. Allison has just fled an abusive relationship, albeit one that provided a great deal of privilege, and has spent her own savings to buy a cottage on the ocean. When that cottage is lost in a freak storm, what little control Allison had felt spins slowly out of reach, first with another violent interaction with a man that leaves her with severe brain trauma, and later in Allison’s suspicions that everyone around her would like her to be someone else. In classic Dermansky style, what could be a horror novel is in fact a comedy, often riotously funny even in scenes of intense dread and violence. The final product is a novel that entertains even as it disorients, forcing us to admit that Allison’s brain injury may in fact be a source of clarity and

In Black Cloud Rising (Grove Press 2022), author and scholar David Wright Faladé tells the story of Richard Etheridge, who towards the end of the Civil War joined America’s first and only “African Brigade.” Later recognized as a state hero, Etheridge is a young man when he joins the brigade in late 1863. Led by the one-armed General Edward Augustus Wild and Captain Alonzo G. Draper, the mission is to flush out rebel guerrillas, “bushwackers,” who continue to fight in Union-won territory. Their other mission is to prove that freed slaves can be trusted as combat soldiers. Set mostly in the swampy barrier islands of northeastern North Carolina, Richard is the son of the master of the house and a black slave. As children, he played with his cousins Patrick (Paddy) and Sarah, until they learned that he was a slave, and they the masters. The Etheridge family sign loyalty to the Union, but Paddy joins the Confederate Partisan Rangers. As the African Brigade moves forward, their raids free those still being held as

Adrienne G. Perry speaks to managing editor Emily Everett about her essay “Flashé Sur Moi,” which appears in The Common’s new spring issue. Adrienne talks about the questions that inspired this essay: questions about memory and friendship and coming of age, questions about what it means to desire someone and be desired, and what we do to appear desirable to others. She also discusses her approach to teaching creative writing, her interest in writing about place, and her current works-in-progress. Adrienne G. Perry grew up in Wyoming, earned her MFA from Warren Wilson College, and earned her PhD in literature and creative writing from the University of Houston. From 2014 to 2016 she served as the editor of Gulf Coast. A Hedgebrook alumna, she is also a Kimbilio Fellow and a member of the Rabble Collective. Adrienne’s work has appeared or is forthcoming in Copper Nickel, Black Warrior Review, Indiana Review, Meridians, and elsewhere. She teaches at Villanova University. ­­Read Adrienne’s essay “Flashé Sur Moi”

One could call The Kaiju Preservation Society (Tor Books, 2022) a pandemic novel because a) John Scalzi wrote it during the pandemic and b) the pandemic serendipitously leads the main character, Jamie, to a new job that sets the action in motion. But the book is not about the pandemic. It’s about Kaiju, Godzilla-like monsters who live in an alternate Earth. This alternate Earth is rich in radioactive elements, and the Kaiju produce energy from their own internal biological reactors. This makes them a danger when, say, they end their lives with in nuclear explosion that thins the walls between Earths, but it also makes them an object of fascination for unscrupulous humans seeking new sources of cheap energy. “So much of the way plant life and animal life on Earth works is through sunlight, which is just another type of radiation,” Scalzi says. “Plants photosynthesize, animals eat plants, other animals eat the animals that eat the plants and so on and so forth. But sooner or later it all comes back to sunlight.

"I was not prepared to be a father--this much I knew." Keith Gessen was nearing forty and hadn't given much thought to the idea of being a father. He assumed he would have kids, but couldn't imagine what it would be like to be a parent, or what kind of parent he would be. Then, one Tuesday night in early June, the distant idea of fatherhood came careening into view: Raffi was born, a child as real and complex and demanding of his parents' energy as he was singularly magical. Fatherhood is another country: a place where the old concerns are swept away, where the ordering of time is reconstituted, where days unfold according to a child's needs. Whatever rulebooks once existed for this sort of thing seem irrelevant or outdated. Overnight, Gessen's perception of his neighborhood changes: suddenly there are flocks of other parents and babies, playgrounds, and schools that span entire blocks. Raffi is enchanting, as well as terrifying, and like all parents, Gessen wants to do what is best for his child. But he has

