New Books In Critical Theory

Right now, humanists across very different disciplinary fields are trying to create the kinds of cross-disciplinary conversations that might open up new ways to conceptualize and ask questions of our objects of study. John Protevi‘s new book offers a wonderfully stimulating conceptual toolbox for doing just that. Life, War, Earth: Deleuze and the Sciences (University of Minnesota Press, 2013) creates (and guides readers through) a dialogue between the work of Gilles Deleuze and some key works and concepts animating contemporary geophilosophy, cognitive science, and biology. In doing so, Protevi’s work also has the potential to inform work in STS by turning our attention to new possibilities of thinking with scale, and with a process-oriented philosophy (among many other things). A first introduction lays out some of the basic conceptual tools and orientations emerging from Deleuze’s work, and a second introduction uses some of these ideas to explore the work of Francisco Varela in terms of a

Helene Snee, a researcher at the University of Manchester, has written an excellent new book that should be essential reading for anyone interested in the modern world. The book uses the example of the ‘gap year’, an important moment in young people’s lives, to deconstruct issues of class, cosmopolitanism and identity. Like many other aspects of contemporary life, common assumptions about travel (as opposed to tourism) or the individual experience (as opposed to patterns in social life) are taken apart in the book. The book reflects broader debates around class in British society that have been influenced by French theorist Pierre Bourdieu, such as the recent Great British Class Survey. The book situates itself in the tradition that seeks to unsettle the assumptions about taken for granted ideas about what is good judgement or good taste, asking why one form of, largely, middle class self development is privileged over others. A Cosmopolitan Journey? Difference, Distinction and Identity Wor

Bill Connolly‘s new book proposes a way to think about the world as a gathering of self-organizing systems or ecologies, and from there explores the ramifications and possibilities of this notion for how we think about and practice work with markets, politics, daily life, and beyond. The Fragility of Things: Self-Organizing Processes, Neoliberal Fantasies, and Democratic Activism (Duke UP, 2013) opens with a prelude that takes readers into the 1755 earthquake disaster in Lisbon via Voltaire’s Candide, using this to introduce a critique of neoliberalism that will continue to be so important for the duration of the book. Connolly reframes our understanding of markets in terms of an entanglement of human and nonhuman systems, with main chapters successively offering a critique of current thinking about neoliberalism and clear suggestions for how to move forward from it, a close reading of the work of Friedrich Hayek, and wonderfully productive dialogues between Kant and Hesiod (in Ch. 3) and Nietz

What is the value of music and why does it matter? These are the core questions in David Hesmondhalgh‘s new book Why Music Matters (Wiley Blackwell, 2014). The book attempts a critical defence of music in the face of both uncritical populist post-modernism and more economistic neo-liberal understandings of music’s worth. Hesmondhalgh develops this critical defence of music by exploring its importance to individuals, to places, to communities and to nations, eventually engaging with the global aspects of music’s role and position in society. The book seeks to argue against some common positions in music, reasserting the importance of embodied experiences, such as dancing, whilst taking issue with the idea of the rock star as hero. Moreover Hesmondhalgh shows the social position and social structures surrounding music, whilst remaining attentive to the aesthetic qualities of both genres and individual pieces of music. Most notably the book is ambivalent about much of the promises claimed by

In his new book, The Limits of Neo-Liberalism: Authority, Sovereignty, and the Logic of Competition (Sage, 2014), William Davies, from Goldsmiths College University of London presents a detailed and challenging account of the dominant ideology of our age. The book’s five chapters chart the emergence of neo-liberalism within economics and political philosophy, through the international networks that were influential in propagating the ideas, to finally demonstrate, via the use of fieldwork in the US and Europe, how neo-liberalism exists in practice. The book is keen to move beyond the use of neo-liberalism as a mere description of events or practices that are disliked by parts of contemporary global political discourse. Neoliberalism, for Davies, is the pursuit of the disenchantment of politics by economics. The book shows how this plays out from the initial work of key neo-liberal thinkers, such as Hayek, to more recent defenses of neo-liberal approaches by governments, management theorists and thin

