#amwriting With Jess & Kj

Who doesn’t want a craft book that’s fun to read and will help you plan your fiction (or memoir), write that fiction, revise that fiction and then sell that fiction? This week we talked to Theodora Taylor, author of more than 50 novels and one brilliant book about writing that made Sarina and I (KJ) go SQUEEEE and then text back and forth frantically for a couple of hours. It’s all about the “Universal Fantasies” that give our story-loving brains the things we need when we read—and how to spot those in your own writing to help you tell people what you’re all about, use them in drafting and revising and just generally make sure they’re everywhere in everything you write—literary, commercial, genre, short stories, novellas—everything.  We read Harry Potter for Hogwarts fun and the hero’s journey—but we also are in it for the universal fantasies of “crushed underdog proves self to loathsome family” and “ordinary person turns out to be special” and “loyal friends can be better than family” and so on—and the th

Ever want to know “how she did it”? This episode is our little version of How I Built This, in which we ask Zibby Owens—whose name you surely know by now—about how she turned a desire to be part of the world of books into a one-woman mini book empire. Zibby Owens is the host of Moms Don’t Have Time to Read, a daily podcast featuring interviews with authors that has over 900 episodes. She’s also a Bookstagrammer with 16K followers, the host of a second podcast—Moms Don’t Have Time to Have Sex—the editor of two anthologies, Moms Don’t Have Time To and Moms Don’t Have Time to Have Kids—KJ contributed to that last one—and now the CEO of Zibby Books, a new publishing home for fiction and memoir. She’s a regular contributor to Good Morning America, she’s been called “America’s Top Bookfluencer” and she has two books coming soon: Princess Charming, a picture book, and Booked, a memoir. She’s also got four kids, and they’re kids—elementary and middle school age, not a bunch of independent high schoolers wandering

Can a marriage survive nearly a quarter century of co-writing? I (Jess) present exhibit A on the side of yes, absolutely: illustrator Robbi Behr and writer Matthew Swanson. Robbi and Matthew met in college, have been partners in life and publishing ever since, and they (along with their four kids) are about to embark on their greatest adventure yet.  Robbi and Matthew have written over seventy books, initially with their own publishing house, and now with Random House (Knopf). Matthew writes the text, and Robbi creates the illustrations for their delightful picture and middle grade books. One of their favorite parts of being author/illustrators, however, is the part where they get to meet kids and talk about their work and the creative process.  Next year, the whole family will board a refurbished school bus and travel across the country to speak at Title I schools in all fifty states, giving away 25,000 copies of their books as they go.  Here’s a video about the adventure.  It’s an audacious, ma

Our guest on this episode has a problem—a good problem, yes. An enviable problem even. One that she herself is delighted to have: she’s sold a non-fiction book on proposal. And now she has to write it. 60,000 words, researched, organized and ready for the editor while also fitting in her day job, raising 3 kids with her partner and all of the other curveballs life likes to throw you. In this “coaching call” episode, Jess and I (it’s KJ writing, as it often is) help long-time listener Emily Edlynn figure out how much time to spend in what areas: book structure, research, interviewing, drafting, editing—and then how to set yourself up to allow for getting a major project like this completed on time. (We all know how KJ loves a good burn chart - check out episode 175: #HowtoUseaBurnChart). We talk about motivating yourself, strategies for staying on track or picking back up after the unexpected happens. (You can read Emily’s email to us at the bottom of the shownotes.) Most of us spend more time working

Hi all! Jess here. I met performer and voice educator Cate Frazier-Neely through a mutual friend earlier this year, at a Sungazer concert. I was at the concert because my son is a massive fan of Sungazer bassist and YouTuber Adam Neely and Cate was there because she’s Adam Neely’s mom. When the topic of conversation turned away from my son’s hero worship of her son and toward writing and publishing (doesn’t it always?) she revealed she’d made ALL THE MISTAKES when self-publishing her first book, and, of course, I sensed an opportunity for an episode. As this is a podcast all about flattening the learning curve for writers, I asked her to come on and tell us all the ugly details about publishing her book so we could learn from her mistakes.  Links from the Pod Cate Frazier-Neely: https://www.catefnstudios.com Episode 185: #AudioExplosion with Tanya Eby Meditations to Feed Christmas by Cate Frazier-Neely The Authors Guild We had such a great time chatting we didn’t even get a chance to