In this stunning debut collection, Catapult editor-in-chief and award-winning voice actor Tajja Isen explores the absurdity of living in a world that has grown fluent in the language of social justice but doesn't always follow through. These nine daring essays explore the sometimes troubling and often awkward nature of that discord. Some of My Best Friends: Essays on Lip Service (Atria/One Signal, 2022) takes on the cartoon industry's pivot away from colorblind casting, the pursuit of diverse representation in the literary world, the law's refusal to see inequality, and the cozy fictions of nationalism. Isen deftly examines the quick, cosmetic fixes society makes to address systemic problems, and reveals the unexpected ways they can misfire. In the spirit of Zadie Smith, Cathy Park Hong, and Jia Tolentino, Isen interlaces cultural criticism with her lived experience to explore the gaps between what we say and what we do, what we do and what we value, what we value and what we demand. Learn more about your ad

Today I talked to Zhanna Slor about her novel At the End of the World, Turn Left (Agora Books, 2021). 19-year-old Anna’s parents won’t pay her college tuition if she studies art, the one thing she loves most. She’s been drifting from one class to another, one boyfriend to another, and can’t stand being stuck in Milwaukee. When she receives an online message from a woman in Ukraine claiming to be a long-lost sister, Anna responds despite all the warnings that she’s being scammed. She also meets a handsome ‘train-hopper’ who lures her into his risk-filled life. Anna’s sister Masha, a linguist who has been happily living in Israel, receives a one-way ticket from her father when it becomes apparent that Anna has disappeared without leaving a message. Masha hacks into Anna’s computer and starts following the trail – had she flown to Ukraine? Hopped a train with her blue-haired druggie boyfriend? And why was she wanted for questioning by the police? This is a novel about linguistics, identity, and the meaning of ho

In this 2019 episode, John interviews the celebrated British writer Zadie Smith. The conversation quickly moves through Brexit (oh, the inhumanity!) and what it means to be a London–no, a Northwest London–writer before arriving at her case against identity politics. That case is bolstered by a discussion of Hannah Arendt on the difference between who and what a person is. Zadie and John also touch on the purpose of criticism and why it gets harder to hate as you (middle) age. She reveals an affection for “talkies” (as a “90’s kid,” she can’t help her fondness for Quentin Tarantino); asks whether young novelists in England need to write a book about Henry VIII just to break into bookstores; hears Hegel talking to Kierkegaard, and Jane Austen failing to talk to Jean Genet. Lastly, in Recallable Books, Zadie recommends Jean-Philippe Toussaint’s The Bathroom. Transcript of the episode here. Mentioned: Zadie Smith, White Teeth, NW, Swing Time, “Two Paths for the Novel” “Embassy of Cambodia,” Joni Mitchell: Some N

Watkins Glen (Mayapple Press, 2021) is the story of Susan -- a woman in her sixties -- who finds herself taking care of her estranged older brother Mark, who has Alzheimer's. They are the children of a father who worked in his brothers' upholstery factory for most of the year but in the summers; escaped with his family to Watkins Glen; where he was the best outlaw drag racer in a town that primarily caters to high-end road racing. After a life spent in New York City; Susan has moved back to Watkins Glen where she takes her brother to live--temporarily; she thinks. In the throes of his illness; Mark has developed a rare but well-known symptom of dementia called Acquired Artist Syndrome; whereby people who have never even thought about painting suddenly become obsessed with the art. Once Mark gets to Watkins Glen; he becomes possessed by the idea that there is a Loch-Ness like monster living in Seneca lake and he begins painting the creature. In this conversation we go far beyond the plot to discuss the balance

