New Books In Literature

Jennifer Lang's Places We Left Behind: A Memoir in Miniature (Vine Leaf Press, 2023) uses short chapterettes and experimental prose to examine he marriage, commitment and compromise, faith and family while moving between prose and poetry, playing with language and form, daring the reader to read between the lines. When American-born Jennifer falls in love with French-born Philippe during the First Intifada in Israel, she understands their relationship isn't perfect. Both 23, both Jewish, they lead very different lives: she's a secular tourist, he's an observant immigrant. Despite their opposing outlooks on two fundamental issues—country and religion—they are determined to make it work. For the next 20 years, they root and uproot their growing family, each longing for a singular place to call home. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Father Verses Sons: A Correspondence in Poems (Rare Bird, 2024). When the global pandemic forced his ninety-six-year-old father into isolation, filmmaker Ari Gold became concerned that loneliness would kill his father's spirits. As a prolific novelist who began writing in his twenties, Herbert Gold's incredible oeuvre included twenty-four novels, five collections of stories and essays, and eight nonfiction books. So, Ari mailed his father a poem, asking for one in return. Later, Ari's twin brother, Ethan, also got into the game. Thus was launched a lifesaving literary correspondence, and a testament to the bonds of family. The resulting poems are playful, honest, funny, and moving. Secrets are invoked alongside personal - and often painful - history. Ari and Ethan's mother, Herbert Gold's second wife, died in a helicopter crash alongside the famous rock promoter and impresario Phil Graham in 1991. Her ghost roams through the poems and the wonderful archival photos included in full color throughout. In Father

The Stark Beauty of Last Things (She Writes Press, 2023) is set in Montauk, the far reaches of the famed Hamptons, an area under looming threat from a warming climate and overdevelopment. Now outsider Clancy, a thirty-six-year-old claims adjuster scarred by his orphan childhood, has inherited an unexpected legacy: the power to decide the fate of Montauk’s last parcel of undeveloped land. Everyone in town has a stake in the outcome, among them Julienne, an environmentalist and painter fighting to save the landscape that inspires her art; Theresa, a bartender whose trailer park home is jeopardized by coastal erosion; and Molly and Billy, who are struggling to hold onto their property against pressure to sell. When a forest fire breaks out, Clancy comes under suspicion for arson, complicating his efforts to navigate competing agendas for the best uses of the land and to find the healing and home he has always longed for. Told from multiple points of view, The Stark Beauty of Last Things explores our connection t

When Samuel Fiddes and Hailey MacIntyre meet by chance in Glasgow, Scotland, in 1878, their worlds appear to be far distant from each other. Samuel lives with his little sister, Alison, in a tenement—the two of them scrabbling to keep themselves fed and clothed. Hailey enjoys a comfortable middle-class life, although the expectations placed on her as a young woman restrict her future not simply to marriage and motherhood but to a union with the “right” man, defined in terms of wealth and prestige. Despite this social gap, Samuel and Hailey form an instant bond after he rescues her younger brother from a near-fatal run-in with a careless carriage driver. Both know that Hailey’s parents disapprove of their friendship, never mind a budding romance, but a mix of attraction and teenage rebellion draws them together. Then fate intervenes. Financial disaster strikes the MacIntyre family just as things start to look up for Samuel and Alison. Hailey’s father decides to move his family to Washington Territory, where he

In Brenda Novak's latest book, Tourist Season (Mira Books, 2024), Ismay Chalmers' plans to spend a relaxing summer at the beach are derailed when she discovers the wealthy family she is marrying into is hiding many scandals and secrets. Ismay is ready for a relaxing summer reconnecting with her fiance at his family's luxurious beachfront cottage. But before Remy can join her, a hurricane bears down on Mariners Island. Alone in the large house, Ismay makes a disturbing discovery in Remy's childhood closet. She's not sure what to make of it, but is relieved when the property's caretaker, Bo, checks in on her. Bo's home is damaged, so they temporarily shelter together, and Ismay is comforted by his quiet strength. But the unannounced arrival of a family member puts Bo back at his place and changes Ismay's summer into something other than what she wants -- or ever expected. With so many reasons to feel unsettled, Ismay finds herself turning to Bo, who gives her more than a sense of security; there's something abo

