New Books In Literature

Christie Hodgen is the author of four books of fiction, most recently the novel Boy Meets Girl, which won the 2020 AWP Award for the Novel. Her short fiction and essays have been included in dozens of literary journals and have won two Pushcart Prizes. She teaches in the MFA program at the University of Missouri-Kansas City and is the editor of New Letters. A sense of place looms large in the first essay discussed in this episode, “Disintegration” by Karen Fisher. Her job in the hinterlands of east New Orleans involves recycling, hogs that wander around and a boss who is equally beastly as he threatens to fire her. Wrestling for control of her circumstances is tough for the author, in a place that writes “off neglect as charm.” In “On Emptiness” by Joyde Dehli, a poetic sensibility shines. Fear is in the air, as Dehli notes that in response one can flee, fight, freeze or faint, to which might be added a fifth option: fawning, which the author does beautifully over a world that defies definition. In “Right Now

It's November 3, 1957. As Sputnik 2 launches into space, carrying Laika, the doomed Soviet dog, a couple begin their day. Virgil Beckett, an insurance salesman, isn't particularly happy in his job but he fulfills the role. Kathleen Beckett, once a promising tennis champion with a key shot up her sleeve, is now a mother and homemaker. On this unseasonably warm Sunday, Kathleen decides not to join her family at church. Instead, she unearths her old, red bathing suit and descends into the deserted swimming pool of their apartment complex in Newark, Delaware. And then she won't come out. A riveting, single-sitting read set over the course of eight hours, The Most (Little, Brown, 2024) masterly breaches the shimmering surface of a seemingly idyllic mid-century marriage, immersing us in the unspoken truth beneath. Jessica Anthony is the author of three previous books of fiction, most recently the novel Enter the Aardvark, a finalist for the New England Book Award in Fiction. A recipient of the Creative Capital Awar

Shanghailanders (Spiegel & Grau: 2024), the debut novel from Juli Min, starts at the end: Leo, a wealthy Shanghai businessman, sees his wife and daughters off at the airport as they travel to Boston. Everyone, it seems, is unhappy. The novel then travels backwards through time, giving answers to questions revealed in later chapters, jumping from person to person: Leo, Eko, their daughters Yumi, Yoko and Kiko, and other peripheral members of the household, as we come to learn why Shanghailanders’ core family is just so dysfunctional. In this interview, Juli and I talk about Shanghai, her decision to write the book in reverse chronological order, and what we gain when those from a non-white perspective write about expatriates. Juli Min is a writer and editor based in Shanghai. She studied Russian and comparative literature at Harvard University, and she holds an MFA in fiction from Warren Wilson. She was the founding editor of The Shanghai Literary Review and served as its fiction editor from 2016 to 2023. You

Today, I interview Zoë Bossiere about Cactus Country: A Boyhood Memoir (Abrams Press, 2024). Bossiere is writer from Tucson, Arizona. They are the managing editor of Brevity: A Journal of Concise Literary Nonfiction, as well as the coeditor of two anthologies: The Best of Brevity and The Lyric Essay as Resistance. Today, we talk about their debut memoir, in which Bossiere captures their experience growing up as a trans boy in a Tucson, Arizona trailer park. It's a world that the young Bossiere both loves and longs to escape and it's one brought to life through utterly keen and compelling storytelling. Cactus Country is a book I love, a book I've shared countless times, a book full of hard-won wisdom. It's shown me what it means to be more fully and beautifully human. Enjoy my conversation with Zoë Bossiere. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Today I interview Casey Plett. Plett is the author of multiple works of fiction, including the story collection A Dream of a Woman, the novel Little Fish, which was a winner of a Lambda Literary Award and the Amazon First Novel Award in Canada, and and the story-collection A Safe Girl to Love, also a winner of a Lambda Literary Award. Today, we talk about her new book, On Community (Biblioasis, 2023), which explores the idea of community as a word, a symbol, and a very messy, very human experience of which we're all, in one way or another, a part. Enjoy my conversation with Casey Plett. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In December 2018, we meet Rudy Coyle, a bar owner's son from Flushing, Queens, in the throes of a major quarter-life crisis. Cut out of the family business, he gets a Hail Mary job as a night doorman in a storied Park Avenue apartment building, where he comes under the wing of the family in 4E, the Cohens. Jacob "Jake" Cohen, the fast-talking patriarch, is one of a generation of financiers who made hundreds of millions of dollars in the cutthroat taxi medallion industry in the early 2000s, largely by preying on the hopes and dreams of impoverished immigrant drivers. As Jake tries to stop the bleed from the debt crisis now plaguing his company, clawing back his assets from an increasingly dangerous coterie of Russian American associates, Rudy gets promoted from doorman to errand boy to bodyguard to something like Jake's right-hand man. By turns a gripping portrait of corruption and a tender family dramedy, Atta Boy (U Iowa Press, 2024) combines the urban cool of Richard Price with the glossy, uptown charm of T

