The Incomparable

There was a lot of great TV released in 2019, but if you ask us, there was none better than HBO’s “Watchmen”, which took a classic comic and tried to match it as a modern TV series. We discuss how the series dealt with race, superheroes, empire, masks, eggs, and legacy. Also: Will there be a second season? Should there be? Nothing ever ends, Adrian, especially if the spin-offs remain profitable. The initial file upload was broken in a spectacular way. Delete and re-download if you experience weird audio after 29 minutes.

Happy New Year! Another year has gone by, but we don’t want to miss the opportunity to take one last look back at 2019, as our most frequent panelists of the year share some of their favorite works and discuss their favorite Incomparable moments while we play some classic 2019 audio clips.

Our trilogy of panels about “The Rise of Skywalker” concludes with a discussion of the film’s themes, how Kylo Ren keeps sliding into Rey’s DMs, whether you can ever have enough “Star Wars”, and how “Star Wars” is a little bit like “Seinfeld.”

Our panel of rebel podcasters, striking again from their hidden base, present another perspective on “The Rise of Skywalker.” Why does James want to see evil droids? Does Liz find Ben Solo or Kylo Ren more intriguing? Can Chip be satisfied with the ending to this generation-defining saga? Why are we in the midst of a global Porg shortage? Guest host Antony Johnston will seek the answers.

The Dead Speak, and so do we! It’s our first panel reviewing “The Rise of Skywalker.” Can this film bear the gravitational pull of the eight previous Skywalker Saga films? Does it provide a proper ending? We discuss Rey’s parentage, Finn’s increasing abilities, Poe’s lessons in leadership, whether Kylo Ren can possibly be redeemed, Zen and the Art of X-Wing Maintenance, how the film balances honoring Carrie Fisher with serving Leia’s character arc, and much more.

Get out your flask of maple syrup, warm up your Lite Brites and Etch-A-Sketches, and check the Clausometer, because it’s time to tell the story of Buddy the Elf. It’s 2003’s “Elf”, the modern Christmas classic starring Will Ferrell. What are the theological implications of the seven levels of the candy cane forest? Why so many “Lord of the Rings” references? How can James Caan and everyone else at the publishing company be so bad at their jobs? Wait a second… this isn’t maple syrup!

Though Disney’s purchase of Fox clears all final hurdles in terms of rights to the original “Star Wars”, there’s still no way for anyone to watch the historic theatrical cuts of any of the original films. Instead, the new Disney+ streaming service now offers a 4K Special Edition with even more changes to the beloved classic. Is this the definitive version of “Star Wars” for the rest of eternity? Does Disney’s assumption of the franchise provide a new hope? Can Disney honor history and give fans what they want without negating George Lucas’s insistence that his Special Editions are the only editions? What is “Star Wars” and what will it be in the future? In this episode, we solve the whole thing. You’re welcome.

Old Movie Club finally takes on the big one, David Lean’s 1962 epic “Lawrence of Arabia.” Sand! Endurance! Men! Camels! Violence! Anticolonialism mixed with racism! Omar Sharif redefines thirst in the desert! The real romance in the movie without romance! This is a movie that builds myths with one hand and undermines them with the other. This episode has no overture, but there will be a brief intermission.

Our Book Club reconvenes to discuss “This Is How You Lose the Time War”, a beautiful novella about the relationship between two time-traveling operatives in a multiverse-wide struggle. Also, Erika keeps stuffing us full of food metaphors. Plus: What are we reading? This episode will go down like ice cream on your brain tongue.

We live in a world of film sequels and franchises. And yet, some films we love, that were certainly worthy, never received a sequel. This episode attempts to correct that, but in order to create we must also destroy—and name the film sequels we would like to eradicate from memory. All of these momentous decisions are made via the most perfect decision-making process yet devised: a draft. This episode is so good, you’ll be begging for a sequel.