Sixteen-year-old Odile is an awkward, quiet girl vying for a coveted seat on the Conseil. If she earns the position, she'll decide who may cross her town's heavily guarded borders. On the other side, it's the same valley, the same town. Except to the east, the town is twenty years ahead in time. To the west, it's twenty years behind. The towns repeat in an endless sequence across the wilderness. When Odile recognizes two visitors she wasn't supposed to see, she realizes that the parents of her friend Edme have been escorted across the border from the future, on a mourning tour, to view their son while he's still alive in Odile's present. Edme--who is brilliant, funny, and the only person to truly see Odile--is about to die. Sworn to secrecy in order to preserve the timeline, Odile now becomes the Conseil's top candidate. Yet she finds herself drawing closer to the doomed boy, imperiling her entire future. A breathlessly moving "unique take on the intersection of fate and free will" (Nikki Erlick, author of Th

Lynne Nugent is the editor of The Iowa Review and the author of a chapbook of essays, Nest, about motherhood and domesticity published by The Florida Review in 2020. She holds a MFA in nonfiction writing and a PhD in English from the University of Iowa. It’s a small world, at times, as the podcast’s host grew up in Northfield, Minnesota, the site of the opening essay “Why I Lie” by Jonathan Wei. That essay opens, as guest Lynne Nugent observes, with a series of declarative sentences that quickly get modified as the author takes on the role of the fallible narrator to make the larger point that society isn’t always as grand as we’re led to believe by documents like the Pledge of Allegiance. A second essay discussed by Nugent takes the iconic status of California as the Golden State down a notch by focusing on rats that plague the sleepless nights of Elizabeth Hall, the author of “Rat Beach.” A third essay covered here, “Bloodlust: A Memoir” by Libby Kurz vividly describes life as a U.S. Air Force trauma center

Millicent Borges Accardi, a Portuguese-American writer, is the author of four poetry collections, including Only More So (Salmon Poetry, Ireland), and Quarantine Highway (FlowerSong Press). Among her awards are fellowships from the National Endowment for the Arts (NEA), Fulbright, CantoMundo, Creative Capacity, the California Arts Council, Foundation for Contemporary Arts (Covid grant), Yaddo, Portuegese National Cultural Foundation, and the Barbara Deming Foundation, "Money for Women." She lives in Topanga canyon. From re-definition to re-calibration, the poems in Quarantine Highway are artifacts to the early and mid-days of the pandemic. Though not specifically labeled as "Covid poems," they strike to the heart of the universal yet individual struggles of solitude, confinement, justice, isolation and, ultimately, self-reckoning. The poems push and pull between the constantly knocking global news cycle to the stillness of a surreal inner world. Find more of Millicent's writings here. Learn more about your ad

Parul Kapur's novel Inside the Mirror (University of Nebraska Press, 2024) centers on twin sisters growing up in 1950s Bombay, who aspire to become artists. The family is still recovering from the Partition of India in 1947, especially the twins’ grandmother, who once fought for justice against the British regime. One sister is supposed to study medicine, but she is a talented painter, and other studies education, but she is highly trained in a classical Hindu dance form called Bharata Natyam. They live in a Bengali community in which parents choose their daughters’ husbands and society demands conformity. Jaya’s paintings and Kamlesh’s dancing could destroy their chances of finding a good husband, ruin their father’s career, and affect the family’s standing in their community. Jaya moves out of the house, an aberration not only affects her medical schooling, but also disturbs the bond she has with her twin. This is a beautifully written novel about family, art, British colonialism, and coming of age in a tim

Nayereh Doosti speaks to managing editor Emily Everett about her story “The Little One,” which appears in The Common’s most recent issue. Nayereh talks about the many inspirations behind this story, which follows an older Iranian man coming to America, where he feels out of place with his family members, the community, and the younger generations. Nayereh also discusses her time as an intern at The Common, her MFA program at BU, and her brand new Persian translation of Aleksandar Hemon’s The Book of my Lives, out now in Tehran. Nayereh Doosti is an Iranian writer and translator based in Berkeley, California. Her writing has appeared or is forthcoming in Epiphany Magazine, The Massachusetts Review, and Nowruz Journal, among others. She holds an MFA from Boston University, and is a former intern at The Common. Read Nayereh’s story “The Little One” in The Common at thecommonoline.org/the-little-one. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collectiv