When we watch film various visual elements direct our understanding of the narrative and its meaning. The subjective position of each viewer informs their reading of images in a multitude of ways. From this perspective, religion can be imaged in film and may be found by viewers but its interpretation will depend upon the relationships between media and audience. In Imaging Religion in Film: The Politics of Nostalgia (Palgrave Macmillan, 2011), M. Gail Hamner, Professor of Religion at Syracuse University, offers a dynamic theoretically informed methodology to examine the ethico-political dimensions of religion and film. She offers a semiotics of religion that relies on her reading of Charles Peirce and Gilles Deleuze, who aid us in thinking about how viewers react to and transform cinematic images. Through three case studies, including Akira Kurosawa’s Dersu Uzala (1972); Abbas Kiarostami’s Taste of Cherry (1997); and the Coen brothers’ The Man Who Wasn’t There (2001), she explores how

Brett Scott is the author of The Heretic’s Guide to Global Finance: Hacking the Future of Money (Pluto Press, 2013). Scott is a journalist, urban deep ecologist, and Fellow at the Finance Innovation Lab. While much of Scott’s book focuses on explaining various aspects of the financial services section, the heart of the book is a call to action. Scott infuses this call with a variety of first-hand experiences as a campaigner for radical approaches to disrupt the sector. For this reason, the book acts as a guide to activism, applicable for those interested in global finance, but also other domains that are ripe for criticism. His blog that he mentions at the end of the podcast can be found here.Learn more about your ad choices. Visit megaphone.fm/adchoices

Culture is inescapably linked to questions of political economy. In Neoliberal Culture: Living With American Neoliberalism (Ashgate, 2012), Patricia Ventura explores the relationship between contemporary American culture and the ideology that seems to underpin much of American life. The book integrates a range of theoretical perspectives, including the work of Michel Foucault and David Harvey, with contemporary social policy and cultural studies examples. The examples, ranging from Las Vegas’ urban organisation and Oprah’s book club through to cinematic representations of the Iraq war, all support the central thesis that American culture has turned away from the welfare state settlement of the Cold War towards a much harsher social reality. The new settlement is one of increased personal responsibility for structural and systematic failures in contemporary America. The book seeks to situate the analysis in a broader global contact, focusing on issues around immigration and global trade to add co

In her fourth book, Lynne Huffer argues for a restored queer feminism to find new ways of thinking about sex and about ethics. Are the Lips a Grave? A Queer Feminist on the Ethics of Sex (Columbia University Press, 2013) brings forth a breadth of sources — known and less well-known, French and American, primary and secondary — ranging from Colette, Violette Leduc, and Marcel Proust to the book of Genesis, from Supreme Court cases to Virginie Despentes’ rape-revenge film Baise-moi, from Irigaray to Foucault, through which Huffer reads and writes toward a queer feminist future. Beautifully written and stimulating for the theorist and non-theorist alike, Huffer’s new book combines the personal and the scholarly in experimental ways, such as her analysis of the Hagar, Sarah, and Abraham story. Carefully navigating the couloirs of queer and feminist theory, this is a book about sexuality, ethics, alterity, betrayal, and love.Learn more about your ad choices. Visit megaphone.fm/adchoices

More and more of the world is living in cities, yet we rarely stop to examine how our spaces are organised and controlled. In a remarkable new book, Explore Everything: Place-Hacking the City (Verso, 2013), Bradley Garrett tells the story of his urban explorations that attempt to show the space from an entirely new viewpoint. The book draws on ethnographic fieldwork with a community of urban explores that begins in London and takes on global sites in the development of what the book refers to as ‘place hacking’. The explorers unearth the hidden histories of the London Underground, experience sites (and sights) of seemingly closed neo-liberal capital’s constructions and point to ways that the city could be a space for creativity beyond the blandness of coffee and consumer culture. Fundamentally Explore Everything aims to ensure we never look at our city spaces in the same ways again. Unusually for a book informed by critical theory, the text is richly illustrated with photographs taken as