"In this tango palace everything was swaying rhythmically to and fro, bodies of men and women, beams of colored light, brilliant wine glasses, red and green liquids, slender fingers, pomegranate-colored lips, and feverish eyes. Tables and chairs, together with the crowd of people, cast their reflections on the center of the shiny floor. Everyone was under a powerful magical spell and lost in this enchanted palace."  Enigmatic, mesmerizing, and frenetic, Urban Scenes (Cambria, 2023) takes readers into the dazzling world of Shanghai in the 1920s. This collection of short fiction by Liu Na’ou (1905–1940) — a Taiwanese-born modernist writer — contains stories that take place in cinemas, art studios, and nightclubs. Touching on issues of modernity, social change, and shifting ideas of love, romance, and beauty, these tantalizing stories are accompanied by a thoughtful Introduction and helpful notes by the translators, Yaohua Shi and Judith Amory.  This collection is sure to appeal to those interested in modernist

In The People of the Ruins (originally published in 1920), Edward Shanks imagines England in the not-so-distant future as a neo mediaeval society whose inhabitants have forgotten how to build or operate machinery. Jeremy Tuft is a physics instructor and former artillery officer who is cryogenically frozen in his laboratory only to emerge after a century and a half to a disquieting new era. Though at first Tuft is disconcerted by the failure of his own era's smug doctrine of Progress, he eventually decides that he prefers the post civilised life. But, when the northern English and Welsh tribes invade, Tuft must set about reinventing weapons of mass destruction. One of the most critically acclaimed and popular postwar stories of its day, The People of the Ruins captured a feeling that was common among those who had fought and survived the Great War: haunted by trauma and guilt, its protagonist feels out of time and out of place, unsure of what is real or unreal. Shanks implies in this seminal work, as Dr. Paul

It's 1990 in London and Tom Hargreaves has it all: a burgeoning career as a reporter, fierce ambition and a brisk disregard for the "peasants" -- ordinary people, his readers, easy tabloid fodder. His star seems set to rise when he stumbles across a sensational scoop: a dead child on a London estate, grieving parents beloved across the neighborhood, and the finger of suspicion pointing at one reclusive family of Irish immigrants and "bad apples" the Greens. At their heart sits Carmel: beautiful, otherworldly, broken, and once destined for a future beyond her circumstances until life - and love - got in her way. Crushed by failure and surrounded by disappointment, there's nowhere for her to go and no chance of escape. Now, with the police closing in on a suspect and the tabloids hunting their monster, she must confront the secrets and silences that have trapped her family for so many generations. Today I talked to Megan Nolan, author of Ordinary Human Failings (Little, Brown, 2024). Nolan was born in Waterford

