The Incomparable

Climb on a dragon and join us for our traditional breakdown of the just-completed season of “Game of Thrones.” Did the story reach a satisfying conclusion? Were the character arcs consistent? Did the structure of the season satisfy us or undercut our assumptions about what the show was really about? And what is to become of the Night’s Watch? One last time, we go to Westeros.

For some reason, this seemed like a good time for our panelists to get together and draft their favorite and least favorite TV series endings of all time. We’ll wager that there are opinions you’ll disagree with and shows you’ve literally never heard of.

It’s time once again for our Book Club to tackle the six novels that made it to the Science Fiction Writers Association’s shortlist, the nominees for the Nebula Awards. All four of us read all six nominees and we discuss their merits (and occasionally demerits). The concept of being a Reverse Nemesis With a Twist is introduced. If you’re looking for a few books to add to your reading list, this episode will hit the spot.

Time to boldly go back to the earliest days of the Star Trek canon with our review of the second season of “Star Trek: Discovery”, which mixed in some Doctor Who and Star Wars sensibilities with varying results. We praise the characters, shrug at some of the mystifying plot points, and are left pondering where the series and the franchise go next. Plus there’s an enormous amount of love for Anson Mount’s Christopher Pike. Never forget: #theybuilttheset.

Part Two of our team coverage of “Avengers: Endgame!” Chip Sudderth assembles more of our Incomparable regulars and newer voices for a different angle on the movie—weaponized nostalgia, timey-wimey nonsense, delightful surprises and sour notes, and what this movie means for the future of the Marvel Cinematic Universe.

We’re in the endgame now. In this, the first of two episodes about “Avengers: Endgame,” we break down the plot of perhaps the biggest movie of all time. How does time travel work? How do we feel about the final destinations of beloved characters? Why does the Hulk need to take the stairs? Who is worthy of wielding the power of Thor? Also, Jason has a pitch for a new Captain America TV series.

We’re all out seeing “Avengers: Endgame”, so here’s something completely different to tide you over. A while ago we all were talking about how our Rocket Surgery selections are so weird and obscure that we could just make up an entire movie and nobody would be able to tell the difference. So we did that. As with episode 453, here’s a Rocket Surgery about a movie you won’t find on IMDB or YouTube, because it totally doesn’t exist. We made it up on the spot, plot point by plot point. It’s 1963’s “The Howling Horror of Dracula.”

Pop on your mind-control goggles, unpunch your nemesis, and prepare to board the world’s largest hydrofoil—it’s time for us to discuss 2018’s much-awaited Pixar sequel “Incredibles 2”. Brad Bird’s original film tops the list of favorite animated films for many of us. This film… doesn’t. In this episode we detail all the ways that both story and an unfortunate change in Pixar’s release schedule let this movie down, while trying our best to also highlight the many reasons we still find it worthy of revisiting.

We break down the “Star Wars: Episode IX - The Rise of Skywalker” teaser trailer scene by scene, speculate about what the title means, question how to balance the closure of the classic saga without straying too far into nostalgia trips, and offer some wild speculation. Then we wrap things up with a discussion of the future of the franchise now that it’s moving (at least temporarily) to the forthcoming Disney+ streaming service.

“Paper Girls” is a comic that looks like it’s steeped in ’80s nostalgia, then makes you think it’s a modern story commenting on ’80s nostalgia, and then takes a 90-degree turn and becomes something even more interesting. This week we discuss the comic by Brian K. Vaughan and Cliff Chiang, which begins as a story about four girls delivering newspapers on a morning in 1988. The first 25 minutes or so is all spoiler-light, and then after the Spoiler Horn we jump into our discussion of the first two trade-paperback collections. (There are five volumes in all, with the sixth and final collection due this summer.)

It’s the Rocket Surgery Film Festival! In this episode, we’re watching something that proves that computer-game film adaptations were a bad idea from the very beginning! Based on a late 1970s Atari game, it’s the ill-fated “Star Raiders.” There’s a not-dashing star pilot, a sullen space princess, an annoying robot, and is that Sheriff Lobo in a tight-fitting jumpsuit? If you’re looking for a cross between “Star Wars” and “Raiders of the Lost Ark”, are you in for some disappointment. Once again, we watched the movie so you don’t have to. Correction: Due to a clerical error, none of these movies actually exist. This episode was entirely improvised.