Kip, Leslie, and Kira are outliers—even in the metal scene they love. In arch-conservative Gulf Coast Florida in the late 1980s, just listening to metal can get you arrested, but for the three of them the risk is well worth it, because metal is what leads them to one another. Different as they are, Kip, Leslie, and Kira form a family of sorts that proves far safer, and more loving, than the families they come from. Together, they make the pilgrimage from Florida's swamp country to the fabled Sunset Strip in Hollywood. But in time, the delicate equilibrium they've found begins to crumble. Leslie moves home to live with his elderly parents; Kip struggles to find his footing in the sordid world of LA music journalism; and Kira, the most troubled of the three, finds herself drawn to ever darker and more extreme strains of metal. On a trip to northern Europe for her twenty-second birthday, in the middle of a show, she simply vanishes. Two years later, the truth about her disappearance reunites Kip with Leslie, who

In his debut essay collection, My Life of Crime (Sagging Meniscus Press, 2022), Tyler C. Gore brings readers on an awkward visit to a nude beach. A bike-pedaling angel careening through rush-hour traffic. The mystery of a sandwich found in a bathroom stall. A lyric, rainy-day ramble through the East Village. With the personal essays (and three other entertainments) Gore reveals the artistic secrets of his life of crime: a charming wit, compassionate observation, perfection of style, and, over all, a winsomely colorful light tinged with just enough despair. Whether stewing over a subway encounter with a deranged businessman, confessing his sordid past as a prankster, or recounting his family’s history of hoarding, Gore is by turns melancholy, profound and hilarious. The collection culminates with the novella-length essay “Appendix,” a twisted, sprawling account of routine surgery that grapples with evolution, mortality, strangely attractive doctors, simulated universes, and an anorexic cat. My Life of Crime co

At the moment when Voyager 1 is launched into space carrying its famous golden record, a baby of unusual perception is born to a single mother in Philadelphia. Adina Giorno is tiny and jaundiced, but she reaches for warmth and light. As a child, she recognizes that she is different: She possesses knowledge of a faraway planet. The arrival of a fax machine enables her to contact her extraterrestrial relatives, beings who have sent her to report on the oddities of Earthlings. For years, as she moves through the world and makes a life for herself among humans, she dispatches transmissions on the terrors and surprising joys of their existence. Then, at a precarious moment, a beloved friend urges Adina to share her messages with the world. Is there a chance she is not alone? Marie-Helene Bertino's Beautyland (FSG, 2024) is a novel of startling originality about the fragility and resilience of life on our Earth and in our universe. It is a remarkable evocation of the feeling of being in exile at home, and it introd

What if HIV started spreading in the early 1500s rather than the late 1900s? Without modern medicine, anybody who catches HIV is going to die. In Wages of Sin (Caezik SF & Fantasy, 2024), by Dr. Harry Turtledove, a patriarchal society reacts to this devastating disease in the only way it knows how: it sequesters women as much as possible, limiting contacts between the sexes except for married couples. While imperfect, such drastic actions do limit the spread of the disease. The ‘Wasting’ (HIV) has caused devastating destruction throughout the known world and severely limited the development of technology as well, creating a mid-nineteenth century England and London almost unrecognisable to us. This is the world Viola is born into. Extremely intelligent and growing up in a house full of medical books which she reads, she dreams of travelling to far-off places, something she can only do via books since her actions and movements are severely restricted by both law and custom. This interview was conducted by Dr.

Kate Quinn and Janie Chang are independently acclaimed authors of historical fiction, both of whom have previously appeared on this podcast channel. Here they combine their skills to tell a story about the 1906 San Francisco earthquake from multiple points of view. One line follows the story of Alice Eastwood, a botanist whom we meet in London five years after the tragedy. Her perspective is contrasted with that of Gemma Garland, an aspiring opera star whose unique voice can’t quite compensate for the migraines that sideline her just as she’s about to make her mark on the world. The third narrator is a young Chinese-American named Feng Suling (“Susie” to the rich white customers who can’t be bothered to learn her name), with a gift for embroidery and a grand ambition: to escape the arranged marriage her uncle plans for her and reunite with Reggie, the love she has lost. How these three stories intersect and overlap, united by the Phoenix Crown and the man who owns it, I’ll leave for readers to discover. Each