Kate Brandes' new novel, Stone Creek (Wyatt-MacKenzie, 2024) introduces readers to Tilly and Frank Stone. Seventeen years ago, after living as a fugitive, Tilly Stone (then, age 13) is left to fend for herself in remote Pennsylvania when her infamous eco-terrorist father disappears under mysterious circumstances. She tries to forget the dams they blew up together and forge a new life until her father’s return threatens to upend her small-town world and her friendship with the dogged FBI agent still pursuing him. Ultimately, as the past and present detonate and blow up with more than one kind of casualty, Tilly must choose between the father she loves, the truth, and her home. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Fierce and unflinching, Rochelle Potkar's poetry springs from the deeply personal and ripples out to the world, capturing lovers' whispers and reverberations of explosions with equal ease. Vividly depicting love, grief, anger, and defiance, these poems glimmer like coins beneath the water surface, tethered with the weight of wishes clinging to them. As sensuous as it is articulate, Coins in Rivers (Hachette India, 2024) is a deep meditation on womanhood, motherhood, and citizenship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Premee Mohamed’s novel The Siege of Burning Grass (Solaris, 2024) is set during an ongoing war between two empires: Varkal and Med’ariz and follows Alefret, a founder of Varkal’s pacifist resistance who has been arrested and imprisoned by his own country. When the opportunity for freedom presents itself, Alefret must decide how willing he is to collaborate with his government’s war effort and how much he is willing to sacrifice to remain committed to his own ideals. In this interview, Mohamed describes the long history of violent responses to pacifist movements and some of the influences that went into writing a war novel. She discusses the relationship between education and war, the role of community in forming political movements, and the strengths of speculative fiction as a genre. We also chat about medical experimentation, wartime propaganda and cool science fiction technology.  The Siege of Burning Grass is a grounded and empathetic novel about the cruelties of war. It was a great joy to discuss it with

It's another summer in a small Florida town. After an illness that vanishes as mysteriously as it arrived, everything appears to be getting back to normal: soul-crushing heat, torrential downpours, sinkholes swallowing the earth, ominous cats, a world-bending virtual reality device being handed out by a company called ELECTRA, and an increasing number of posters dotting the streets with the faces of missing citizens. Living in her mother's home, a ghostwriter for a famous thriller author tracks the eerie changes. On top of everything else, she's contending with family secrets, spotty memories of her troubled youth, a burgeoning cult in the living room, and the alarming expansion of her own belly button. Then, during a violent rainstorm, her sister goes missing. She returns a few days later, sprawled on their mother's lawn and speaking of another dimension. Now the ghostwriter must investigate not only what happened to her sister and the other missing people but also the uncanny connections between ELECTRA, th

Catherine Segurson is the founding editor of Catamaran. She’s a painter, videographer and creative writer who graduated from the Master of Fine Arts program at California College of the Arts in San Francisco. Prior to founding Catamaran 12 years ago, she worked at both Zeotrope and ZYZZYVA literary magazines. California-based Catamaran focuses often on the life of the artist, and even more frequently on nature and the environment. The first of the essays discussed in this episode is “What Would Odysseus Do?” by Melanie Faranello. Her psychiatrist father, a Greek man, was always urging his patients to be bold and take on risks. His daughter, the author, does likewise by daring to write her dad imaginative letters as a girl, supposedly seeking his clinical advice. In “Ten Charms Against the Future” by Steve Wing, the first five vignettes offer examples of what each of the five senses offer in appreciating nature. Sight and sound remain vital as this sensual essay ends with the author’s whispering the word “shel

Asya and Manu are looking at apartments, envisioning their future in a foreign city. What should their life here look like? What rituals will structure their days? Whom can they consider family? As the young couple dreams about the possibilities of each new listing, Asya, a documentarian, gathers footage from the neighborhood like an anthropologist observing local customs. "Forget about daily life," chides her grandmother on the phone. "We named you for a whole continent and you're filming a park." Back in their home countries parents age, grandparents get sick, nieces and nephews grow up-all just slightly out of reach. But Asya and Manu's new world is growing, too, they hope. As they open the horizons of their lives, what and whom will they hold onto, and what will they need to release? Unfolding over a series of apartment viewings, late-night conversations, last rounds of drinks and lazy breakfasts, The Anthropologists (Bloomsbury, 2024) is a soulful examination of homebuilding and modern love, written with