Sarah Franklin‘s new book is an exceptionally rich, focused yet wide-ranging, insightful account of in vitro fertilization (IVF) and the worlds that it creates and inhabits. Biological Relatives: IVF, Stem Cells, and the Future of Kinship (Duke University Press, 2013) treats IVF as a looking-glass in which can see not only ourselves, but also transformations in modern notions of biology, technology, and kinship. In addition to a fascinating ethnography of the various kinds of work (by artists, by scientists, by patients and doctors) at IVF and stem cell research facilities, readers will find insightful explorations of the work of Marx and Engels, Haraway, Plato, Strathern, Derrida, Firestone, along with a wide range of authors of feminist texts from the 1980s and after. It is a book full of hands, socks, pipettes, eggs, screens, organisms, and arguments, it is fascinating, and it was a great pleasure to talk with Sarah about it.Learn more about your ad choices. Visit megaphone.fm/adchoices

So much of Science Studies, of STS as a field or a point of engagement, is deeply concerned with objects. We create sociologies and networks of and with objects, we study them as actors or agents or actants, we worry about our relationships to them and their relationships to each other. We wonder if humans and their objects are really so different, or whether we are all octopuses shrinking behind our own ink. In Hyperobjects: Philosophy and Ecology after the End of the World (University of Minnesota Press, 2013), Timothy Morton offers a way of thinking with and about hyperobjects, particular kinds of things of which we see only pieces at any given moment. (Though by the end of the book, Morton invites us to consider that perhaps every object is a hyperobject.) Hyperobjects have a number of qualities in common, and the first half of Morton’s book introduces and explores them: they stick to other beings, and they potentially transform our taken-for-granted notions of time, space, locality, causality, and

The British Marxist economist Maurice Dobb is now largely forgotten. That’s too bad for a number of reasons. He was a brilliant thinker who wrote some of the most insightful analyses of the development and workings of capitalism around. You can still read his work and profit. He was the intellectual godfather of several notable British Marxist historians of the “New Left” of the 1960s and 1970s: Rodney Hilton, Christopher Hill, E.P. Thompson, among others. And, perhaps most importantly, his life gives us a window into a forgotten time, one in which a economists took communism seriously and fellows at Cambridge could earnestly believe in a bright communist future. This, I think, is a time we must not forget. Thanks to Timothy Shenk‘s well-researched, readable biography Maurice Dobb: Political Economist (Palgrave-Macmillan, 2013), we won’t have to. Shenk tells Dobb’s tale in all its tortured complexity. A member of the establishment and an anti-establishmentarian. A dyed-in-

Narrative, Identity, and the Map of Cultural Policy: Once Upon a Time in a Globalized World (Ashgate, 2013), a new book by Constance DeVereaux (Colorado State University) and Martin Griffin (University of Tennessee) sets out to challenge assumptions about policy making and culture in the contemporary world. The book has, at its centre, an understanding of narrative as both a practice that is central to what it means to be human and an analytical tool for understanding policy and culture. The book uses a wide range of case studies to illustrate the importance of this dual understanding of narrative to account for debates and differences between understandings of global culture as potentially threatening, in the form of globalization, or liberating, in the form of transnationalism. The case studies range from film and media studies, historical examples of Berlin and the USA’s National Endowment for the Arts, as well as questions over cultural heritage, through to readings of fictional case studies usin

The intersection of empirical research and critical theory is the basis for Anastasia Karandinou‘s new book No Matter: Theories and Practices of the Ephemeral in Architecture (Ashgate, 2013). The book takes as its starting point the growth of interest in ephemeral aspects of architecture, for example sound or time, which has arisen during the era of social and digital media. The two developments are interconnected across the book’s attempt to disrupt the traditional binary hierarchies dominant in architectural theory. Drawing on Derrida, Benjamin and Deluze, alongside a range of architects and architectural theorists, No Matter raises questions about the dominance of the visual over the non-visual; the formal over the material; and the physical over the digital. The range of empirical case studies used to illustrate the instability of the theoretical divisions ranges from audio projects in Edinburgh, Scotland to performative mapping in Shanghai, China. As a result of both its theoretical basis

