Arttactic

In this week's edition of the ArtTactic Podcast, Margaret Carrigan, deputy art market editor at The Art Newspaper, joins us to recap the inaugural edition of Frieze LA. First, Margaret grades the success of the fair and tells us if there was a consensus among collectors and exhibitors as to how it went. Then, she reveals if collectors from NY, Europe and Asia attended the fair. She also touches on the quality of the art on view and the layout of the fair. Margaret also discusses the inaugural edition of Felix and how the hotel fair went. Finally, Margaret predicts what the future may look like for this fair week.

In this week's edition of the ArtTactic Podcast, we're joined by David Chau, co-founder of ART021, a Shanghai contemporary art fair. First, David shares how exhibiting galleries and visiting collectors at the fair have evolved over the past 6 years. Then, he discusses different strategies employed by US and European galleries to target Chinese collectors. Also, David explains how US and European galleries without physical locations in China are having success there. Lastly, David identifies some of the common stereotypes that the global art world has about Chinese art collectors.

In this week's episode of the ArtTactic Podcast, we're here with Freya Stewart, CEO of art lending at The Fine Art Group, formerly The Fine Art Fund. First, Freya reveals why The Fine Art Group expanded into the art financing sector. Then, she shares some data regarding the level of lending at the firm. Also, Freya speculates why borrowing against your artwork still remains a niche product within the art world. Finally, she touches on their recent acquisition of Falcon Fine Art as well as predicts what the art financing space will look like in the future.

In this week's episode of the ArtTactic Podcast, we're joined by Mills Moran, co-founder of Felix LA, which will occur from February 14-17. First, Mills tells us what inspired him to launch an art fair in LA. Then, he reveals what we can expect at the inaugural edition of the fair, which will take place at the Hollywood Roosevelt Hotel. Also, Mills speaks with us about the growing LA art scene and collector base.

In this end of the year episode of the ArtTactic Podcast, Judd Tully, veteran art market reporter, joins us to review the art market in 2018. First, Judd shares the top storylines of the year with us. Then, he identifies which artists were the biggest winners over the past 12 months. Also, Judd discusses how Instagram is impacting several facets of the art market. Finally, Judd reveals how market participants are feeling as head into 2019 and also gives us two bold predictions for the art market next year.

In this week's edition of the ArtTactic Podcast, Anders Petterson, founder of ArtTactic, joins us to preview our 2018 Top Artists Report, in which we analyze and assess the top performing contemporary artists at auction by nationality, age and gender. First, Anders details the performance of the contemporary art market in 2018 and how it compared with our expectations heading into the year. Then, he identifies some of the noteworthy trends in 2018 in terms of how different artists performed at auction. Also, Anders shares some of the top performing artists during the past year, including younger artists under the age of 45.

In this week's episode of the ArtTactic Podcast, Julia Halperin, executive editor at Artnet News, joins us to recap Art Basel Miami. First, Julia discusses galleries' expectations heading into the fair week and how they felt at the conclusion of the fair. Then, she identifies some of the most noteworthy sales from the fair. Also, Julia tells us what insiders were saying about the increased attention on younger black artists. Additionally, she touches on how galleries at NADA are adopting their business models to the changing art market, what was on view at the local private museums and how everyone felt about the state of the art market as we wind down 2018.

In this week's edition of the ArtTactic Podcast, Mark Rappolt, editor-in-chief of ArtReview, joins us to review their recently published Power 100 ranking, listing the year's most influential people in the contemporary art world. First, we discuss the #metoo movement's place in the top 5 of this year's list and how it is infiltrating the art world. Then, we breakdown David Zwirner's rise to number 1 on the list as well as Larry Gagosian's fall to 22. Also, Mark lists some important trends on this year's list and identifies a few highly influential individuals on the list that may be under the radar.

In this week's episode of the ArtTactic Podcast, we're joined by Ben Stein, author of the new book Museum of Street Art: East Village. First, Ben shares the history of street art and graffiti. Then, he explains how and why he systematically photographed the street art in the East Village over 14 straight hours to capture a snapshot of the “exhibit”. Also, Ben describes the East Village's history with street art and how it differs from other neighborhoods in New York City. Additionally, Ben identifies some of the most prominent street artists in the East Village as well as some of the lesser known ones.

In this week's edition of the ArtTactic Podcast, Nate Freeman, art market report for Artsy, joins us to recap last week's New York contemporary auctions. First, Nate touches on David Hockney becoming the most expensive living artist with his $90.3 million sale of his Portrait of an Artist. Then, he discusses why we saw softening at the top of the market and strength in the middle market. Also, Nate breaks down the surging prices for undervalued African American artists and Kaws. Lastly, he shares the sentiment of the contemporary art market as we head towards Art Basel Miami.

In this week's episode of the ArtTactic Podcast, first host Adam Green talks about the origins of the ArtTactic Podcast and what motivated him to launch it in 2009. Then, he speaks with Leanne Kemp, founder and CEO of Everledger, a technology company that uses blockchain technology to track the provenance of diamonds and other valuable items. Leanne talks about the history of Everledger and discusses its success bringing a blockchain platform to the diamond industry. Then, she reveals what kind of blockchain services she will offer the art world and how different it is from the diamond industry. Also, Leanne explains what it will take for a blockchain solution to become prolific in the art world. Finally, she shares how a widely used blockchain ecosystem in the art world could benefit the industry.

