New Books In Literature

In As Long As I Know You: The Mom Book (U Georgia Press, 2022), Ann-Marie Oomen offers a real-time narrative of walking her mother through dementia to the end of her life. Writer Pam Houston once summed it up: "Nice mother-daughter stories are a dime a dozen; pain-in-the-ass mother-daughter stories are the ones that grab us." We start this rending journey witnessing the small-not-small clashes between a mother and daughter who don't much like each other, and end in a tender, hopeful place that remains bright, real and raw. As the millions of women like Oomen's mother reach their elder years and become the "oldest of the old," their daughters (and sons) must grapple with what dignified care looks like in a healthcare system fraught with bureaucracy and that is somehow both bloated and threadbare simultaneously. Even readers who haven't cared for an aging parent will find themselves in the pages of As Long As I Know You, for questions of how we know what and who we know, which are intimately tangled with questi

Today I talked to Jessica Stilling about her new novel After the Barricades (DX Varos, 2023). After her mother dies in a tragic accident, Anna cleans out her closet and finds a striking painting that she’d never seen before. She also finds a trove of letters from Stefan Terre, a name she’s never heard. She travels to Paris for work and also to learn more about her mother, Bethany, who studied at the Sorbonne in 1968. That was a year of student protests and labor strikes by students and workers demanding better pay, workplace safety, and a more equitable society. Bethany never told Anna about her affair with Stefan, a Romanian Jew who survived the Holocaust, became a painter, and was working as a waiter when she met him in Paris. Now it’s 2019, and Anna wants Stefan to tell her about how her mother once wanted to change the world. Jessica Stilling earned a BA from the New School and an MFA in Creative Writing from the City University of New York. Before she published After the Barricades, she published The Wea

A husband and wife hear a mysterious bump in the night. A father mourns the closeness he has lost with his son. A friendship with a married couple turns into a dangerous codependency. With gorgeous sensitivity, assurance, and a propulsive sense of menace, these stories center on disappearances both literal and figurative--lives and loves that are cut short, the vanishing of one's youthful self. From San Antonio to Austin, from the clamor of a crowded restaurant to the cigarette at a lonely kitchen table, Andrew Porter captures each of these relationships mid-flight, every individual life punctuated by loss and beauty and need. The Disappeared (Knopf, 2023) reaffirms the undeniable artistry of a contemporary master of the form. ANDREW PORTER is the author of the story collection The Theory of Light and Matter and the novel In Between Days. A graduate of the Iowa Writers’ Workshop, he has received a Pushcart Prize, a James Michener/Copernicus Fellowship, and the Flannery O’Connor Award for Short Fiction. His wo

Aside from being John’s (younger, suaver and beardier) brother, what has the inimitable David Plotz done lately? Only hosted “The Slate Political Gabfest“, written two books (“The Genius Factory” and “The Good Book“) and left Atlas Obscura to found City Cast. So, when John called him up in April 2020 for the Books in Dark Times series, what was his Pandemic reading? The fully absorbing “other worlds” of Dickens and Mark Twain tempt David, but he goes another direction. He picks one book that shows humanity at its worst, heading towards world war. And another that shows how well we can behave towards one another (and even how happy we can be…) at “moments of super liquidity” when everything melts and can be rebuilt. He also guiltily admits a yen for Austen, Rowling, and Pullman–and gratuitously disses LOTR. John and David bond about their love for lonnnnnnng-form cultural history in the mold of Common Ground. Finally the brothers enthuse over their favorite book about Gettysburg, and reveal an embarrassing ree

With the publication of her most recent novel, White Horse, Erika T. Wurth breaks from the realism that characterized her earlier fiction and ventures into horror. White Horse follows Kari, an urban Native living in Denver, as a family heirloom belonging to her long-missing mother launches her into a world of the uncanny: ghosts and monsters lurch into real life and portals transport her into scenes from the past that reveal traumatic family secrets. Wurth speaks with critic Leif Sorensen and host Rebecca Evans about what abides at the intersection of politics and craft, and what’s at stake in particular for the Indigenous writers of genre fiction whose work takes shape at that intersection. Their conversation pokes serious fun at everything from the faltering literary truism that being good at plot is somehow less impressive than being good at characterization to debates over authenticity in Native literature. Horror, as Wurth describes it, offers real and meaningful pleasures, solves the craft problems of o

