Person Place Thing With Randy Cohen

The new president of Hunter College is a champion of “social infrastructure,” describing it as “A public good. Everybody uses it, nobody owns it.” Libraries, schools, parks, or, in a decent society, healthcare. That’s nostalgia! Or hope. Music: Ryan Keberle, Chris Swan, Christopher Panchame, Yuka Kameda.

“Isaac Bashevis Singer called my mother the Sherlock Holmes of Yiddish songs,” says Zalmen. His family heritage and Steven’s splendid singing were big factors in the triumph of Fiddler on the Roof in Yiddish. Presented by the National Yiddish Theatre Folksbiene and the YIVO Institute for Jewish Research.

“My life was a bit like the plot of Auntie Mame,” says this actor, writer, and drag legend. He’s got stories about Linda Lavin, Christopher Isherwood, Lily Tomlin, Angela Landsbury, Vivien Leigh, Marlene Dietrich. Plus, he sings. Accompanist: Jono Mainelli. Produced with 54 Below.

He led an expedition down Mongolia’s Selenge River, described in his book Rowing to Baikal. “To me the river is like a god, a god that I can be in conversation with. I feel like it’s alive. I don’t always understand it, but I don’t understand God either.” A conversation at the Explorers Club.

In addition to being a much-admired writer, she owns Parnassus Books, in Nashville. “Because I own a bookstore, I get a copy of just about every book that comes out. It’s like being pelted to death with books.” Like that Shirley Jackson story but more ironic. The author of Bel Canto, on friendship, fathers, writing, and reading.

This movie and TV writer—he created Monk—loves his local public radio station in Jersey City. “If you tune into WFMU, and you don’t like what you hear, just wait five minutes: you’ll hear something much worse.” Love expresses itself perversely, but it’s love. Music: Billygoat—Michelle Segre, Jennifer Sirey, Kat Lewis.

Dean of the Columbia Graduate School of Journalism and a staff writer for The New Yorker, he says, “When people ask what I think is the foundational institution of democracy, I always say: 'the public library.'” Enjoy it while we’ve got it. And what’s left of our democracy.

To be a great architect—or painter or poet or almost anything—do you need a great patron? “Certainly that helps, but then you have to bring the talent and vision and invention,” she says. Oh, well, then, never mind.  We spoke at the Louis Armstrong Center, a building they designed. Produced with Open House New York. Music: Valerie and Ben Turner.

This political scientist sees a crisis of legitimacy. “When 90% of Americans believe there ought to be universal background checks on guns, and nothing happens, you begin to wonder if your vote matters.” Happily, he has ways to make our democracy more democratic. Unhappily, they won’t be enacted. We’re all pessimists now. (All = me.) Produced with the Marlene Meyerson JCC Manhattan. Music: Pete Rushefsky, Lisa Gutkin.

This architect, celebrated for repurposing the Domino Sugar Refinery, says that his young colleagues are eager to address the great issues of the day, “as opposed to designing spaceships in the sand built by slaves.” If that’s not the title of his next book, fire the editor. Produced with the Center for Architecture. Music: Mamie Minch.

“I live overlooking Central Park, and I’m blessed at this stage in life to know that heaven is at my doorstep.” One reason it’s heavenly is that, in the eighties, as its administrator, she led the effort to restore it to its current glory. “It’s a wonderful feeling,” she adds. “For all New Yorkers,” I add, in my thank-you note.

When he was a student at Wesleyan University, he worked in the kitchen; today he’s Wesleyan’s president. “When I walk into the kitchen, although I’m the old guy who used to work there, it’s like I’m the monarch coming in with his entourage. Even if I’m by myself, I feel like they’re looking at me suspiciously.”  Uneasy lies the head that wields the mop. Or used to.

This terrific actor is admired for her work in Grey’s Anatomy and Hedda Gabler—range!—so I was sure that she seldom has heard a discouraging word. I was wrong. “Oh, please, are you kidding? I could do a dramatic reading of all my bad reviews.” And she’d be brilliant in it! Music: Hubby Jenkins. Produced with Red Bull Theater.

He’s done graphic design for Nike, Apple, and the Denver Nuggets, and is happy to confer with clients. Up to a point. “What you can get is design by committee, which to me is the most terrible thing.” (“Short of design by belligerent, knife-wielding committee,” he did not add.) He spoke from Spain, courtesy of the Type Directors Club.

She’s a witty jazz singer, an astute comedian, an admired actor (Orange Is the New Black), and she has an economic policy: “Support your local dyke bar. Go. Spend a little bit of money. Have some fun.” She has my vote, and she’s not even running for anything. Presented with 54 Below.

The author of Apeirogon and American Mother advocates the radical act of talking to our adversaries: “We do not need to love each other, we do not even need to like each other—although we hope that we could—but we absolutely need to understand each other.” Produced with the American Irish Historical Society. Music: Joseph Charles.

Just after his team rebuilt Central Park’s Sheep Meadow, it turned completely brown. Why? “How do I know? I’m not an arborist. I’m not a horticulturist. I can’t tell an elm from an oak. That wasn’t my job.” His job was Parks Commissioner; his solution was to water the lawn. It worked. Produced with the NYC Department of Records and Information Services. Music: Rashad Brown.

Flor de Toloache, a mariachi band cofounded by this Latin Grammy winner, is not just all women, it’s all world: “We had women from Australia, Korea, Egypt, Japan.” Which means it could only be formed in New York City. Additional music: Daniel Espiliz, guitar, Shae Fiol, vocals. Produced with Greenwich House School.

“We do bare feet, we do singing, we do dancing, we do point shoes,” declares the Joffrey’s artistic director. "The company combines techniques of ballet and modern," explains this former Joffrey dancer at the New York Public Library for the Performing Arts. Range!

As a boy, this conductor loved family summers in Spain. “It was a beautiful place to practice undisturbed and a fantastic place to play soccer, because soccer was my great love, violin and soccer. And then we discovered water skiing.” Mozart, same way: violin, soccer, water skiing. The making of a musician.