An interview with debut novelist Peter C Baker. Planes (Knopf, 2022) is the story of a global crime unfolding principally in the domestic lives of two women, Amira, an Italian convert to Islam living in Rome, and Mel, a school board member in North Carolina. Amira is a direct victim of the crime of extraordinary rendition, her husband, Ayoub, having been abducted without criminal charges and taken first to Pakistan and then Morocco, where he was imprisoned and tortured. Ayoub’s eventual return to Amira is a lesson in how trauma comes like a wave for all those in its path. Mel’s life appears quieter. Her activist days behind her, she lives an ordinary suburban life, throwing herself into work on the school board and into a workmanlike affair that seems, at the surface, to have little effect on her family life. That is until the affair is discovered and her onetime partner on the school board is revealed to be deeply intwined with the rendition program that abducted Ayoub. Peter and I talk about how to write ab

As we soon find out in this opener to a new series set in 1830s London, Lady Caroline Morton’s illustrious heritage has been tarnished by the financial ruin and suicide of her father a few years earlier. The economic opportunities available to young women—especially noblewomen—in Victorian Britain are extremely limited. Caroline’s family has offered to support her, but life as a poor relation doesn’t appeal to her. As a result, she has broken with tradition and taken a position as companion to a wealthy but less-cultured widow, Mrs. Frogerton. One of her responsibilities is to prepare Mrs. Frogerton’s teenage daughter for her debut into society. Caroline is settling into her new life when her Aunt Eleanor arrives to announce that she’s sponsoring a house party and expects Caroline to attend. To sweeten the deal, Aunt Eleanor invites Mrs. Frogerton and her daughter as well. Miss Morton (she considers the “Lady” inappropriate for a paid companion) can’t refuse when it’s pointed out that the house party provides

In Songs by Honeybird, Peter McDade (Wampus Multimedia 2022) tells the story of Ben and Nina, two people who meet at a college outside of Atlanta. The chapters alternate between the voices of Ben and Nina, how they met and became a couple before unravelling and slowly moving on with their lives. Ben’s story focuses on his life as a graduate student and the research he does into a possible dissertation about an integrated band from the late 1960’s before two of its members died in a fire. Nina’s story involves her quest for meaning, philosophical discussions with her talking dog who is possibly an incarnation of the Buddha and facing the untimely death of her father when she was too young to understand. The author, a talented, working musician, wrote and recorded a soundtrack of original songs to accompany the novel. In addition to being about fathers, race, growing up, relationship, and understanding one’s history, this is a novel about seeking the truth. As a drummer (who started playing at eight-years-old)

Cheryl Collins Isaac speaks to managing editor Emily Everett about her story “Spin,” which appears in The Common’s new spring issue. “Spin” is about two Liberian immigrants making a new life in Appalachia. In this conversation, Cheryl talks about the inspiration behind this story: writing from music and toward beautiful, sensual language. She also discusses Liberia’s interesting cultural history, her writing and revision process, and what it’s like to do a writing residency in Edith Wharton’s bedroom. Cheryl Collins Isaac immigrated to the United States in 1996 from Liberia, West Africa. She is a 2022 Edith Wharton Straw Dog Writer-in-Residence and the recipient of the 2020 James Baldwin Fellowship at MacDowell. She has had fiction, nonfiction, and poetry published in Chicago Quarterly Review, The Ocean State Review, Hawai`i Pacific Review, South Writ Large, Prime Number Magazine, and more. She earned her MFA in creative writing from the University of Tampa. Read Cheryl’s story “Spin” in The Common at thecomm

Today I talked to Cassandra Rose Clarke about her book The Beholden (Erewhon Books, 2022). Two impoverished sisters, one with magical gifts and one with ladylike manners and pretty dresses, brave the wilds of the jungle to find the River Goddess and compel her to grant them a boon. They’re accompanied by a former pirate, Ico, who is hired to protect them. But wishes are never granted for free. Years later, Celestia’s wish has come true. She’s happily married to a renowned former adventurer, Lindon, who had the money to save her family’s planation, and the know-how to make it thrive. Celestia is content with the resumption of her privileged life, and her long-desired pregnancy. Her sister Izara is studying magic at the secret Academy, now that her duty to her sister and the plantation is done. As for Ico, he’s cavorting with a beautiful and lusty Goddess in her ice palace. Life just can’t stay so good. The River Goddess has not forgotten, and now she has a perilous quest she demands of the three. A dark Mage,