Today I talked to Aaron Hamburger about his new novel Hotel Cuba (Harper Perennial, 2023). Two sisters fleeing the horror of the Soviet Revolution and aftermath of WW1 are disappointed when American policy prevents them from joining their older sister in New York. Older, practical sister Pearl knows they must leave the old world to survive and buys tickets to Cuba. Frieda, the younger sister, immediately starts complaining and longs to join her boyfriend from home who is now in Detroit. Havana is filled with rich Americans escaping Prohibition and poor Cubans selling fun, pleasure, and booze, but Pearl and Frieda are sheltered, penniless Jewish girls. After Frieda manages to get off the island, Pearl, who raised her baby sister starting at age nine, does whatever she has to do to escape “Hotel Cuba.” Aaron Hamburger is the author of a story collection titled THE VIEW FROM STALIN’S HEAD which was awarded the Rome Prize by the American Academy of Arts and Letters and nominated for a Violet Quill Award. He has a

In her debut short story collection, Sidle Creek (Melville House, 2023), Jolene McIlwain skillfully interrogates the myths and stereotypes of the mining, mill, and farming towns where she grew up. With stories that take place in diners and dive bars, town halls and bait shops, McIlwain’s writing explores themes of class, work, health, and trauma, and the unexpected human connections of small, close-knit communities. All the while, the wild beauty of the natural world weaves its way in, a source of the town’s livelihood – and vulnerable to natural resource exploitation. With an alchemic blend of taut prose, gorgeous imagery, and deep sensitivity for all of the living beings within its pages, Sidle Creek will sit snugly on bookshelves between Annie Proulx, Joy Williams, and Louise Erdrich. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

After an unexpected phone call on an early morning in 2018, writer and model Eirinie Carson learned of her best friend Larissa's death. In the wake of her shock, Eirinie attempts to make sense of the events leading up to Larissa's death and uncovers startling secrets about her life in the process. The Dead are Gods (Melville House , 2023) is Eirinie's striking, intimate, and profoundly moving depiction of life after a sudden loss. Amid navigating moments of intense grief, Eirinie is overwhelmed by her love for Larissa. She finds power in pulling moments of joy from the depths of her emotion. Eirinie's portrayal of what love feels like after death bursts from the page alongside a timely, honest, and personal exploration of Black love and Black life. Perhaps, Eirinie proposes, "The only way out is through." Eirinie Carson is a Black British Londoner and writer living in California. She is a mother of two children, Luka and Selah. A member of the Writers Grotto in San Francisco, Eirinie is a frequent contributor

Heather Bourbeau’s poetry and fiction appeared in 100 Word Story, Alaska Quarterly Review, The Kenyon Review, Meridian, The Stockholm Review of Literature, and SWWIM. She is the winner of La Piccioletta Barca’s inaugural competition and the Chapman Magazine Flash Fiction winner, and has twice been nominated for a Pushcart Prize. Her journalism has appeared in The Economist, The Financial Times, Foreign Affairs, and Foreign Policy. She was a contributing writer to Not On Our Watch: The Mission to End Genocide in Darfur and Beyond with Don Cheadle and John Prendergast. She has worked with various UN agencies, including the UN peacekeeping mission in Liberia and UNICEF Somalia. Her collection Some Days The Bird is a poetry conversation with the Irish-Australian poet Anne Casey (Beltway Editions, 2022). You can learn more about her here.  Bourbeau’s latest collection Monarch (Cornerstone Press, 2022) is a vivid memoir in poem-collection form, bringing forgotten people and events that shaped California, Nevada, Or

Robin Lee Carlson speaks to managing editor Emily Everett about her essay “Reading the Ashes,” which appears in The Common’s fall 2022 issue. Robin talks about the many-year process of observation, illustration, and writing that went into the essay, which explores the cycle of fire and rebirth in Cold Canyon. She also discusses how her work balances the poetic and artistic with the scientific, how sketching and watercolors help her understand the natural world, and how she hopes her book will encourage readers to observe and question ecological change in their local areas. Robin Lee Carlson is a natural science writer, illustrator, and author of The Cold Canyon Fire Journals: Green Shoots and Silver Linings in the Ashes. Her art and writing have also appeared in Arnoldia and The Common. Robin's focus is ecosystem disruptions, anthropogenic and natural, and how landscapes and ecological communities change over time. Her work is grounded in direct observation and documenting the world around her as it unfolds.