In this final appendix to our Summer of Spider-Man, we watch a movie that’s probably much better than you’ve heard—2012’s “The Amazing Spider-Man.” Yes, it wasn’t necessary to re-tell Spidey’s origin ten years after the Tobey Maguire version, but you know what? This movie does it better, Andrew Garfield is pretty great as a mopey skateboarding Peter Parker, and Emma Stone is a fun and smart Gwen Stacy. We also discuss “The Amazing Spider-Man 2,” which is a movie that reminds us of Batman movies—the really awful ones.

Watch movie. Do podcast. Repeat. We’re pretty sure this is our first time discussing “Edge of Tomorrow,” but can you ever really be sure? Tom Cruise and Emily Blunt star in this film about fighting an alien invasion through countless iterations of a single event. But unlike “Groundhog Day”, the origin of the time loops is key to the plot. If you haven’t seen this one yet, you’re missing out on one of the decade’s most under-appreciated sci-fi films. Watch movie. Do podcast. Repeat.

It’s almost Halloween and we’re watching a horror movie! As recommended by Steve Lutz 475 episodes ago, it’s a Canadian tale of girls becoming women, and women becoming wolves: “Ginger Snaps.” We discuss parallels to “Buffy”, connections to “Orphan Black”, and ultimately whether this film can live up to its feminist aspirations or if it’s yet another case where a girl is punished for becoming a woman—er, werewolf.

Holy Nostalgia! Our tour of live-action Batman features comes to an end with 1966’s “Batman”, in which a rogues gallery of villains from the Batman TV series—Joker, Riddler, Penguin, and Catwoman—take on Batman and Robin. We praise the… acting stile of Adam West and why…. he… was perfect for this part. We ponder how influential the 1960s Batman was on public perception of superheroes and comic books for decades thereafter. And we finally answer the question you’ve all been asking: What weighs five ounces and is very dangerous? To the batcave!

Your voice is your passport, so prepare to be verified. We discuss 1992’s “Sneakers,” a spy/heist thriller in which a team of smart people solve puzzles while trying to navigate the NSA, Russian spies, and an angry genius who works for the mob and is trying to overthrow the world order. Yes, star Robert Redford rolled a very high Charisma score, but the rest of the cast is also amazing.

Grab a shard, climb up your orrery, and get ready for the conjunction—it’s time to watch 1982’s “The Dark Crystal”, directed by Jim Henson and Frank Oz. This is a fantasy film featuring a prophecy, a young hero, a plucky animal sidekick, and villains so scary that it scarred several of our panelists’ young minds. And did we mention everyone’s a Muppet? Netflix has a new “Dark Crystal” prequel series, but we won’t spoil that—this is all about the original 1982 film.

Jason’s commitment to drafting things as a lifestyle continues in this episode, in which he’s joined by six panelists to draft X-Men from across movies, TV, and comics. The goal is to form a four-person X-Team, complete with names. Along the way we learn a lot about childhood loves, softball, vampires, the basics of German, and how the coolest and worst X-Men can co-exist.

Pour a sugary bowl of cereal and sit down in front of the TV for a long morning of entertainment. It’s time for our Saturday Morning draft, in which nine people of various ages draft favorite their favorite kid programming from their childhood. Plus cereal. Did we mention cereal?

Our survey of the films of Hayao Miyazaki turns to his most recent film, 2013’s “The Wind Rises.” In many ways, it’s his most adult film, the story of an aeronautical engineer who must pursue his dreams amid earthquakes, rising geopolitical tensions, and personal challenges. Is movie tuberculosis like real tuberculosis? Is Miyazaki’s approach to pre-war Japan (and its allies, Germany and Italy) delicate or problematic? Does the film sufficiently address whether creators are complicit in how their work is used? Is the wind still rising?

Our season-by-season survey of “Buffy the Vampire Slayer” goes to college, as we explore season four. UC Sunnydale is full of welcoming professors, friendly TAs, annoying roommates, and a collection of government commandos who are experimenting on the local demons and vampires. Spike returns as comic relief. We’re all about Willow and Tara. And then there’s that episode where nobody talks and that other one where they’re all dreaming. We break it all down like it’s 1999.