Why can’t I finish my novel? KJ here, and when I saw that heartfelt cry in our Facebook Group, I knew we had to answer. Because finishing is hard, y’all. It’s harder than starting. It’s harder than showing up to the page. There comes a moment in so many projects when the wheels are spinning but the Matchbox car just isn’t going anywhere. Ophir Lehavy is a coach herself, working with students to help them find ways to get their work done and feel more successful about it—so she knew the benefits of having someone else try to help you tease out the things that are getting in your way. There are many reasons for feeling stuck or stymied, but they often boil down to two things: feeling unable to take time away from other things, or being able to take the time—but not knowing what to do next.  We talk about both, and drill down hard on moving from one stage of a project to another, when the rhythm and goal have changed and you can’t simply keep doing what you’re doing—and come up with strategies to get O

How do I find a writing group and what if they’re mean?  That’s a question we get asked a lot, and we always encourage writers to reach out in our Facebook group or boldly throw it out there anywhere else online that you hang out and see what happens. You don’t even have to trade pages to be a writing group. You look for the kind of support and camaraderie you need.  But if you’ve ever thought of hying yourself off to your local version of Grub Street or our local spot for in-person writer-ness, The Writer’s Center to find your people—or possibly starting an in-person writer-connection-thing of your own, then you’ll want to listen to my conversation with Joni Cole, founder of said Writer’s Center and the author of Toxic Feedback: Helping Writers Survive and Thrive, Good Naked, and the This Day series, which collects diary entries from women all across the United States on a single day, and the host of the podcast Author, Can I Ask You. Joni and I talk starting writing groups, running them, keeping it po

The hardest part about writing a book is … all of it. Or, arguably, whichever part you’re doing. For our guest on this episode, listener Emily Henderson, it’s something like “I know what I want to write about, but I don’t know how. Structuring memoir or non-fiction (or, for that matter, fiction) is hard, y’all. And I think it gets talked about less in many ways that other elements of craft. We have this illusion that you come up with an idea and then you write it and it’s the writing that’s hard. But taking that idea and even getting it into a writeable shape is also hard. Are you writing a how-to book? A chronological story? A series of essays? An exploration of a big idea through a smaller lens? You may not know until you try. We talk about exploring all the iterations and then—ironically, since what Emily hopes to do is explore her “Covid project” of running every street in Santa Barbara—we helped Emily build a NaNoWriMo-style “project” around finding her book’s structure and getting some words on th

Hello listeners! Jess here.  I had the chance to interview one of my former students, Will Morey, about his career as a writer. He has always been talented, and even way back when I knew him in high school English class (actually, since he was eight) he has dreamed of working in movies and television. We talk through his entire career, from a high school screenplay about vampires to working in professional theater, to helping create (and this was a new word for me) “Mockbusters,” or close-but-not-quite versions of big Hollywood blockbuster films, to working as a “Conform,” (another new word to me) to breaking through and writing animated features such as Spy Kids: Mission Critical and Dragons: Race to the Edge and Dragons: Rescue Riders. He’s currently querying literary agents for a novel he completed this year and in true #AmWriting fashion, we had to talk about how he selected the agents he has decided to reach out to and why.  At its core, this is a discussion about an education in writing for televi

Querying and submitting is a jungle, campers—and yet if it’s done right, it can not only work out happily in the end, but seem as if it were meant to be. “Meant to be” after a year of additional work, anyway. Mindy Carlson has just signed a 2 book deal with Crooked Lane Books. The first, Her Dying Day, comes out June 7, 2022. I asked her to come on to talk about her road to publication--because she revised and resubmitted her novel not just once but twice before signing with her now agent. Said agent was one of her top choices and among the first she submitted to, but it was a long road to that happy ending. Mindy tells the whole story in this episode, in which we also talk revisions, when editors know what’s wrong—but not necessarily how to fix it, writing conferences, thriller plotting and more. Links from the Pod The Big Thrill (the online magazine of the International Thriller Writers Association) Mindy’s interview with Anthony Horowitz Episode 229 #Interviewing with NPR's Celeste Headl