An interview with novelist Elif Batuman. The international bestseller and Pulitzer Prize finalist The Idiot now has a sequel. In Either/Or (Penguin, 2022), Batuman picks up the story as her character, Selin, returns for her sophomore year at Harvard. Either/Or, like its predecessor, is a novel of ideas wrapped in a campus novel, told in a voice so unique that you may never get over it. Elif and I talk Cartesian dualism, Voltron’s tardiness, the novel of ideas vs the thinking novel, eros defused over the body, and so much more. You can’t miss this episode. Books Recommended in this episode: Kazuo Ishiguro, Never Let Me Go John William, Stoner Nino Haratischvili, The Eighth Life  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose,

The House of Marvellous Books by Fiona Vigo Marshall (Fairlight Books 2022) describes a publishing house called The House of Marvelous Books that houses an old library in the center of London and hovers on the brink of financial disaster. Told in journal entries over the course of a year by Junior editor Mortimer Blakely-Smith, the publishing house seems to stumble into one disaster after another. The publisher focuses on safety issues, his assistant has cataracts and is nearly blind, and the chief editor is obsessed with finding a famous missing manuscript buried somewhere in the building. Mortimer grapples with his elderly uncle, annoying co-workers, a close friend who is in prison for stealing precious books from libraries all over the world, and hearsay about mysterious Russian buyers. Along the way, he attends fabulous concerts, reads Proust, and works on his own novel, about the patron saint of navigation. Fiona Vigo Marshall was born in London and educated at Somerville College, Oxford. Her debut novel

It is 2084. Climate change has made life on the Caribbean island of Bajacu a gruelling trial. The sun is so hot that people must sleep in the day and live and work at night. In a world of desperate scarcity, people who reach forty are expendable. Those who still survive in the cities and towns are ruled over by the brutal, fascistic Domins, and the order has gone out for another evacuation to less sea-threatened parts of the capital.Sorrel can take no more and she persuades her mother, Bibi, that they should flee the city and head for higher ground in the interior.   Daylight Come (Peepal Tree Press, 2020) is a great story, a call to action, and a meditation on love and lost beauty. Diana McCauley has been an environmental activist for many years. Here, she uses her storytelling powers to produce a world that is both unrecognizable and familiar.  Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean & U.S. Latino Studies at SUNY, Albany. @alebronf Website.

In Fierce Appetites: Loving, Losing and Living to Excess in my Present and in the Writings of the Past (Sandy Cove, 2022), Dr. Elizabeth Boyle weaves together the past and the present together, creating a beautiful memoir and reflection. To quote the book blurb, “Not only does Elizabeth Boyle write dazzling accounts of ancient stories, familiar and obscure, from Ireland and further afield, but she uses her historical learning to grapple with the raw and urgent questions she faces, questions that have bedeviled people in every age. She writes on grief, addiction, family breakdown, the complexities of motherhood, love and sex, memory, class, education, travel (and staying put) with unflinching honesty, deep compassion, and occasional dark humour.” This book is for academics and non-academics alike and for those interested in musings on the Middle Ages, a multifaceted life, and the events of 2020. Fierce Appetites was published by Sandycove, an imprint of Penguin Books, in 2022. Dr. Elizabeth Boyle is a lecturer

In 1977, Jeanne’s German nationalist ex-husband, Klaus, tells her he’s gotten a new job and wants to take their three-year-old daughter and six-year-old son away for a long weekend to celebrate. Jeanne relents. But Klaus never returns and instead sends Jeanne a letter, delivered by a mutual friend, in which he declares that he has fled to Germany and she will never see him, or her children, again. The next four months are filled with agony, despair, and anger as Jeanne seeks legal support but quickly learns that federal parental kidnapping laws will offer her little help. She reflects on her tumultuous ten-year marriage to Klaus and the unsettling events that followed their divorce. A product of the patriarchal culture of the 1950s, Jeanne’s nice-girl mentality is being tested and reshaped by the feminist movement of the 1970s, and she finds that the kidnapping ultimately becomes a doorway to unexpected strength. You'll Never Find Us: A Memoir (She Writes Press, 2021) is the story of a young mother coming int