Protocol Omega has been activated, so it’s time to discuss the final season of Netflix’s “Travelers.” This is a mid-budget Canadian time travel show that we love, and if you haven’t dived in yet, now’s a great time. In this episode we talk about the show’s surprisingly satisfying ending, try to work out what makes this show’s particular brand of time-travel rules so intriguing, discuss some of our favorite moments, and air a few of our complaints about the final season.

Put on some flannel and pop in a grunge CD—it’s time to talk about Marvel’s 1990s throwback movie, “Captain Marvel.” We discuss Brie Larson and Samuel Jackson’s buddy-movie connection, surprise twists designed to trip up comics know-it-alls, and the dangers of gaslighting someone with cosmic powers. Strap in, and let’s fly this thing into orbit!

Spin a web, any size, and join us as our Comic Book Club discusses the comics from 2014 that inspired “Spider-Man: Into the Spider-Verse” and, more generally, the concept of alternate versions of Spider-Man. We read “Edge of Spider-Verse,” which introduces Spider-Gwen and Peni Parker, and the “Spider-Verse” issues of “Amazing Spider-Man.” Along the way we talk about our favorite alternate spiders and what path the makers of “Into the Spider-Verse” might choose as they ponder sequels and spin-offs.

Take our advice—it’s good advice—and revisit 2011’s “Source Code”, an under-appreciated gem of a sci-fi thriller directed by Duncan Jones and starring Jake Gyllenhaal. A first glance at the plot summary would suggest it’s a certain kind of movie, but this film has many more layers that are revealed over its 93 well-paced minutes. (And if you don’t know what it’s about, don’t look!) We’ve got praise for the script, the direction, the performances—especially by Michelle Monaghan and Vera Farmiga—and at some point we order Jeffrey Wright a creepy pizza. You’ll never look at Chicago commuter trains the same way again.

Dan Moren’s second novel, “The Bayern Agenda,” is coming soon to bookstores. He joins Jason to discuss how writing a novel is different the second time around, how the book connects (and doesn’t connect) with his previous novel, where he writes, and how he balances tech writing and podcasting and novel writing. And in a final lightning round, Dan answers some of the Internet’s most pressing Dan Moren-related questions.

We’re just back from the annual Gallifrey One convention, and so with “Doctor Who” on our minds we thought we’d ask a panel of fans both new and old to select their favorite “Doctor Who” monsters of all time. But let’s keep in mind that if science fiction has taught us anything, it’s that we were the true monsters all along.

Clip the labels off your clothes and put on a World War II replica bomber jacket—it’s time to revisit one of our favorite novels of this century, 2003’s “Pattern Recognition” by William Gibson. It was Gibson’s first book to be set in the present day, and yet 16 years later it still feels like a work of science fiction, with a very modern story about brands and viral marketing and our desperate search to find meaning in a world that may have none. If all you’ve read of Gibson is “Neuromancer”, it’s past time that you visited the post-9/11 world of cool-finder Cayce Pollard, the mysterious internet video clips known as The Footage, the global marketing firm Blue Ant, and a series of increasingly lonely international hotel rooms.

Put on your fake beard and step out of a magic door, because 2004’s “Howl’s Moving Castle” is in the spotlight. Hayao Miyazaki adapts Diana Wynne Jones’s novel as an anti-war statement that also plays as a Miyazaki’s Greatest Hits collection. We discuss the choices of the English audio dub versus the original Japanese version, ponder the film’s many discarded story threads, note the lengthy scenes involving climbing and cleaning, and debate the true role of Calcifer the fire demon in Howl’s household.

Our Old Movie Club visits two musicals—but they’re both unusual. From near the beginning of the sound era comes “Gold Diggers of 1933”, a Depression-era tale of showgirls and swells and misunderstandings with enormous Busby Berkeley production numbers. And from the early days of Beatlemania comes 1964’s “A Hard Day’s Night”, intended (at least by its financiers) to be disposable boy-band fluff, but ended up being one of the most influential films of the 20th century.