Chandrica Barua is the Nonfiction and Online Editor for MQR. A PhD candidate in the Department of English Language and Literature, her dissertation focuses on encounters between imperial objects and colonial bodies in the British Empire, especially in British India. She hails from Assam, India. What draws an editor to a particular essay? In Chandrica Barua’s case, her criteria definitely include: whether the essay is inventive in form (for instance, by being a hybrid or “braided” essay that brings together different topical strands) and if it surprises the reader by where it goes. Also of note are factors like: does it have a compelling title, a strong start, and a satisfying moment of closure? The first of the essays discussed here comes from a special, forthcoming African literature issue. Does Emelda Nyaradzai Gwitimah’s “My Hairdresser Is Dead” have an intriguing title? Absolutely, along with a sense of humor missing in many memoirs. In turn, another African essay, “Side Pieces” by Chike Frankie Edozien,

Mako Yoshikawa's Secrets of the Sun: A Memoir (Mad Creek Books 2024) contains a host of essays about her difficult, brilliant father. Shoichi Yoshikawa grew up in a wealthy family in 1930s Japan, but his mother died when he was five, and he died alone on the eve of Mako’s wedding. He had been a genius, renowned for his research in nuclear fusion and respected at Princeton, until he fell apart. She remembered him being alternatingly kind or violent when bipolar disease gripped him. Her mother packed up and left the house with Mako and her sisters, later remarrying a wonderful man and brilliant chess player who Mako considered the father she always wanted. Mako wants to understand him; why he cross-dressed, why he was so passionate about fusion, why he alienated his daughters so that he hadn’t even been invited to Mako’s wedding. Mako Yoshikawa is the author of the novels One Hundred and One Ways and Once Removed. Her novels have been translated into six languages; awards include a Massachusetts Cultural Counci

In this fantastic recent episode from our colleagues at Novel Dialogue, Sheila Heti sits down with Sunny Yudkoff and John to discuss her incredibly varied oeuvre. She does it all: stories, novels, alphabetized diary entries as well as a series of dialogues in the New Yorker with an AI named Alice. Drawing on her background in Jewish Studies, Sunny prompts Sheila to unpack the implicit and explicit theology of her recent Pure Colour (Sheila admits she “spent a lot of time thinking about …what God’s pronouns are going to be” )–as well as the protagonist’s temporary transformation into a leaf. The three also explore how life and lifelikeness shape How Should a Person Be. Sheila explains why “auto-fiction” strikes her as a “bad category” and “a lazy way of thinking about what the author is doing formally” since “the history of literature is authors melding their imagination with their lived experience.” if you enjoyed this Novel Dialogue crossover conversation, you might also check out earlier ones with Joshua Co

Today’s book is: Whiskey Tender: A Memoir (Harper, 2024), by Deborah Jackson Taffa, who was raised to believe that some sacrifices were necessary to achieve a better life. Her grandparents—citizens of the Quechan (Yuma) Nation and Laguna Pueblo tribe—were sent to Indian boarding schools run by white missionaries, while her parents were encouraged to take part in governmental job training off the reservation. Assimilation meant relocation, but as Deborah Jackson Taffa matured into adulthood, she began to question the promise handed down by her elders and by American society: that if she gave up her culture, her land, and her traditions, she would not only be accepted, but would be able to achieve the “American Dream.”  Whiskey Tender traces how a mixed tribe native girl—born on the California Quechan (Yuma) reservation and raised in Navajo territory in New Mexico—comes to her own interpretation of identity, despite her parent’s desires for her to transcend the class and “Indian” status of her birth through edu

Garnett Kilberg Cohen’s fourth short story collection, Cravings (University of Wisconsin Press, 2024), contains twelve beautifully-written tales. They each start simply before delving into universal human struggles of love, aging, repercussions, and community. Characters mull over or confront decisions and recognize or bemoan past mistakes. A little girl’s life changes while she’s sneaking olives from the pantry, a woman is plunged back in time while attending the book release of her ex, parents of a disabled child struggle as their marriage frays, the daughter of an ex appears on television, and a woman destroys the reputation of her only friend. The collection is about cravings of one kind or another, but also covers a range of complex emotions that arise over the course of a lifetime. Garnett Kilberg Cohen was born and raised in Ohio and feels a strong connection to the Midwest, a place in her memory that is replete with farms, small towns, car factories and fields of corn and purple clover. As a child, sh