In Ruchama Feuerman's novel In the Courtyard of the Kabbalist (Open Road Media 2024), Isaac, a lonely, heartbroken New York haberdasher, moves to Jerusalem after he’s jilted by his bride-to-be and his mother dies. He stumbles into a job as the assistant to a famous kabbalist and spends his days helping the elderly man and his wife dispense wisdom and soup to the troubled souls who come into their courtyard. Isaac crosses paths with Tamar, a newly religious young American woman desperate to find a spiritually connected husband, and Mustafa, a physically deformed Arab janitor who works on the Temple Mount. Isaac doesn’t realize that simply being kind to the janitor will change both their lives. Because of that kindness, Mustafa gifts Isaac with an ancient, discarded piece of pottery that he found in the garbage pile on the Temple Mount. His gift lands Isaac in jail and puts Mustafa in danger. Tamar is the only person Isaac knows who can help avert a disaster. First published in 2014, In the Courtyard of the Kab

A. J. Rodriguez speaks to managing editor Emily Everett about his story “Papel Picado,” which appears in The Common’s most recent issue. A.J. talks about the process of writing and revising this story, which explores a fraught moment in the life of a Latino high schooler struggling under the pressures of family, friendship, and expectation in Albuquerque, New Mexico. A.J. also discusses how his writing has changed over time, and why he’s always writing toward not just a specific character’s experience but also the complex community of a place. A. J. Rodriguez is a Chicano fiction writer born and raised in Albuquerque, New Mexico. He is a graduate of the University of Oregon’s MFA program and the recipient of fellowships from MacDowell, Yaddo, and The Kerouac Project. His stories have won CRAFT’s Flash Fiction Contest, the Crazyhorse Fiction Prize, second place in Salamander’s Fiction Contest, and the Kinder/Crump Award for Short Fiction from Pleiades, judged by Jonathan Escoffery. His fiction also appears in 

Playwright Naomi Westerman was an anthropology graduate student studying death rituals around the world when her whole family died, turning the end of lives from an academic pursuit into something deeply personal. She became fascinated by the concept of loss and grief, the multiple ways we experience it across cultures, history, and art. Happy Death Club: Essays on Death, Grief, and Bereavement Across Cultures (404 Inklings, 2024) is part memoir, part meditation on the many faces of death – from sprinkling ashes across the globe, to the power of horror movies, the complexities of engaging in true crime entertainment, and the vital communities of peer support groups – Happy Death Club is a frank, curious and darkly humorous look at one person’s journey through grief, and what lies beyond.  This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the A

Ronald Spatz is the editor-in-chief and co-founding editor of Alaska Quarterly Review. A formal National Endowment for the Arts Fellow, Mr. Spatz has been recognized with Alaska State Governor’s Awards in Humanities and the Arts. He is currently a full professor of English and Creative Writing at the University of Alaska, Anchorage, where he also served as the founding Dean of the University Honors College and Undergraduate Research & Scholarship and as the Director of the Master of Fine Arts Program in Creative Writing. Ronald Spatz’s abiding goal for Alaska Quarterly Review is to be innovative, risk-taking, and truth-seeking, all virtues born out during this interview and by the four essays discussed here. In “Hungry Ghost” by May-lee Chaie, a cascading series of misogynistic and racist acts within the family have contributed to a devastating degree of low self-esteem. The essay confronts the emotional abyss that plagues all concerned. In “Once” by Michael Bogan, the fairy-tale like qualities of a teenage r

In Christian Collier's debut poetry collection, Greater Ghost (Four Way Books, 2024), this extraordinary Black Southern poet precisely stitches the sutures of grief and gratitude together over our wounds. These pages move between elegies for private hauntings and public ones, the visceral bereavement of a miscarriage alongside the murder of a family member, and the specter of police brutality. With a profound awareness of literary tradition, Collier enters into the American canon and dialogues with Black Southern noir--a poem like "Beloved," whose title expresses not only a genuine tenderness in its term of endearment but invokes Morrison, contextualizes this book within the legacy of racial injustice in the U.S., presenting again the prolific losses and disproportionate Black mortality across time, and yet remembers the resilience of love and transformative possibility of self-actualization from inside tragedy. Christian J. Collier is a Black, Southern writer, arts organizer, and teaching artist who resides