In this week's episode of the ArtTactic Podcast, Ronnie Pirovino, who is recognized as one of the most prolific collectors of Kaws' work, joins us ahead of Heritage Auctions' The Toy Collection of Ronnie K. Pirovino sale on November 7th, featuring 118 lots containing Kaws toys from Ronnie's personal collection. First, Ronnie tells us why he started collecting Kaws' work in the early 2000s, well before there was the hype for his art that we see today. Also, he explains how he amassed such a large collection of works by Kaws during that time, when Kaws was not a part of the gallery system like traditional artists. Then, Ronnie shares what resonated so strongly with him in Kaws' work and artist statement that motivated him to acquire hundreds of works. Next, Ronnie speaks about what is so special about the Kaws collecting community, which some have compared to a cult, and how he organically became a leader within it who has made himself accessible to others who have questions about the artist's work. Lastly, Ron

In this week's episode of the ArtTactic Podcast, Bernadine Brocker, founder and CEO of Vastari, a company that connects curators, collectors, producers and venues for exhibition loans and tours, joins us to discuss findings from their recently published reports on museum trends in the art world.

In this week's edition of the ArtTactic Podcast, Jim Hedges, of Hedges Projects, joins us to discuss Outsider Art, art made by self-taught artists. First, Jim explains what art qualifies as Outsider Art and describes how it looks aesthetically. Then, he details how Outsider Art artists started being recognized even though they operated outside of the art establishment. Also, Jim discusses how the market for Outsider Art has evolved over the past few years.

In this week's episode of the ArtTactic Podcast, Colin Gleadell, art market columnist for The Daily Telegraph and art market reporter for Artnet, joins us to discuss last week's major London contemporary auctions at Christie's, Sotheby's and Phillips. First, Colin recounts what it was like to be in Sotheby's salesroom when Banksy's Balloon with Girl self-destructed. Then, he speculates if Banksy was at the sale and if Sotheby's was aware of the ploy. Also, Colin breaks down the auctions at Christie's and Sotheby's and tells us where the art market stands after the auctions.

In this week's episode of the ArtTactic Podcast, Phil Michaelson, CEO of LiveAuctioneers, joins us to discuss online bidding in the art market. First, Phil discusses LiveAuctioneers' online bidding platform and how they partner with auction houses to enable bidders to bid live in realtime in sales. Then, he discusses how online bidding as a sales channel is trending compared to absentee bids, telephone bids and in-person bidding. Also, Phil touches on the importance of an auction house's brand when it comes to instilling confidence in online bidding as well identifying certain art market trends based on their aggregated bidding data.

In this week's episode of the ArtTactic Podcast, Asher Edelman, founding member and CEO of Artemus, an art financing and leasing company, joins us to catch-up on the latest activities in the art financing space as well as discuss the current state of the art market. First, Asher reveals the increased lending activity at Artemus and speculates why he believes the art world is more receptive to art financing than it was previously. With the art market starting up again with art fairs, auctions and gallery shows after the annual summer hiatus, Asher tells us why he's concerned about the short-term future of the art market, in large part due to non-Western collectors potentially leaving the marketplace. Also, Asher reveals why he's tracking the number of 3rd party guarantors who are winning artworks at auction.

In this week's edition of the ArtTactic Podcast, Hannah Elliott, staff writer at Bloomberg News covering the luxury sector, joins us to recap the Monterey classic car auctions, the biggest event of the year in the classic car market. First, Hannah tells us about the headline grabbing 1962 Ferrari 250 GTO that sold for $48.4 million, the highest price ever for a car at auction. Hannah shares the history of the car and why it set an auction record. Then, she sets the scene for us in Monterey, explaining how many auctions occurred and how many cars were sold. Next, Hannah describes the health of the classic car market following the auctions, including which brands outperformed and which ones experienced softening. Lastly, Hannah touches on if wealthy Asian individuals are penetrating the car market, like they are the art market, how car companies are levering the auction week to debut new cars, and if we are seeing some collectors who collect both art and classic cars.

In this week's episode of the ArtTactic Podcast, Dr Iain Robertson, head of art business at the Sotheby's Institute of Art in London, joins us to discuss his new book, New Art, New Market, exploring several emerging contemporary art markets. First, Iain explains why he decided to write the book now and identifies which geographies he explores in the book. Then, he tells us which markets he is feeling most bullish about and which ones have him most concerned. Also, Iain discusses the extent to which western art collectors are collecting artists from emerging art markets and how that differs from a decade ago before the economic crisis. Lastly, he explains government's ideal role in the development of a nascent contemporary art market.

In this week's episode of the ArtTactic Podcast, we speak with Christine Bourron, CEO of Pi-eX, a firm that offers financial instruments based on art in the art market. First, Christine introduces us to contract on future sales, a product that enables sellers to pre-sell a percentage of their artwork to investors in advance of their artwork heading to auction. Then, Christine argues why this is a superior product to traditional third party guarantees offered by auction houses. Also, she explains why investors interested in this product won't be limited to art world insiders.