The whole “am I showing, or am I telling” inner debate can be tough in every part of a novel, memoir or nonfiction-with-elements-of-memoir draft. You don’t want to “tell” about the action. You don’t want to “tell” about the setting. And goodness knows you don’t want to “tell” what the character is feeling. Except when you do. Sometimes a little telling, in the form of inner dialogue, is exactly what the reader needs to feel a part of the story, not just the happenings. Sarina, Jess and KJ are all in for a conversation about how to immerse a reader in emotions, reactions, fears, self-doubt and even self-deception.  Got an inner dialogue question you’re wrestling with? Try sharing it in our Facebook group—and for other burning questions, small and large, email us at amwriting@substack.com. We can’t respond to every email, but we might answer your question on an upcoming show—or even invite you on for a little coaching. All links and quotes from the pod are below—but first, did you know that making a po

Welcome to what I think we’ll designate as a fresh new season of #AmWriting! We are mixing it up a bit this fall. It’s KJ here, and I’ll be doing some great interviews on craft and getting the work done. Jess has some interviews up her sleeve as well, and Sarina will be joining us regularly for what I like to think of as “Masterclass” episodes on craft and process. We’ll also be doing some “coaching calls” with listeners who’ve written in with a burning question that one or more of of can help with—so if you’ve got something on your mind about your writing life, let us know at amwriting@substack.com. We can’t promise to answer every email, but if your question strikes us as something where we can helpfully weigh in, we’ll answer it—and we might just invite you to be a guest on the pod while we do. BUT TODAY, enjoy my interview with Heather Chavez. Heather is the author of one amazing, fast-moving, can’t put it down heck of a ride thriller: No Bad Deed. Listen to this hook: A woman pulls over to help when s

The author I’m interviewing today, Joy Imboden Overstreet, holds the distinction of having procrastinated on writing her first book longer than any previous #AmWriting guest—about 40 years. She is also the writer whose essay on her son’s unusual business venture enabled me, in my role as an editor at the NYT, to publish the paper’s first illustration of a personalized vibrator, and I will forever be grateful to her for that. But wait, I hear you saying. Forty years? Forty? How did Joy manage to make it happen? Don’t worry—that’s exactly what we talk about in the episode. The backstory: Back in 1975, Joy created a workshop program in the San Francisco Bay area on the her book’s topic: finding freedom from obsessing about food, weight and body size. When she sold the business to her partner to go to graduate school in public health in 1980, she fully intended to write a book based on her work, but—spoiler—things happened, and then more things happened (including a pretty thriving freelance career) until s

Stephen King says: Write with the door closed, rewrite with the door open. In this episode, we dare to ask if maybe that’s not always the case. Does having to put your idea into words and get it into another person’s head weaken it--or force you to make it strong? Links from the pod: The Idea: The Seven Elements of a Viable Story for Screen, Stage or Fiction by Erik Bork Great Stories Don't Write Themselves: Criteria-Driven Strategies for More Effective Fiction by Larry Brooks Libro.fm #AmReading KJ: The Bookshop of Second Chances by Jackie Fraser The Diary of a Bookseller by Shaun Bythell Jess has criticisms: A Carnival of Snackery by David Sedaris A Slow Fire Burning by Paula Hawkins The Plot by Jean Hanff Korelitz And—got a burning question about a writing life issue? Something on your mind you’d love for us to help you with? Email us at amwriting@substack.com. We can’t promise to answer everyone, but if we think we could be useful to you (or know someone who

By popular request, it’s the 2021 The Addiction Inoculation Launch Story! Jess fills us in on the weirdness and craziness that was a mid-pandemic non-fiction book release. Her advice includes: don’t try to do too much, target your energy—and ask for help making choices when you don’t know what to do when. We talk balancing an outside and an inside publicist, working with local booksellers for signed copies and larger orders, the challenges of a world with far fewer speaking opportunities and just generally what went right and what could go better next time. Links from the pod Nicole Dewey Media Mail via Paypal #AmReading Jess: The Guncle by Steven Rowley On Writing: A Memoir of the Craft by Stephen King Horns by Joe Hill Sarina: Rosaline Palmer Takes the Cake by Alexis Hall KJ Recommends: Battle Royal by Lucy Parker We are so grateful to our sponsor, Author Accelerator, and the writing community they’ve built! If you’ve considered becoming a book coach as a s