In his new book Making Culture, Changing Society (Routledge, 2013), Professor Tony Bennett aims to change the way we think about culture. The book uses four core ideas about the nature and meaning of culture to present a view that does not see culture as just a set of signs and symbols. Rather culture is a form of knowledge practice, bound up with material conditions and institutions, which is implicated in the production of persons and freedoms. Making Culture, Changing Society justifies this view of culture in two ways. In the first instance the book considers how specific humanities disciplines, associated with anthropology and aesthetics, have been used to distribute ideas of freedom and ideas of the person within liberal government. Bennett uses examples from anthropological studies of colonial societies, along with discussions of the role of aesthetics for theorists such as Pierre Bourdieu, to show the function of culture and its interdependence with forms of knowledge. At the same time the book insist

What is noise? In his new book Noise Matters: Towards an Ontology of Noise (Bloomsbury Academic, 2013), Greg Hainge, Reader in French at University of Queensland, Australia, explores this question. The book is written within the tradition of critical theory and is at once playful and punning, as well as suffused with challenging and perceptive analysis. The core position of the book is that we need to move beyond the dichotomous understanding of noise that sees it as either something to be removed or rejected, an unnecessary distraction from a core signal, or something that should be celebrated, but in celebration co-opted into being something that isn’t noise. For Hainge we need a new understanding of noise, an understanding that seeks to celebrate noise through a range of engagements with cultural and theoretical phenomena. Noise is not just about sound, but figures in all forms of communication. The book takes on the accepted readings of work in music, such as John Cage’s 4’33”, li

Popular Culture and New Media: The Politics of Circulation (Palgrave, 2013) is written by David Beer, a Senior Lecturer in Sociology at York University in the UK. He blogs here and tweets here. The book attempts to describe and analyse the impact of new media on culture and society, using a range of critical theoretical starting points. Its use of theory is especially important to such a fast moving topic. The book aims to have continued and longer term relevance to debates about culture, even as specific technologies come and go, as a result of its theoretical basis David’s book raises a series of challenges for a range of academic areas. Perhaps the most important is the impact of media communications on the sociology of culture. Sociological studies of culture have been slow to consider the impact of new media, as they have tended to focus on debates about the relationship between tastes and class or social status. Popular Culture and New Media argues that the architecture underlying the way many peo

In Authentic: The Politics of Ambivalence in a Brand Culture (NYU Press, 2013), Sarah Banet-Weiser scrutinizes the spread of brand culture into other spheres of social life that the market–at least in our imaginations–had left untouched: politics, religion, creativity, and the self. Banet-Weiser observes that the authenticity concept seems to carry more weight in a culture of selling: We have come to expect, and to some extent accept, that authenticity, like everything else, can be trademarked. Through rich case studies–Dove ad campaigns, Facebook self-performance, street art, green activism, and New Age spirituality among them–Authentic identifies the pervasive (and often troubling) ambivalence of branded living.Learn more about your ad choices. Visit megaphone.fm/adchoices

Brian Michael Goss, professor of communication at St. Louis University in Madrid, has taken one of media’s most studied theories and given it a facelift. In Rebooting the Herman and Chomsky Propaganda Model in the Twenty-First Century (Peter Lang, 2013), Goss revisits the model created by Edward Herman and Noam Chomsky in their 1988 book, Manufacturing Consent. The filters remain, but Goss pushes the model into the modern context of new media models and expanded global exportation. “Far from condemning journalism,” Goss writes, “I hope to see it more closely approximate its mythologies about itself.” “Rebooting” is an important work, relevant not just to scholars, but all consumers of media.Learn more about your ad choices. Visit megaphone.fm/adchoices