Today I talked to Marian O’Shea Wernicke about her new novel Out of Ireland (She Writes Press, 2023). Most people have heard of the Irish famine in 1848 and of the resistance movement against British sovereignty that consumed much of the nineteenth and twentieth centuries. In this fictional attempt to understand her great-grandmother’s life, Marian O’Shea Wernicke examines the years between the famine and the Easter Rebellion of 1916. In the process, she creates a compelling tale of a young Irish girl, Mary Eileen O’Donovan, whose impoverished family forces her to marry a neighboring farmer in his forties when Eileen, as she’s known, has barely passed her sixteenth birthday. The match improves her family’s material situation, but it is not what Eileen wants from life. A bookish girl, she has ambitions of studying to become a teacher, but pressure from her family puts paid to those plans. She grudgingly agrees to wed John Sullivan and does her best to make him a good wife. When she becomes pregnant, the coupl

Today I talked to Aleksandar Hemon about his new novel The World and All That It Holds (MCD, 2023). As the Archduke Franz Ferdinand arrives in Sarajevo one June day in 1914, Rafael Pinto is busy crushing herbs and grinding tablets behind the counter at the pharmacy he inherited from his estimable father. It's not quite the life he had expected during his poetry-filled student days in libertine Vienna, but it's nothing a dash of laudanum from the high shelf, a summer stroll, and idle fantasies about passersby can't put in perspective. And then the world explodes. In the trenches in Galicia, fantasies fall flat. Heroism gets a man killed quickly. War devours all that they have known, and the only thing Pinto has to live for are the attentions of Osman, a fellow soldier, a man of action to complement Pinto's introspective, poetic soul; a charismatic storyteller; Pinto's protector and lover. Together, Pinto and Osman will escape the trenches, survive near-certain death, tangle with spies and Bolsheviks. Over moun

Gareth L. Powell’s Descendant Machine (Titan Books, 2023) is set about 200 years in the future, and yet the recent explosion in A.I. technology suggests Powell’s imagined future—in which the minds of humans and A.I.s are symbiotically enmeshed—is just around the corner. The Bristol author’s new novel centers around a mysterious machine called the Grand Mechanism, an impenetrable black sphere, which, about two thousand years ago, replaced a star in a binary system. The system is home to a humanoid, multi-armed species known as the Jzat, who are divided among those who want to crack open the Grand Mechanism, believing it contains a wormhole to connect them with a more advanced Jzat civilization, and those who want to leave the mechanism alone, fearing it contains a black hole or other existential danger. “I got a bit satirical with the way the faction is appealing to nationalism to get the power they need to open this thing by promising sunlit uplands and making Jzat great again,” Powell says. “It's like any sc

In his new novel Loki (Pegasus Books, 2023), Melvin Burgess follows the antics of Norse mythology’s trickster god as he takes the reader on a wild ride through legendary stories about the founders of Asgard. Born from a fire inside the hollow of a tree trunk, Loki arrives in Asgard as an outsider. Despite his cleverness and wit (or, perhaps, because of them), Loki struggles to find his place among the old patriarchal gods of supernatural power. Loki is an amusing and relatable contemporary retelling of a classic Norse legend. Melvin Burgess is an award-winning writer of children’s and YA fiction. Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing interests include books and reading in popular culture, the public history of women's fiction, and women in Greco-Roman mythology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Writing Latinos, from Public Books, is a new podcast featuring interviews with Latino (a/x/e) authors discussing their books and how their writing contributes to the ever-changing conversation about the meanings of latinidad. For this episode, we caught up with Edgar Gomez on his memoir High-Risk Homosexual (Soft Skull, 2022). The conversation with Gomez was one of our most wide-ranging, flowing, and honest yet. We talk about machismo, cockfighting, reconciling with parents, the Pulse nightclub shooting, bilingualism in contemporary literature, and the “messiness” of latinidad. The New York Times called High-Risk Homosexual “a breath of fresh air.” The book is a finalist for the Lambda Literary Award for Gay Memoir/Biography; an Honor Book for the 2023 Stonewall Book Award-Israel Fishman Non-Fiction Award; and was named a Best Book of the Year by BuzzFeed, Electric Literature, and Publishers Weekly. Born in Florida but with roots in Nicaragua and Puerto Rico, Gomez received an MFA from the University of Calif