Jess and Sarina are back! After a hard-working summer and an August of anxiety (don’t tell us you didn’t feel that too), we talk about how we got all the things done and all the things we have planned, with a fun diversion into how and where to end a chapter to create the illusion of a break while keeping the reader hooked. Plus, a summer reading review that will absolutely add to your #tbr. Links: Sarina’s new co-author, Lauren Blakely Sarina’s latest best-seller: Waylaid The Idea: The Seven Elements of a Viable Story for Screen, Stage or Fiction by Erik Bork. KJ thought she’d brought that book up on a Writer’s Bookshelf episode, but it turns out she didn’t—so it may turn up again in a future show. #AmReading Jess:  The Stand-In by Lily Chu, Wilding by Isabella Tree, and Once There Were Wolves by Charlotte McConaghy  KJ:  The Guncle by Steven Rowley, Good Company by Cynthia D'Aprix Sweeney, The Roxy Letters by Mary Pauline Lowry, and Having and Being Had by Eula Biss Sarina:

For that moment when you’ve hit the finish line—and now you’re going back to the beginning and starting all over again in a different hat. In our new summer series, The Working Bookshelf, KJ and guest host Jennie Nash pull their favorite writing books off the shelf and debate: which is better and why—until invariably, they get distracted and just start talking about the topic at hand. Funny, fresh and full of frank advice, when KJ and Jennie get going they’re hard to stop. This week, it’s Meander, Spiral, Explode: Design and Pattern in Narrative versus Blueprint for a Book.  In a new twist, you can also watch these episodes on YouTube. Find Episode 10 HERE. And, for your looking-forward pleasure, here’s the whole series, dropping once weekly all through the summer of 2021. 1. Inspiration 2. Plotting 3. Productivity 4. Up Your Game 5. When You're Stuck 6. Getting Published 7. Writing While White 8. When You Don't Know Why You're Doing This 9. Writer Comfort Reads  10. Editing  This special s

Sometimes you just need to spend a few hours with someone who really gets you—without actually having to talk to anyone.  In our new summer series, The Working Bookshelf, KJ and guest host Jennie Nash pull their favorite writing books off the shelf and debate: which is better and why—until invariably, they get distracted and just start talking about the topic at hand. Funny, fresh and full of frank advice, when KJ and Jennie get going they’re hard to stop. This week, it’s Bird by Bird versus Making a Literary Life. Writer comfort reads from authors who know how we feel and can express it so well. In a new twist, you can also watch these episodes on YouTube. Find Episode 9 HERE. And, for your looking-forward pleasure, here’s the whole series, dropping once weekly all through the summer of 2021. 1. Inspiration 2. Plotting 3. Productivity 4. Up Your Game 5. When You're Stuck 6. Getting Published 7. Writing While White 8. When You Don't Know Why You're Doing This 9. Writer Comfort Reads  10. Editi

Sometimes you find yourself asking—over a draft, or a failed draft, or a sagging outline or just during a really long drive—why exactly you do this thing we do. This week, we turn to some favorites to help answer that question. In our new summer series, The Working Bookshelf, KJ and guest host Jennie Nash pull their favorite writing books off the shelf and debate: which is better and why—until invariably, they get distracted and just start talking about the topic at hand. Funny, fresh and full of frank advice, when KJ and Jennie get going they’re hard to stop. This week, it’s Start with Why versus How to Write an Autobiographical Novel.  In a new twist, you can also watch these episodes on YouTube. Find Episode 8 HERE. And, for your looking-forward pleasure, here’s the whole series, dropping once weekly all through the summer of 2021. 1. Inspiration 2. Plotting 3. Productivity 4. Up Your Game 5. When You're Stuck 6. Getting Published 7. Writing While White 8. When You Don't Know Why You're Doi

Everybody, no matter what box we check or refuse to check on the census, sees life most easily from our own perspective while knowing there are many, many others. How do we write books that reflect the world we live in and all the people we live among—without claiming to speak about experiences we have not and cannot have? In our new summer series, The Working Bookshelf, KJ and guest host Jennie Nash pull their favorite writing books off the shelf and debate: which is better and why—until invariably, they get distracted and just start talking about the topic at hand. Funny, fresh and full of frank advice, when KJ and Jennie get going they’re hard to stop. There’s no competition this week, because the books we found on this topic are all helpful, whether you’re a white writer working toward change or a writer who identifies in another way, ready to point your colleagues towards some books that will help them evolve—or a writer who fits into any category (that’s all of us) who wants to be sure her charac