Listen to this interview of Helen Sword, professor emerita in the School of Humanities and the Centre for Arts and Social Transformation at the University of Auckland, founder of WriteSPACE, an international virtual writing community, and author of Writing with Pleasure (Princeton UP, 2023). We talk about how pleasure is difficult-but-good. Helen Sword : "If you have a text that has not been written with pleasure — it's been like pulling teeth for the author — it's going to feel the same way for the reader. So I think an issue with a lot of academic writing is that we have to read a lot of things that we don't enjoy, and then we get this message that that's how we're supposed to write too. So, it just becomes this never-ending cycle. But what if we brought in here the potentialities of play and reversed this situation and thought, 'Okay, I'm going to write with pleasure, I'm going to be excited about this, I'm going to create a beautifully crafted sentence or paragraph so that my reader will read it and just

Artifice (Prototype, 2023), the debut collection by Lavinia Singer, is an exploration of the art of making. Its poems celebrate the artistry of craftsmanship: how works relate to beauty, and how they might inspire or ensnare. They consider issues of artificiality and authenticity, ‘the man-made’ and ‘the natural’. They warn of artfulness, in the sense of cunning or deception. And they wonder at the mystery of art and language, that which resolutely remains unknown or ineffable. For Artifice is as much riddle as revelation, stirring delight and discomfort as it delves into the nature of aesthetics and the creative process. How are works made and how do they make us, in turn? What worlds can be built from words? This book dwells in possibility, presenting an ambiguous space for contemplation, connection and, ideally, hope. Hal Coase is a PhD candidate at La Sapienza, University of Rome. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooks

In her new poetry collection Suddenly We (Wesleyan UP, 2023), Evie Shockley mobilizes visual art, sound, and multilayered language to chart routes towards openings for the collective dreaming of a more capacious "we." How do we navigate between the urgency of our own becoming and the imperative insight that whoever we are, we are in relation to each other? Beginning with the visionary art of Black women like Alison Saar and Alma Thomas, Shockley's poems draw and forge a widening constellation of connections that help make visible the interdependence of everyone and everything on Earth. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

A deliciously funny, sharply observed debut of family, love, and class, this zeitgeisty novel follows three women in one wealthy Brooklyn clan... Darley, the eldest daughter in the well-connected old money Stockton family, followed her heart, trading her job and her inheritance for motherhood but giving up far too much in the process; Sasha, a middle-class New England girl, has married into the Brooklyn Heights family, and finds herself cast as the arriviste outsider; and Georgiana, the baby of the family, has fallen in love with someone she can't have, and must decide what kind of person she wants to be. Rife with the indulgent pleasures of life among New York's one-percenters, Pineapple Street (Pamela Dorman Books, 2023) is a smart, escapist novel that sparkles with wit. Full of recognizable, loveable--if fallible--characters, it's about the peculiar unknowability of someone else's family, the miles between the haves and have-nots, and the insanity of first love--all wrapped in a story that is a sheer delig

In the 1940s, Singapore was controlled by the British occupied by the Japanese and comprised of rubber plantations and decrepit fishing villages. A timid little boy is the only one who can help his father, a fisherman, find a string of mysterious islands surrounded by teeming ocean life that will change the fortune of his family and neighbors. While his older brother fishes with their father, Ah Boon gets to go to school, where he meets his first friend, the beautiful Siok Mei. As they grow up, Siok Mei becomes entranced with improving the country through communism while Ah Boon focuses on his own livelihood. The British finally leave, the communists are banished, and the new rulers continue to rule Singapore with punishing vigor of previous colonizers. Ah Boon works with the new rulers to modernize the country, replace swamps with buildings and roads, and improve living conditions, but not everyone accepts the changes. The Great Reclamation (Riverhead Books, 2023) is a both a personal tale and a sweeping sto